Ryan Gosling

The Gray Man

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  • Title: The Gray Man
  • IMDb: link

Ryan Gosling stars as a convicted murder turned killer for the CIA in a film with so much excessive overblown action in would make Arnold Schwarzenegger blush. The crux of the story involves Six’s (Gosling) villainous boss (Regé-Jean Page) putting out a hit on Six after proof of his corruption falls into the agent’s hands. Every action taken by Page’s character is the wrong one, including alienating another agent (Ana de Armas) enough to have her join Six’s cause of seeing the proof exposed and rescuing Six’s mentor (Billy Bob Thornton) and niece (Julia Butters) from the sociopath (Chris Evans) hired to find Six.

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First Man

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  • Title: First Man
  • IMDb: link

First Man movie reviewAdapted from the book First Man: The Life of Neil A. Armstrong, director Damien Chazelle‘s story about the life and career of Neil Armstrong (Ryan Gosling) is a well-made film highlighting various moments of the astronaut’s life before the fateful first steps of the moon landing. There’s obvious care taken into the look of the film, various historic NASA elements, and capturing Armstrong both at work and with his family. The movie doesn’t delve too deep into what made Armstrong tick (there’s nothing here you won’t find on Wikipedia, for example), and jumps around quite a bit during early segments. That, along with Gosling’s stoic performance, does keep the audience at arm’s length as I struggled to connect emotionally with the factually accurate tale that still left me a bit cold.

First Man isn’t focused solely on Armstrong’s career at NASA, nor his family life, nor even the series of personal and professional tragedies leading up to walking on the moon. Instead First Man attempts a more comprehensive look than it can comfortably deal with in an already long 141-minute running time. This leaves us with a good film, that I enjoyed, but one I’m unlikely to revisit anytime soon.

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Blade Runner 2049

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  • Title: Blade Runner 2049
  • IMDb: link

Blade Runner 2049 movie reviewGood news, bad news. Blade Runner 2049 isn’t as good as the original. It’s also far better than I expected from a sequel no one really ever wanted to see made. While I’d expect the initial reception to be better than the original Blade Runner, the sequel’s plot does have serious plot holes which multiple viewings are likely to further expose.

Set 30 years after the first film (coinciding with the similar gap between the original and the sequel), the world still has plenty of runaway replicants which need to be found and retired. While Deckard (Harrison Ford) has long-since disappeared, the role of our main Blade Runner this time around is played by Ryan Gosling.

Director Denis Villeneuve offers a visually interesting film with several nods to Blade Runner. While the story is more complicated than necessary, and requires characters to ignore specific questions which seem obvious to ask, K’s (Gosling) journey and the mystery he’s tasked to solve does keep things on track (even if Villeneuve gets stuck multiple times dragging out shots and scenes for the visual style long after the plot has been satisfied).

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La La Land

/ / Movie Reviews
  • Title: La La Land
  • IMDb: link

La La Land movie reviewI enjoyed La La Land; it’s fun, light-weight entertainment with likable stars and straightforward (largely predictable) storyline. It doesn’t ask much of the audience other than to enjoy the ride. During the award season release of heavy dramas, the film works well as a palate cleanser. However, I object to the growing consensus that it’s one of the year’s best films.

Writer/director Damien Chazelle‘s film is a nostalgic throwback to the golden age of the Hollywood musical, with a decidedly post-modernist slant. As a love story to Hollywood the film works well enough, as a musical the film runs into a few issues beginning with the choice to cast its stars based on their acting, rather than singing, ability.

In pretty much the most cliched set-up possible, we’re introduced to barista and aspiring actress Mia (Emma Stone) and promising Jazz musician Sebastian (Ryan Gosling) who meet cute, dislike each other, and eventually fall in love. Along the way there will be singing, dancing, the inevitable rough patch, and a questionable ending (not unlike Woody Allen’s Café Society) which ends the movie on a sour note.

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