If you were hoping the sequel to 100% Wolf would spend more time fleshing out the werewolves of the pack you would be disappointed. Instead, following the formula of the first film, 200% Wolf continues the journey of Freddy Lupin (Ilai Swindells) spending time with his doggy friends while attempting to find respect within the pack despite his werepoodle appearance and another bad choice that will get him shunned again by the pack.
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In 2020’s 100% Wolf Freddy Lupin (Ilai Swindells) is disappointed, and banished, following his first ever moonlight transformation not into a werewolf but into a werepoodle. Shunned by his family, who believe he is cursed for losing a valuable relic years before, Freedy makes new friends on the streets and in the dog pound of the nearby town finding common ground with dogs (who apparently, for some reason, don’t normally get along with werewolves).
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Director MJ Bassett‘s Red Sonja is a bit of a mixed bag that makes several decisions about Sonja and her world that drastically limit the character’s effectiveness on-screen. The first choice is to offer a tragic origin story but somehow not allow for Sonja’s communion with a god granting her the fighting skills necessary to take her revenge until the end of the movie. The choice leaves Sonja a capable warrior for much of the film but far short of the larger-than-life She-Devil with a Sword who has entranced readers for more than 50 years.
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Wayback Wednesday takes us back to Eternia and the Masters of the Universe. The sixth episode produced He-Man and the Masters of the Universe, and the second to be aired, “Teela’s Quest” takes Teela (Linda Gary) on a journey to the Crystal Sea hoping to learn the truth about her real parents from the Oracle. Learning shes’s gone off alone on such a dangerous journey, He-Man (John Erwin) and Battlecat follow as Skeletor (Alan Oppenheimer) dispatches Mer-Man (Oppenheimer) who plans to sacrifice the young warrior to the sea demon Bakkull.
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He-Man and the Masters of the Universe – Teela’s QuestRead More »
He-Man and the Masters of the Universe – Teela’s Quest Read More »
For a long time co-writer/director John Boorman‘s 1981 film was, for many, the definitive take of Arthurian legend on film. In the four plus decades since, Excalibur feels a bit forgotten. Shot entirely on location in Ireland, the film won immediate acclaim for its viaual style, costume design, and cinematography. Cast with mostly unknowns (with a couple of notable exceptions) the film adapts Thomas Malory‘s Le Morte d’Arthur covering Arthur from conception through death.
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