Exodus: Gods and Kings
- Title: Exodus: Gods and Kings
- IMDb: link

The tale of Moses is hardly new ground for Hollywood. Director Ridley Scott‘s version of the story is a mishmash of disaster porn and drama casting a mostly pale-white cast in the role of Egyptians and their Jewish slaves which, when not not off-putting, is occasionally unintentionally hilarious such as Sigourney Weaver and Joel Edgerton (reminding me of crazy Marlon Brando from The Island of Dr. Moreau) as Egyptian royalty.
Exodus: Gods and Kings isn’t a bad film per se. It’s competently handled and I actually think it’s more successful than last year’s similar biblical big-screen epic Noah, but it fails to add anything new to the story to justify it’s $140,000,00 cost. The effects are effective but not memorable. And the addition of 3D adds a dimension but is far from enveloping.
The film’s most bizarre choice, which may create a backlash within its desired audience, is the decision to cast God in the role of a petulant and impatient child (Isaac Andrews) who forces Moses onto a path and then throws a tantrum when his prophet fails to move quickly enough.
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