Ryan Gosling

First Man

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  • Title: First Man
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First Man movie reviewAdapted from the book First Man: The Life of Neil A. Armstrong, director Damien Chazelle‘s story about the life and career of Neil Armstrong (Ryan Gosling) is a well-made film highlighting various moments of the astronaut’s life before the fateful first steps of the moon landing. There’s obvious care taken into the look of the film, various historic NASA elements, and capturing Armstrong both at work and with his family. The movie doesn’t delve too deep into what made Armstrong tick (there’s nothing here you won’t find on Wikipedia, for example), and jumps around quite a bit during early segments. That, along with Gosling’s stoic performance, does keep the audience at arm’s length as I struggled to connect emotionally with the factually accurate tale that still left me a bit cold.

First Man isn’t focused solely on Armstrong’s career at NASA, nor his family life, nor even the series of personal and professional tragedies leading up to walking on the moon. Instead First Man attempts a more comprehensive look than it can comfortably deal with in an already long 141-minute running time. This leaves us with a good film, that I enjoyed, but one I’m unlikely to revisit anytime soon.

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Blade Runner 2049

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  • Title: Blade Runner 2049
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Blade Runner 2049 movie reviewGood news, bad news. Blade Runner 2049 isn’t as good as the original. It’s also far better than I expected from a sequel no one really ever wanted to see made. While I’d expect the initial reception to be better than the original Blade Runner, the sequel’s plot does have serious plot holes which multiple viewings are likely to further expose.

Set 30 years after the first film (coinciding with the similar gap between the original and the sequel), the world still has plenty of runaway replicants which need to be found and retired. While Deckard (Harrison Ford) has long-since disappeared, the role of our main Blade Runner this time around is played by Ryan Gosling.

Director Denis Villeneuve offers a visually interesting film with several nods to Blade Runner. While the story is more complicated than necessary, and requires characters to ignore specific questions which seem obvious to ask, K’s (Gosling) journey and the mystery he’s tasked to solve does keep things on track (even if Villeneuve gets stuck multiple times dragging out shots and scenes for the visual style long after the plot has been satisfied).

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La La Land

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  • Title: La La Land
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La La Land movie reviewI enjoyed La La Land; it’s fun, light-weight entertainment with likable stars and straightforward (largely predictable) storyline. It doesn’t ask much of the audience other than to enjoy the ride. During the award season release of heavy dramas, the film works well as a palate cleanser. However, I object to the growing consensus that it’s one of the year’s best films.

Writer/director Damien Chazelle‘s film is a nostalgic throwback to the golden age of the Hollywood musical, with a decidedly post-modernist slant. As a love story to Hollywood the film works well enough, as a musical the film runs into a few issues beginning with the choice to cast its stars based on their acting, rather than singing, ability.

In pretty much the most cliched set-up possible, we’re introduced to barista and aspiring actress Mia (Emma Stone) and promising Jazz musician Sebastian (Ryan Gosling) who meet cute, dislike each other, and eventually fall in love. Along the way there will be singing, dancing, the inevitable rough patch, and a questionable ending (not unlike Woody Allen’s Café Society) which ends the movie on a sour note.

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The Nice Guys

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  • Title: The Nice Guys
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The Nice GuysIn his latest film writer/director Shane Black returns to a formula he knows well. Set in the 1970s, The Nice Guys delivers on the buddy-cop genre by pairing hired thug Jackson Healy (Russell Crowe) with drunk private detective Holland March (Ryan Gosling) on a case involving a missing girl (Margaret Qualley), a murdered porn star (Murielle Telio), political activism, and the United States Justice Department.

The Nice Guys is an attempt to recapture the brilliance of Kiss Kiss, Bang Bang by similarly throwing together an unlikely pair to solve a case involving a missing woman. The Nice Guys lacks the snappy dialogue of Black’s best film and the pulp detective and noir elements add an entire layer to Kiss Kiss, Bang Bang which is missing here. Given their similarities, it’s impossible not to compare them, but even if his latest doesn’t quite measure it still delivers in its own ways.

Gosling and Crowe work well together, but it’s the addition of Angourie Rice (as March’s daughter Holly) that ultimately makes the pairing work. Even if the murder plot is a bit convoluted, it’s a joy to watch them slowly uncover the truth.

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