Horror

Buffy the Vampire Slayer #25

/ / Comics

Buffy the Vampire Slayer #25 comic reviewAfter preventing a pair of vampires from assembling the Judge, the team follows Willow into a parallel Earth to where the original television show’s timeline is unfolding (and that Xander isn’t a vampire). Anya is along for the ride although she doesn’t reveal her true motivations to the Scoobies (are they called Scoobies in the alternate timeline?) and keeping them safe from the Lurkers looking to cleanse the world of those who don’t belong.

For the big worlds’ colliding event, Buffy the Vampire Slayer #25 is actually a bit dull as the new characters avoid their original counterparts and avoid any possible negative reaction to running into themselves. While it’s nice to get a few panels of the original group, there’s nothing all that interesting happening to them. And when all is said and done it doesn’t take much for Buffy to convince Willow to return home offering no climax to the story.

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The Host

/ / Home Video
  • Title: The Host (2006)
  • IMDb: link

The Host movie reviewThrowback Thursday takes us back to 2006 and a South Korean horror film from one of today’s best directors. Although writer/director Bong Joon Ho has reached greater heights with Memories of Murder and Parasite, his 2006 horror film Gwoemul, or The Host, about a mutated creature running amok along the Han River is still quite entertaining. We see the cause of the creature in the movie’s first scene when an American scientist (Scott Wilson) orders dangerous chemicals destroyed and flushed into the river (in reference to U.S. Military’s actions in Seoul in 2000).

The plot mostly revolves around a single dysfunctional family made up of snack bar owner Park Gang-du (Kang-ho Song) his father (Byun Hee-bong), his daughter Hyun-seo (Ko Asung), his sister (Bae Doona), and his brother (Park Hae-il). Present during the first attack, Hyun-seo is presumed dead although she was actually only taken deep into the sewers by the creature as the family, when not fighting each other or running from inept police and health officials, mounts a search.

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Angel – Dear Boy

/ / Television Reviews
  • Title: Angel – Dear Boy
  • wiki: link

Angel - Dear Boy television review

Throwback Thursday takes us back to Los Angeles and the adventures of a vampire with a soul. The Second Season of Angel is fixated on Darla (Julie Benz) and the return of Angel’s sire. After being gaslit for several episodes, an already shaky Angel (David Boreanaz) discovers that not only is Darla alive but is human. We witness Wolfram & Hart’s plan to turn Angel evil by framing him as an unhinged obsessive responsible for the murder of Darla’s husband (an actor hired, and promptly killed by Wolfram & Hart). The crime leads to the return of Detective Kate Lockley (Elisabeth Röhm), a character that never quite worked and would exit the show just a few episodes later. “Dear Boy” also highlights Angel’s disgust at the seedier side of being a private investigator when he’s hired to spy on a cheating spouse supposedly abducted by aliens.

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Angel – Are You Now or Have You Ever Been

/ / Television Reviews
  • Title: Angel – Are You Now or Have You Ever Been
  • wiki: link

Angel - Are You Now or Have You Ever Been television review

Throwback Thursday takes us back to Los Angeles and the adventures of a vampire with a soul. It may not be the best episode of the series, as some argue, as the Rebel Without a Cause references are little too obvious and it lacks the necessary ingredients of both Winifred Burkle and Wee Little Puppet Men, but the second episode of Angel‘s sophomore season has a lot going for it. “Are You Now or Have You Ever Been” fits nicely into the show as the introduction of the Hyperion Hotel which would become the new home base of Angel Investigations as well as open the door for the series to explore more of the main character’s past.

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Godzilla vs. Kong

/ / Movie Reviews
  • Title: Godzilla vs. Kong
  • IMDb: link

Godzilla vs. Kong movie review

A year ago, summer was called off, theaters were closed, and studios pulled their largest potential blockbusters from the calendar. Although far from perfect, and with too much of the Godzilla story built on the ashes of the weakest film of the series (Godzilla: King of Monsters), Godzilla vs. Kong delivers the kind of big dumb summer blockbuster audiences have been waiting two years for. The culmination of Legendary’s MonsterVerse wastes little time getting both King Kong and Godzilla on-screen. And, clocking in at under two-hours, director Adam Wingard knows not to overstay his welcome.

As the film opens, Godzilla appears to be out of control, attacking the Florida coastline without warning (although his choice of target, Apex Cybernetics, allows some to question the kaiju’s motives). Having defeated the last of the Titans, only Kong, who has remained in Monarch captivity on Skull Island, remains. With Godzilla’s increasingly erratic actions a choice is made to return Kong to the Hollow Earth, both for his own protection, and in a businessman’s (Demián Bichir) hope that something long hidden can be found to defeat Godzilla.

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