Science Fiction

The Fantastic Four

  • Title: The Fantastic Four (1994)
  • IMDb: link

After holding onto the movie rights for nearly a decade, and with the clock ticking down, German producer Bernd Eichinger reached to Roger Corman to produce a super-hero film on the cheap for only $1,000,000. With only a month of shooting, but several months of post-production, the film seemed to be ready for Labor Day 1993, until it wasn’t. Parties disagree whether the film was ever meant to see the light of day, or simply as leverage to keep the rights in Eichinger’s hands, but either way the film was pulled and never release theatrically. And so the stories began about The Fantastic Four movie that never was. And yet, speaking before Fantastic Four: The First Steps hits theaters, one could make a case that it’s better, or at least certainly not worse, than any of the FF films that did get released over the next 30 years.

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Foundation – Shadows in the Math

  • Title: Foundation – Shadows in the Math
  • IMDb: link

“Shadows in the Math” opens with a narrated montage filling in some of the history of the Second Foundation by showcasing Hari Seldon (Jared Harris) and Gaal Dornick (Lou Llobell) awoken from cryosleep for a few weeks at a time teaching Psychohistory to the generations of the hidden Foundation, working to help the Foundation grow and weaken the Empire, and preparing them to fight the Mule (making another huge divergence to the original source material where Seldon’s original calculations didn’t account for unpredictable mutations like the Mule pulling the ebb of history so far off his predicted path). Eventually, Seldon chooses to stay awake at longer intervals to keep things on track prior to his death before the show bounces back to the “present” and the time of the Mule (Pilou Asbæk).

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Rick and Morty – Cryo Mort a Rickver

  • Title: Rick and Morty – Cryo Mort a Rickver
  • wiki: link

“Cryo Mort a Rickver” is a thinly-written premise that allows for constant craziness when Rick (Ian Cardoni) and Morty‘s (Harry Belden) attempt to loot a cyroship lead to the accidental awakening of the crew and the pair attempting to fake being part of those awoken. For Rick, this means pretending to be preadolescent whose appearance is explained by something having gone wrong with his pod. Sadly for Morty, he ends up not as a rich traveler but as a member of the underclass of the crew who he unintentionally inspires to rise up causing chaos. You know, Morty being Morty. Everything culminates in a bloody massacre followed by a space race (which is only slightly less crazy than the fights to the death in space that occurs afterward).

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Foundation – A Song for the End of Everything

  • Title: Foundation – A Song for the End of Everything
  • IMDb: link

It doesn’t take long into the first episode of the new season of Foundation to remind me of my problems with the series. “A Song for the End of Everything” isn’t centered around the Foundation, although we do get one scene involving a single character (Alexander Siddig) taking with the Hari Seldon AI (Jared Harris), which ultimately doesn’t add anything to the story (other than get the Star Trek actor on-screen), the focus almost entirely on the decaying Empire which David Goyer has used as a throughline for the series continually returning us to the inbred clones of Trantor. While less involved, other than her narration, the show also brings back the overused crutch of Gaal Dornick (Lou Llobell) as well who awakes from cryosleep in time to interject herself into events as Goyer’s deus ex machina rather than allow the next generation of the Foundation to fight their own battles.

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Rick and Morty – Ricker than Fiction

  • Title: Rick and Morty – Ricker than Fiction
  • wiki: link

After an extreme reaction to the latest sequel in the Maximum Velocitree franchise, Rick (Ian Cardoni) and Morty (Harry Belden) set out to prove they can do better. However, after the pair are pulled into Movie-lizer Rick creates to fix the movie script they are forced to make all their changes make sense and find a way to get back to a reasonable ending which is the only way they can escape the movie. With more of nod to Star Trek: The Next Generation‘s “Elementary, Dear Data” than the movie it steals its title from, a simple misspoken sentence by Rick leads to the trouble the pair find themselves in leaving Jerry (Chris Parnell) to try and right the script from the real world.

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