Ryan Gosling

The Fall Guy

  • Title: The Fall Guy
  • IMDb: link

The Fall Guy

The biggest strength of The Fall Guy, loosely inspired by the 80s television show, is its stars. Ryan Gosling as stuntman Colt Seavers coming back from a failed stunt to work with his former girlfriend Jody (Emily Blunt) on her first big movie is the kind of wacky dumb fun you would expect. Once arriving in town, things don’t go smoothly for Colt who is sent to find the film’s missing star (Aaron Taylor-Johnson) by the producer (Hannah Waddingham) who dragged Colt out of retirement. This puts our stuntman in danger and also keeps him away from the woman he desperately wants to win back.

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Barbie

  • Title: Barbie
  • IMDb: link

It’s a Barbie world. Writer/director Greta Gerwig brings Mattel’s famous doll to life in this comedy that lovingly recreates, and then plays with, the world of Stereotypical Barbie (Margot Robbie) who discovers her effect on the real world is quite different than she believes. Robbie is perfect for the role on the rollercoaster of the doll’s existential crisis and journey to self-discovery.

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The Gray Man

  • Title: The Gray Man
  • IMDb: link

Ryan Gosling stars as a convicted murder turned killer for the CIA in a film with so much excessive overblown action in would make Arnold Schwarzenegger blush. The crux of the story involves Six’s (Gosling) villainous boss (Regé-Jean Page) putting out a hit on Six after proof of his corruption falls into the agent’s hands. Every action taken by Page’s character is the wrong one, including alienating another agent (Ana de Armas) enough to have her join Six’s cause of seeing the proof exposed and rescuing Six’s mentor (Billy Bob Thornton) and niece (Julia Butters) from the sociopath (Chris Evans) hired to find Six.

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First Man

  • Title: First Man
  • IMDb: link

First Man movie reviewAdapted from the book First Man: The Life of Neil A. Armstrong, director Damien Chazelle‘s story about the life and career of Neil Armstrong (Ryan Gosling) is a well-made film highlighting various moments of the astronaut’s life before the fateful first steps of the moon landing. There’s obvious care taken into the look of the film, various historic NASA elements, and capturing Armstrong both at work and with his family. The movie doesn’t delve too deep into what made Armstrong tick (there’s nothing here you won’t find on Wikipedia, for example), and jumps around quite a bit during early segments. That, along with Gosling’s stoic performance, does keep the audience at arm’s length as I struggled to connect emotionally with the factually accurate tale that still left me a bit cold.

First Man isn’t focused solely on Armstrong’s career at NASA, nor his family life, nor even the series of personal and professional tragedies leading up to walking on the moon. Instead First Man attempts a more comprehensive look than it can comfortably deal with in an already long 141-minute running time. This leaves us with a good film, that I enjoyed, but one I’m unlikely to revisit anytime soon.

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