3.5 Razors

Digging for Fire

  • Title: Digging for Fire
  • IMDb: link

Digging for FireMiddle-age apathy is the major theme of Digging for Fire as a husband (Jake Johnson, who co-wrote the screenplay along with director Joe Swanberg) and wife’s (Rosemarie DeWitt) separate weekend plans while on vacation let each work through the listlessness of their shared existence and eventually find their way back to each other. It’s a story that’s been done several times, sometime much better (like Massy Tadjedin‘s 2010 film Last Night) and more often far worse (any number of middle age brain-dead romcoms).

More archetypes than fully fleshed-out characters, neither Tim nor Lee are all that interesting. Tim is your typical mid-life crisis male wanting to spend time with old friends and recapture lost youth. Lee is worried about the future, her marriage, and loosing her sense of self under the weight of marriage and parenthood. Johnson and DeWitt give the characters a bit of a spark but it’s Tim’s unusual obsession with finding a bone and old revolver buried in the back yard of the home where the family is staying that proves to give the movie something unique to explore, if not something terribly original to say.

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Mistress America

  • Title: Mistress America
  • IMDb: link

Mistress AmericaWritten and directed by Noah Baumbach (and co-written by the movie’s star Greta Gerwig), Mistress America is an uneven comedy that has a tone and feel more befitting a stage play than even an independent theatrical release. That’s not to say it should be easily dismissed. Despite its issues, when the film gets it right it gets it just right (such as an extended sequence in a yuppie suburban home where the quick-hitting back-and-forth dialogue finally hits on every note). Taken as a whole, Mistress America is neither as good as its brightest moments or as bad as it valleys where the lack of laughs exposes just how thin a story Baumbach is working with.

Lola Kirke and Gerwig star as strangers in New York brought together by their parents’ impeding wedding. Tracy (Kirke) is struggling with both life in college and the big city, neither of which see fits in all that well. Brooke (Gerwig) is a force of nature whose outgoing personality masks her own litany of personal issues. Tracy, of course, immediately latches on to her first real friend in the city while Brooke is happy to share her knowledge and experience with a young would-be sibling who obviously adores her.

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Buffy the Vampire Slayer Season Ten #18

Buffy the Vampire Slayer Season Ten #18“Old Demons” comes to a close as despite Archaeus‘ temporary hold over Angel pitting Buffy‘s ex against her current undead boyfriend, and having a host of lesser demons to fight off the rest of the Scoobies, the gang finds a way to come through in the end. Despite the fact that the arc comes to a close here with Archaeus’ defeat neither the demon nor the “Restless Door” artifact are taken out of play leaving the opportunity for one or both to make an appearance later in the season.

The further Buffy gets from the end of Season Three the less weight an appearance by Angel has on the character. More fun is the interaction between Spike and Angel (part of what made Season Five of Angel so entertaining). Not only does Buffy the Vampire Slayer Season Ten #18 finally allow the pair to bury the hatchet but it also forshadows future trouble for Buffy’s rekindled romance (although I’d be happy to see Angel proved wrong).

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2000 – Bring It On

  • Title: Bring It On
  • IMDb: link

“I am a choreographer.  That’s what I do.  You are cheerleaders.  Cheerleaders are dancers who have gone retarded.  What you do is a tiny, pathetic subset of dancing.  I will attempt to turn your robotic routines into poetry, written with the human body.  Follow me, or perish, sweater monkeys.”

bring-it-on-posterReleased on or around this date 15 years ago, here’s a look back at 2015’s Bring It On. Torrance Shipman (Kirsten Dunst) gets her dream when she becomes the captain of the Fighting Toros cheerleading squad, only to find her world go downhill faster than a cheerleader on the football captain.

On her first day one of her teammates is injured (Bianca Kajlich) causing a mad search for a replacement.  Torreance, against the wishes of most of her teammates, chooses new transfer, punk girl Missy (Eliza Dushku), who has the gymnastic background but not the usual cheer spirit.

Torreance’s world gets even crazier when Missy informs her that the award-winning cheers the Toros are using were stolen by the former captain of the Toros (Lindsay Sloane) from a nearby urban high school (led by Gabrielle Union).  An attempt to use a choreographer (Ian Roberts) to create the team a new routine blows up in her face, and her cheating and unsupportive college boyfriend (Richard Hillman) destroys he confidence and prevents her from acting on her feelings for Missy’s brother Cliff (Jesse Bradford).

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Scandal – The Complete Fourth Season

  • Title: Scandal – Season Four
  • wiki: link

Scandal - The Complete Fourth SeasonScandal‘s Fourth Season begins with Olivia (Kerry Washington) being pulled back from island paradise into the political intrigue of Washington D.C. and ends with her quest to destroy B613 and see her father (Joe Morton) behind bars. In-between Abby (Darby Stanchfield) will grow into her role as the White House Press Secretary, Huck (Guillermo Díaz) will reconnect with his family, Mellie (Bellamy Young) will begin her own political career, Maya (Khandi Alexander) will wreak havoc, the Vice President (Jon Tenney) will attempt a coup, Fitz (Tony Goldwyn) will fight for re-election, and Olivia will spend several episodes held for ransom halfway around the world.

For those enjoying the series’ longer arcs the season delivers. For those of us preferring to see Olivia and company in their roles as fixers we’re mostly out of luck as broader storylines continue to derail Olivia & Associates from making an honest living. The season certainly has its share of memorable moments, such as the return of a familiar face, but I wouldn’t rank it as my favorite.

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