Science Fiction

Rick and Morty – Cryo Mort a Rickver

/ / Television Reviews
  • Title: Rick and Morty – Cryo Mort a Rickver
  • wiki: link

“Cryo Mort a Rickver” is a thinly-written premise that allows for constant craziness when Rick (Ian Cardoni) and Morty‘s (Harry Belden) attempt to loot a cyroship lead to the accidental awakening of the crew and the pair attempting to fake being part of those awoken. For Rick, this means pretending to be preadolescent whose appearance is explained by something having gone wrong with his pod. Sadly for Morty, he ends up not as a rich traveler but as a member of the underclass of the crew who he unintentionally inspires to rise up causing chaos. You know, Morty being Morty. Everything culminates in a bloody massacre followed by a space race (which is only slightly less crazy than the fights to the death in space that occurs afterward).

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Foundation – A Song for the End of Everything

/ / Television Reviews
  • Title: Foundation – A Song for the End of Everything
  • IMDb: link

It doesn’t take long into the first episode of the new season of Foundation to remind me of my problems with the series. “A Song for the End of Everything” isn’t centered around the Foundation, although we do get one scene involving a single character (Alexander Siddig) taking with the Hari Seldon AI (Jared Harris), which ultimately doesn’t add anything to the story (other than get the Star Trek actor on-screen), the focus almost entirely on the decaying Empire which David Goyer has used as a throughline for the series continually returning us to the inbred clones of Trantor. While less involved, other than her narration, the show also brings back the overused crutch of Gaal Dornick (Lou Llobell) as well who awakes from cryosleep in time to interject herself into events as Goyer’s deus ex machina rather than allow the next generation of the Foundation to fight their own battles.

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Rick and Morty – Ricker than Fiction

/ / Television Reviews
  • Title: Rick and Morty – Ricker than Fiction
  • wiki: link

After an extreme reaction to the latest sequel in the Maximum Velocitree franchise, Rick (Ian Cardoni) and Morty (Harry Belden) set out to prove they can do better. However, after the pair are pulled into Movie-lizer Rick creates to fix the movie script they are forced to make all their changes make sense and find a way to get back to a reasonable ending which is the only way they can escape the movie. With more of nod to Star Trek: The Next Generation‘s “Elementary, Dear Data” than the movie it steals its title from, a simple misspoken sentence by Rick leads to the trouble the pair find themselves in leaving Jerry (Chris Parnell) to try and right the script from the real world.

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Elio

/ / Movie Reviews
  • Title: Elio
  • IMDb: link

For their latest, Pixar delivers a story about a young boy who has to be abducted by aliens to learn about friendship and family. Following the death of his parents, a lonely Elio (Yonas Kibreab) struggles to connect with his aunt (Zoe Saldaña) or make friends while becoming obsessed with the idea of alien life and traveling to the stars to escape a world where he doesn’t seem to belong. Eventually Elio gets his wish when his message to outer space is overheard and he finds himself among ambassadors of a federation of planets, so to speak, known as the Communiverse (a moniker that is as awkward spoken aloud as it looks in print).

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Titan A.E.

/ / Home Video
  • Title: Titan A.E.
  • IMDb: link

Throwback Tuesday takes us back 25 years to a film that begins with the destruction of Earth but ends with hope on a new world. The final film of Don Bluth‘s run offering an animation alternative to the far more successful Disney, Titan A.E. stars Matt Damon as a displaced and disaffected human working on alien salvage rigs who is sought out by Korso (Bill Pullman) and his crew who believe Cale‘s genetic heritage is the key to finding a lost spaceship built and hidden by Cale’s father (Ron Perlman) during the destruction of Earth by the alien menace of the Drej.

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