Michael Fassbender

Top 10 Movies of 2025

/ / Top Tens & Lists

2025 turned out to be a good year at the movies with some heavy-hitters topping my list. While my top ten may lack a couple of notable films such as Marty Supreme (which, while I quite enjoyed, never hit with me on an emotional level), it’s an eclectic group across multiple genres including drama, a spy thriller, science fiction, horror, and even a comedy sneaking onto the list. Other honorable mentions include Weapons, House of Dynamite, and Eephus. Now, on to our countdown…

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Black Bag

/ / Movie Reviews
  • Title: Black Bag
  • IMDb: link

An evening with the Woodhouses would certainly be a memorable experience. More John le Carré than James Bond, Black Bag is a slow burn spy thriller that starts by introducing us to George Woodhouse (Michael Fassbender) who learns one of five intelligence officers is responsible for the leak of top-secret software called Severus. The suspects include Freddie (Tom Burke) and his girlfriend Clarissa (Marisa Abela), psychologist Zoe Vaughan (Naomie Harris) and her current fling James Stokes (Regé-Jean Page), and George’s wife Kathryn (Cate Blanchett).

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Next Goal Wins

/ / Movie Reviews
  • Title: Next Goal Wins
  • IMDb: link

Next Goal Wins

Based on a true story of a washed-up soccer coach exiled across the world and tasked with turning around the worst international soccer team in the world after their historic loss 31-0 on the world stage, Next Goal Wins is pretty much what you would expect following in the footsteps of films such as Cool Runnings, A League of Their Own, or The Mighty Ducks… just not as good.

While perfectly acceptable as family friendly TV entertainment for something like The Hallmark Channel, Next Goal Wins lacks the heart of a champion and is more notable for Kaimana‘s role portraying Jaiyah Saelua, the first openly non-binary and trans woman to compete in a FIFA World Cup qualifier, than the story of the coach (who does little on-screen to teach soccer and whose motivations seem to come and go when the film needs them to without ever providing any proper motivation to change his attitude towards himself, his situation, or the team).

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