Science Fiction

Flash Gordon #1 (of 6)

  • Title: Flash Gordon #1 (of 6)
  • Comic Vine: link

“My name is Flash Gordon and I think I’m about to die.”

Recent attempts to revive Flash Gordon for the new millennium have been less than impressive (see the now defunct Sci-Fi Channel original series).  Now Flash is returning to the comic pages with a new series from Ardden Entertainment.

Written by Brendan Deneen with art by Paul Green this first issue reinvents the characters while also returning them to their roots.  Here Flash Gordon is a professor and adventurer, Hans Zarkoff is a mad scientist, and Dale Arden is a agent for the CIA.

Flash is approached by Dale and her gorilla-like partner who believe Hans Zarkoff is working on a Weapon of Mass Destruction.  The truth behind the circumstances is far more complex and Flash and Dale end up with Zarkov in his experimental space ship only to find themselves not in Kansas anymore as they travel through a portal to another world.

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The Clone Wars

  • Title: Star Wars: The Clone Wars
  • IMDB: link

“You’ve got spunk… I hate spunk!”
—Lou Grant, The Mary Tyler Moore Show

Taking place between Episode II: Attack of the Clones (read the review) and Episode III: Revenge of the Sith (read the review) this new animated film follows Generals Obi-Wan Kenobi (James Arnold Taylor) and Anakin Skywalker (Matt Lanter) in their continuing battle to put down the resistance of the Separatists and their near-endless supply of droid armies.

When Jabba the Hutt’s (Kevin Michael Richardson) son is taken hostage Anakin, along with his spunky new tweenage padawan Ahsoka Tano (Ashley Eckstein), is sent to retrieve the young Huttling from Count Dooku’s Dark Jedi assassin Asaji Ventress (Nika Futterman).  Control of Hutt space in the Outer Rim could be a deciding factor in the war and the Republic can not afford the Jedi to fail.

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I Want to Believe

  • Title: The X-Files: I Want to Believe
  • IMDB: link

“Let’s just say that I want to believe.”

The abduction of one of their own and arrival of a psychic (Billy Connolly) on the scene leads Agent-in-Charge Dakota Whitney (Amanda Peet) to ask for the help of a former member of the bereau with experience in the paranormal.

Dana Scully (Gillian Anderson), now a brain surgeon, is asked to bring in her former partner from the wilderness.  Fox Mulder (David Duchovny) is living like a hermit cutting clippings of unexplained activity out of newspapers.  Reluctant at first, he agrees under the condition Scully comes with him.

Fans of the show should feel right at home here in terms of tone, mood, and storytelling.  Those unfamiliar with the mythology of the show should still able to follow the events, though you may miss some of the layers of the film, and specific moments added just for fans.

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Dark City

  • Title: Dark City
  • IMDb: link

“That’s what Science Fiction and Fantasy is for, after all; to take one behind the scenes,
to force one to reinvent the paradigm. And Dark City does that in spades.”
—Neil Gaiman

I’m a big fan of The Matrix, but I’m a bigger fan of Dark City. Released more than a year before Neo took the red pill to the delight of audiences everywhere, writer/director Alex Proyas presented a similar tale of a man trapped in a world where nothing is quite what is seems. Although not as widely known (more than six times the number of people have taken the time to rate The Matrix on IMDb), it is a superior film in almost every conceivable way. Released in 1998 we mark the occasion by reviewing the DVD ten years later.

Back in the spring of 1998 I was in the middle of a particularly brutal college semester and looking for a few hours respite.  Checking the paper I discovered the local $1 movie theater was showing a film I had missed, Dark City.  Taking a chance, I went.  I went back the next night as well.  And the third night I dragged my two roommates and went back again.  I long ago lost track of the number of films I have seen over my lifetime, but I can count on one hand the films which have had this reaction on me.

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Men are from Earth, Children are from Mars

  • Title: Martian Child
  • IMDb: link

“I don’t want to bring another kid into this world, but how do you argue against loving one that’s already here?”

martian-child-poster

John Cusack stars as David, a science fiction writer who is still dealing with the loss of his wife.  A social worker (Sophie Okonedo), who had been working to place a child with the couple contacts David about a special case.  Dennis (Bobby Coleman) is an odd little kid who spends most of his time in a box, collects (steals) items from other children, and wears a weight belt made of batteries.  Oh, and he thinks he’s a Martian.

You can probably guess where the film goes from here.  David and Dennis have their problems and grow to love each other.  It terms of storytelling the film doesn’t break any new ground, but the script from Seth Bass and Jonathan Tolins, based on the novel by David Gerrold, does hold our interest with smart characters and a story willing to hedge its bets on whether the kid is delusional or actually an alien.

There are some nice supporting performances here in roles that are could have been easily forgettable with less talented actors.  Amanda Peet charmed the socks off me as David’s sister-in-law, Joan Cusack is good as always playing a role she knows well – the sister, and Richard Schiff brings his trademark gruffness to the head of the review board who has the power to take Dennis away from David.  Although none of the characters are that well-written, these actors infuse them with energy and charm; there are several scenes between Peet and Cusack which nearly steal the film.

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