Romance

My Other Best Friend’s Wedding

  • Title: Made of Honor
  • IMDB: link

“I want you to be my maid of honor.”
 
made-of-honor-poster

After realizing he loves his best friend, Tom (Patrick Dempsey) decides to pledge his love.  The only trouble is Hannah (Michelle Monaghan) has just gotten engaged to a Scottish noble (Kevin McKidd) and has asked Tom to be her maid of honor.  Of course he accepts (leading to mayhem) and tries to win her for himself (leading to mischief).

What follows is exactly what you’d expect.  Tom struggles with his duties as maid of honor and his inability to stop the wedding and tell Hannah his true feelings.

Although the film isn’t awful, it lacks any spark or reason for us to care about these people.  Hannah doesn’t seem better off with Tom or Colin than she would be on her own.  And Tom’s sudden need to express his feelings reeks more of desperation than true love.

Monaghan and Dempsey are fine in the leads, but they come off more as good friends than characters who the audience should be rooting to get together.

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Never Back Down

  • Title: Never Back Down
  • IMDB: link

“Win, lose, it makes no difference.  This is my fight; everyone’s got one.”

never-back-down-poster

Ripping off the plot of The Karate Kid the film focuses on a high school student in a new school trying to fit in only to get bullied by the local martial arts stud (Cam Gigandet).  Jake (Sean Faris) is an angry young man who blames himself for the death of his father (Steve Zurk), and although he is never looking for a fight, somehow one always manages to find him.

Jake makes the move with his little brother (Wyatt Smith) and mother (Leslie Hope) who disappears for large stretches of the film only to show up to treat her son like shit, until, of course, the plot calls for her to gain insight and understanding and support him in his big moment.

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Love & Basketball

Love & Basketball mixes sports and love by following two friends through their lives on the court and with each other.  It’s not a great film, but it is the type of film that bridges the gap and provides a sports flick which couples can enjoy together.

Love & Basketball
Custom Rating

“It’s a trip, you know.  When you’re a kid you see the life you want, and it never crosses your mind that it’s not gonna turn out that way.”

Love & Basketball follows the lives of two children (Kyla Pratt, Glenndon Chatman) who grow-up to be best friends and share a love for the game of basketball.  As they reach maturity Quincy (Omar Epps) struggles with the stress to reach the NBA and prove himself as a better man than his womanizing father (Dennis Haysbert).  Monica (Sanaa Lathan) struggles through playing college ball to near empty auditoriums before graduating and moving overseas to follow her dreams.

One of the film’s strengths is the dichotomy it shows between the men and women’s game and the perception and reality of each.  Quincy, a second-generation player is courted and recruited to play for sell-out arenas and Monica struggles to make a name for herself in a game with a far smaller following, all the while fighting expectations of those, including her mother (Alfre Woodard), who just want her to leave her aggression and the game behind and grow into a successful and demure young woman off the court.

Whether she’s a better actress or just given the better role Lathan’s half of the movie seems to have more resonance than Epp’s storyline.  Perhaps it’s her constant struggle not just with her circumstances and the expectations of others, but the expectations of herself which help round her into a more interesting character.

Of course the film is also cursed with cliches from two genres – sports dramas and romantic comedies.  The film weathers most of these scenes pretty well, even the awkward other love interests the story throws in from time to time, and an ending which is a little too weak (and far too cute) for the rest of the film and includes a short speech which is guaranteed to get squeals from the women and earn equally loud groans from the men.  Some things are too corny, even for film.

I wouldn’t argue that Love & Basketball is a great sports film, but it’s far better than the insipid chick flick I expected going in to view it for the first time.  It has both heart and brains, and tells a compelling story of two people (though Monica’s story is the more interesting) struggling to live their dreams, make their careers, and find love.

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This Movie is So Bad…

  • Title: Over Her Dead Body
  • IMDB: link

“She was crushed by an angel, and, as sad as I am, I do appreciate the irony.”

Over Her Dead BodyHow bad is it?  The plot involves a psychic (Lake Bell) who lies to win the heart of a widower (Paul Rudd).  And she’s the nice one!

How bad is it?  The story begins with an annoying woman (Eva Longoria Parker) getting killed at her own wedding by a falling ice sculpture.  The funny part?  The ice sculpture might be an angel?  Yeah, didn’t sound funny to me either.

How bad is it?  The plot follows the brain-dead formula of your average romcom with forced craziness, cutesy dating, misunderstanding, and a lame resolution.  All performed with minimal effort and talent.

How bad is it?  Lindsay Sloane stars as Henry’s (Rudd) kleptomaniac pushy little sister whose antics we are supposed to find cute.

How bad is it?  The ghost of the dead woman decides to haunt the psychic to make sure her former fiance lives out eternity alone and hopeless because, wait for it, she loves him so much.

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27 Dresses, 3 Chuckles & 1 Laugh

Save me from chick flicks.  27 Dresses is one long tedious joke about a woman who has spent her entire life making her friends dreams come true and helping to give them each the weddings they’ve always wanted.  Trouble is she’s stuck with unhealthy crush for her boss, who is now interested in her devious little sister, and a new stalker who wants to write the story about what a whackjob she is, until he falls hopelessly in love with her.  Ain’t love grand.

27 Dresses
1 Star

“I never do anything like this.”

Jane (Katherine Heigl) has a great job, and a man she adores.  The problem is George (Edward Burns) is her demanding boss who doesn’t think of her romantically.  Jane’s life is further complicated by a reporter (James Marsden) secretly doing a story on her and the appearance of her younger sister (Malin Ackerman) who immediately hits it off with George.

I don’t know if there is actually a book entitled “How to Make a RomCom,” but if so the these writers have read it cover to cover.  Every cliche is present, the disinterested right guy, the animosity to meeting the really right guy, the embarrassing situations, the betrayal, the miscommunication, and the inevitable happy ending.  The film even goes farther with wacky cab rides and bad drunken karaoke.

Nor does the story make that much sense.  Both of the men here are complete jerks.  Her choices are they guy who constantly takes advantage of her and never takes her feelings into account, or the guy who goes behind her back, lies to her, and makes a mockery out of her life.  Ladies get in line to snatch up one of these prize hubby candidates.

About half-way through the film there exists a scene between Heigl and Marsden where she tries on all the bridesmaid dresses she owns and talks about being a bridesmaid.  Somewhere, hidden deep down, in this is an interesting tale of a woman who gives so much of herself and makes everyone else’s dreams come true.  There’s actually something there that might make the center of a good film.  Sadly that’s lost among the bad jokes, groans, and pratfalls.  And for a comedy there sure isn’t much to laugh at.  There ware a couple lame attempts that got a chuckle from me, but only one genuine laugh from the entire film.  I won’t ruin that one moment for you in case you are forced to see this film, though if your girlfriend drags you to this you might want to reconsider your options.

The quote above comes from the film.  If only Hollywood would take it to heart and stop making these generic movie in a box tales filled with lame humor, stupid characters, “funny” coincidences and humiliations.  You’ve seen it all before, and you’ll see it all again.  Actresses seem cursed with having to make these films as some kind of rite of passage.  It’s almost as if the studios want to see how bad of a movie an actress can carry without destroying her career.  If she makes it through maybe she gets better scripts and if not she becomes Kate Hudson.

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