1.5 Razors

Taking Woodstock

/ / Movie Reviews
  • Title: Taking Woodstock
  • IMDB: link

taking-woodstock-posterAng Lee (Crouching Tiger, Hidden Dragon, Lust, Caution, The Ice Storm) has crafted some moving films over the years. He’s also responsible for a few which have missed the mark (Hulk, Ride With the Devil). Sadly, his latest is the later. In terms of recreating the scope and magnitude of Woodstock, the film succeeds, but in almost every other way it fails to impress.

In Taking Woodstock, Lee takes on a subject which has been done to death in film and television over the years. Not surprisingly, the director finds it hard to bring anything new to the table.

The story centers around the creation of the event and how it transforms a small community into the lovefest for the ages. The Daily Show alum Demetri Martin stars as the bright skittish young man (was this role originally pitched to Michael Cera?) who uses the event to help save his parent’s failing hotel by finagling a deal with the organizers of the event to hold it on the farmland of a neighbor (Eugene Levy).

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My Life in Ruins (after watching this movie)

/ / Movie Reviews
  • Title: My Life in Ruins
  • IMDB: link

Aside from the beautiful scenery, and a few nice moments from Richard Drefus (who’s really slumming it here), there’s very little to separate My Life in Ruins from any number of braindead romatic comedies. Here’s one of those films where a character notices the love of her life under her nose, finds meaning in her demeaning job, and everything ends happily ever after for everyone (except the audience).

When the film isn’t throwing out contrived plot points like candy, and simply allows the actors to give some actual weight to their characters, there are slight glimmers at what this film could have been. Sadly, these moments are few and far between.

Nia Vardolas stars as Georgia, a disgruntled travel guide. She hates her job, she hates the people she works with, she hates her rundown tour bus, and she hates her tourists who are a collection of cliches you are much more likely to find in a movie like this than on an actual tour bus.

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I want to know what happened to Alex Proyas

/ / Movie Reviews
  • Title: Knowing
  • IMDB: link

knowing-posterAlex Proyas is responsible for the sci-fi noir thriller Dark City (a film which I love to no end). Nicholas Cage, despite having a career which I kindly refer to as spotty, has made some enjoyable flicks over the years, and even picked up an Oscar.

The fact that this combination produced a movie such as Knowing can be met with nothing more or less than puzzled bewilderment and great sadness. I might expect something like this from a team-up with M. Night and Eric Dane, but c’mon! Ignorance truly is bliss; sometimes it’s better not to know.

The plot goes something like this, 50 years ago a creepy little school girl who heard whispered voices (this is one of those films where the voices are real, and always right) wrote a letter containing a series of numbers (which turns out to be a series of dates and exact GPS coordinates to many future disasters) which found itself into the school’s time capsule.

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I watched the Watchmen

/ / Movie Reviews
  • Title: The Watchmen
  • IMDb: link

watchmen-poster

As a self-professed comic book nerd you can bet I’ve read Watchmen a few times and keep an Absolute Edition within easy reach. I will also admit I didn’t read the series when it hit shelves in the late eighties. It took a few years for Alan Moore and Dave Gibbons’ work to find itself into my hands. Perhaps its because I first read the graphic novel as an adult that I can look at it through a different filter than something like Star Wars, Transformers, or Batman, and I can separate my appreciation for the subject without childhood wonder coloring my opinion.

Although it brings to life several moments of the comic in vivid detail, and includes a superb performance by Jackie Earl Haley as Rorshach, it also condenses, mangles, and distorts the tale into a movie that only slightly resembles the comic. And for a movie which is style over substance it adds very little in terms of look or technology. The most memorable shots are either taken directly from the page or borrowed from better films (such as a war room eerily similar to that of Dr. Strangelove) you would rather be watching.

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