Science Fiction

Cloud Atlas is in Need of a Road Map (and Lots of Editing)

  • Title: Cloud Atlas
  • IMDB: link

cloud-atlas-posterCloud Atlas, the collaboration by the Wachowskis and Tom Tykwer to bring the novel of the same name by David Mitchell to the big screen is, to put it bluntly, a mess.  It’s an ambitious mess to be sure as the project bites off far more than it can chew by casting a small group of actors playing multiple roles across different time periods, but it’s a mess none the less. Fans of the book may be prepared for what’s to come, but the rest of us could use a road map of this late night ride to nowhere. (At least nowhere interesting.)

The film beings by throwing the audience into a variety of stories taking place decades, or in some cases centuries, apart (including two distinctly different version of the future – one of which owes a little too much to The Time Machine). Introducing a slew of characters in the opening 15-20 minutes, all played by the same group of actors who jump centuries, ethnicities, and even gender between tales (due to some strikingly inconsistent make-up and CGI), Cloud Atlas hits the ground running and expects you to keep up.

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Doctor Who Series 7 P.S.

  • Title: Doctor Who – The Angels Take Manhattan
  • tv.com: link

A final scene was storyboarded for Doctor Who‘s mid-season finale “The Angels Take Manhattan” in which Rory (Arthur Darvill) offered a final goodbye to his father (Mark Williams). Although the scene was never shot, Darvill did record the narration and the good folks at the BBC have put it together with the storyboards to give us a look at what the final scene would have looked like.

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Doctor Who – The Angels Take Manhattan

  • Title: Doctor Who – The Angels Take Manhattan
  • tv.com: link

“I’m sorry Rory, but you just died.”

doctor-who-the-angels-take-manhattan

Doctor Who‘s mid-season finale begins with a lazy day in Central Park with The Doctor (Matt Smith) reading aloud from 1930’s pulp novel by Melody Malone and ends with the Time Lord’s final farewell to Amelia Pond (Karen Gillan). In between writer Steven Moffat gives us the Weeping Angels, a paradox that nearly destroys New York City, the return of River Song (Alex Kingston), and a pair of heart-wrenching decisions involving the future of Amy and Rory (Arthur Darvill).

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Looper

  • Title: Looper
  • IMDB: link

looper-posterWritten and directed by Rian Johnson (Brick, The Brothers Bloom), Looper gives us a time travel story that focuses on how far a man will go to protect his future, and how far the world will go to stop him. In the year 2072 time travel has been outlawed but is still used by gangsters and shady corporate big wigs who send their victims back in time to be killed in the days before the invention of time travel by hired assassins known as Loopers, thus creating the perfect crime.

The film centers around the actions of a single Looper named Joe (Joseph Gordon-Levitt) whose largely empty life is filled by bad diner coffee, learning French, doing lots of drugs, shooting hooded strangers who suddenly appear in an empty field and disposing of their bodies, and carrying a torch for a stripper (an alluring, and scantily clad, Piper Perabo) who cares only for his money. In other words, his life is perfect (for what he wants out of life – money, women, and drugs), at least until the arrival of his Loop (Bruce Willis) derails his entire future.

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