Thriller

Smokin’ Aces

  • Title: Smokin’ Aces
  • IMDb: link

smokin-aces-poster

Smokin’ Aces wasn’t the total disaster I was dreading, but it is certainly far from the fun thrill ride I’d been overly hopeful for.  The pace and look of the film work, so does the cast, but when you rely on plot points that would look silly in the most amateurish comic book by depicting them as true in a real world setting, well that’s a problem – a big one.  It’s not a complete waste of time, the film has a pace and energy that serves it well, but it’s far too flawed for my tastes.

Buddy “Aces” Isreal (Jeremy Piven) is a magician and wannabe gangster who has slowly managed to weasel himself into the uper echelon of the last great mob family.  As the head of the crime syndicate (Joseph Rushkin) begins fade in his old age he puts out word he wants Israel’s heart.  A million dollar hit is put out on the magician who then contemplates giving up everything and becoming a snitch to the F.B.I., if he can live long enough.

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Too Quiet

  • Title: The Quiet
  • IMDb: link

the-quietThrillers work on keeping the audience on the edge of your seat.  This film isn’t a thriller.  Character studies work by examining individuals and relationships, bringing truths and secrets out, and making resolutions.  This isn’t a character study.  In fact, I’m not sure what it is.  I know what it wants to be, but it just doesn’t know how to get there.

Dot (Camilla Belle) is a miserable and lonely young deaf high school student.  After the death of her father she moves in with a family whose own troubles make hers seem bearable.  Nina (Elisha Cuthbert) is the spoiled cheerleader who doesn’t appreciate being associated with a school outcast.  Paul Deer (Martin Donovan) is a successful father who loves his daughter a little too much, and his wife Olivia (Edie Falco) is a pill-popping addict that was last sober sometime in the 90’s.

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So Dark, the Con of Man

  • Title: The Da Vinci Code
  • IMDb: link

The Da Vinci Code

Ron Howard probably wasn’t the best director for a vast conspiracy/thriller picture; off the top of my head Oliver Stone seems to be the more natural choice.  Neither was Akiva Goldsman (I, Robot, A Beautiful Mind) the right man to try and adapt Dan Brown’s novel to screen.  The final look of the film feels very much like a book stuffed into a movie.  The film really is a confusing jumble of odd choices and missed opportunities.

In case your one of twelve people who hasn’t read the novel the premise runs like this:  Scholar Robert Langdon (Tom Hanks) is on a book tour in Paris where he is summoned to the Louvre where a man (Jean_Pierre Marielle) who was scheduled to meet that afternoon has been murdered.  Captain Fache (Jean Reno) is certain Langdon is the killer while cryptographer (Audrey Tautou), who is also granddaughter of the murdered man, is certain he is innocent.  Neither one of their certainties is satisfactorily explained.

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Disaster of a Film

  • Title: Poseidon (2006)
  • IMDb: link

rogue wave – relatively large and spontaneous ocean surface waves which can sink even large ships and ocean liners; they are more concisely defined as waves that are more than double the significant wave heigh, which is itself defined as the mean of the largest third of waves in a wave record.  Once thought to be only legendary, they are now known to be a natural (although relatively rare – except in Hollywood) ocean phenomenon.  (Wikipedia)

Poseidon is a tepid, detached, derivative, boring, silly, banal, unimaginative, stupid little film.  It will probably make $160 million by the end of the summer.  The movie feels more like a made-for-TV Sci-fi Channel disaster flick like Deep Shock or Descent than an actual theatrical film.

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Hard Candy

  • Title: Hard Candy
  • IMDb: link

Hard Candy

A two actor performance piece about a a deranged and vindictive 14 year-old girl and a pedophile. Yeah…you might say this isn’t exactly for everybody. I saw the film in a mostly empty theater during a press screening and I’m pretty sure I would not want to view it in a crowded one. It’s an intensely uncomfortable experience that never quite justifies what it puts the audience through, but there are points to, well not exactly enjoy, but at least appreciate.

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