Thriller

Jodie Foster’s Death Wish

  • Title: The Brave One
  • IMDb: link

The Brave One

After radio talk show host Erica Bain (Jodie Foster) and her fiancée (Naveen Andrews) are brutally attacked in the park by a gang she wakes up in the hospital beaten and frightened after weeks in a coma.  Her fiancée is dead, her dog is gone, and the men who are responsible are still free.

In an attempt to get control of her life Erica buys a gun and puts herself, sometimes purposefully sometimes by accident, into dangerous situations where violence will occur.  Though she is repulsed and frightened she also seeks out these situations and even begins to enjoy herself.  She becomes a vigilante and imposes her own brand of brutal justice on her victims.

She also meets and befriends NY Detective Mercer (Terrence Howard) who is struggling with the limitations of the system and also trying to help Erica come to grips with what happened to her.  As the clues to the vigilante’s identity begin to pile up Mercer begins to suspect his new friend might be responsible.

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How to Kill Your Wife and Get Away With It

  • Title: Fracture
  • IMDb: link

Fracture movie reviewWhile Fracture isn’t a great film it is a compelling and fun ride including good performances and a script which will keep you guessing similar to 2003’s Runaway Jury.  Featuring a pair of great actors in plum roles it’s the type of film you enjoy watching, even if you can punch holes in some of the plot points later on.

On discovering his wife (Embeth Davidtz) is having an affair with a police detective (Billy Burke) Ted Crawford (Anthony Hopkins) coldly plans her murder.  But instead of an intricate plan or an ironclad alibi he simply walks up to her at home, shoots her in the head, and then waits for the police to arrive.

Willy Beachum (Ryan Gosling), a young Assistant District Attorney with one foot out the door for a new cushy corporate job working under a beautiful woman (Rosamund Pike), is assigned the case.  There’s evidence, a confession, and Stevens even plans on defending himself.  Slamdunk.

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Smokin’ Aces

  • Title: Smokin’ Aces
  • IMDb: link

smokin-aces-poster

Smokin’ Aces wasn’t the total disaster I was dreading, but it is certainly far from the fun thrill ride I’d been overly hopeful for.  The pace and look of the film work, so does the cast, but when you rely on plot points that would look silly in the most amateurish comic book by depicting them as true in a real world setting, well that’s a problem – a big one.  It’s not a complete waste of time, the film has a pace and energy that serves it well, but it’s far too flawed for my tastes.

Buddy “Aces” Isreal (Jeremy Piven) is a magician and wannabe gangster who has slowly managed to weasel himself into the uper echelon of the last great mob family.  As the head of the crime syndicate (Joseph Rushkin) begins fade in his old age he puts out word he wants Israel’s heart.  A million dollar hit is put out on the magician who then contemplates giving up everything and becoming a snitch to the F.B.I., if he can live long enough.

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Too Quiet

  • Title: The Quiet
  • IMDb: link

the-quietThrillers work on keeping the audience on the edge of your seat.  This film isn’t a thriller.  Character studies work by examining individuals and relationships, bringing truths and secrets out, and making resolutions.  This isn’t a character study.  In fact, I’m not sure what it is.  I know what it wants to be, but it just doesn’t know how to get there.

Dot (Camilla Belle) is a miserable and lonely young deaf high school student.  After the death of her father she moves in with a family whose own troubles make hers seem bearable.  Nina (Elisha Cuthbert) is the spoiled cheerleader who doesn’t appreciate being associated with a school outcast.  Paul Deer (Martin Donovan) is a successful father who loves his daughter a little too much, and his wife Olivia (Edie Falco) is a pill-popping addict that was last sober sometime in the 90’s.

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So Dark, the Con of Man

  • Title: The Da Vinci Code
  • IMDb: link

The Da Vinci Code

Ron Howard probably wasn’t the best director for a vast conspiracy/thriller picture; off the top of my head Oliver Stone seems to be the more natural choice.  Neither was Akiva Goldsman (I, Robot, A Beautiful Mind) the right man to try and adapt Dan Brown’s novel to screen.  The final look of the film feels very much like a book stuffed into a movie.  The film really is a confusing jumble of odd choices and missed opportunities.

In case your one of twelve people who hasn’t read the novel the premise runs like this:  Scholar Robert Langdon (Tom Hanks) is on a book tour in Paris where he is summoned to the Louvre where a man (Jean_Pierre Marielle) who was scheduled to meet that afternoon has been murdered.  Captain Fache (Jean Reno) is certain Langdon is the killer while cryptographer (Audrey Tautou), who is also granddaughter of the murdered man, is certain he is innocent.  Neither one of their certainties is satisfactorily explained.

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