Drama

Studio 60 on the Sunset Strip

/ / Home Video
  • Title: Studio 60 on the Sunset Strip
  • tv.com: link

“I don’t even know what the sides are in the culture war.”
“Well, your side hates my side because you think we think you’re stupid, and my side hates your side because we think you’re stupid.”

In many ways Studio 60 on the Sunset Strip was Aaron Sorkin‘s most ambitious project to date.  Returning to the show within a show concept he used to craft Sports Night (read that review) Sorkin also brought in weighty issues to balance against the behind the scenes sketch comedy.  The merging of the two doesn’t always work in every scene, but every single episode contains some magic and something not just to enjoy but to savor and discuss as well.

Studio 60 takes place behind the scenes of a late night sketch comedy similar to SNL.  After the producer and creator of the show Wes Mendell (guest star Judd Hirsch) loses a final battle against Standards and Practices and interrupts a live feed to rant against the state of television (watch that clip).  The new head of programming for NBS (the National Broadcasting System) Jordan McDeere (Amanda Peet) brings in two of the show’s most popular alumns, Danny Tripp (Bradley Whitford) and Matt Albe (Matthew Perry) to produce and write the show.

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We Own the Night

/ / Movie Reviews
  • Title: We Own the Night
  • IMDb: link

Studio execs love to take a film and change it in some way to make a different film which can play to the same audiences.  Die Hard is a classic example as studios rushed to make Die Hard on a boat (Under Siege), Die-Hard on a plane (Passenger 57, Con Air, Executive Decision), Die-Hard on a train (Under Siege 2: Dark Territory) and many others.  The only other thing execs love more (than easy sequel or adaptations) is to combine two different films.  Now I don’t know for sure that this is how this film came about but I think it went something like this…
“Hey, I got a great idea for a movie.  It came to me as I was watching The Departed”
“I don’t know, I mean Scorsese just did that.”
“No man listen to this.  When I finished the movie and popped out the DVD I turned the cable on and there was that Studio 54 flick with Austin Powers.”
“Yeah?”
“We combine the two films!”
“That’s a great idea!”
“Yeah, we can even cast some of the stars of The Departed.”
“Not Nicholson, he’s way too expensive.  Hmm, what about Marky-Mark?”

We Own the Night

The film’s story centers around nightclub manager Bobby Green (Joaquin Phoenix) whose lifestyle is at odds with his father (Robert Duvall) and brother (Mark Wahlberg) who are hard-nosed NY cops.  When his brother is put in charge of a taskforce to clean up the drugs in the city Bobby is forced to examine his life and choose between his family and his friends and business partners.

What you expect is what you get.  Phoenix acts moody, crazy, and looks like he needs a good night sleep.  Wahlberg is a tough and stand-up guy (sadly without the humor of his Departed character), Duvall is the hardboiled but loving father, and Eva Mendes is the girlfriend (or more accurate – the whining eye-candy).

The story is good though not great and the incident that forces Bobby to help his father and brother is well executed (although I would have liked to have seen more time spent on the fallout).  The film also includes several sequences which are both engaging and compelling including a most memorable car chase and a tour and an escape from a drug house.

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Elizabeth, Take Two

/ / Movie Reviews
  • Title: Elizabeth: The Golden Age
  • IMDb: link

Elizabeth: The Golden Age

Director Shekhar Kapur‘s follow-up to 1998’s Elizabeth is something of a train wreck, a lush and well acted train wreck to be sure, but a train wreck none the less.

Where the first movie chronicled Elizabeth’s (Cate Blanchett) rise to the throne this film splits in focus in many directions including the Queen’s fascination and friendship with the explorer Sir Walter Raleigh (Clive Owen), court intrigue and her relationship with one of her ladies in waiting, the “other” Elizabeth (Abbie Cornish), Sir Francis Walsingham (Geoffrey Rush) investigating and torturing traitors, the plot to assassinate the Queen and to put Mary Queen of Scots (Samantha Morton) on the throne, the machinations of King Phillip II of Spain (Jordi Molla), and the war between England and Spain.  If that’s not enough we also get subplots including Elizabeth’s (Cornish) brother (Steven Robertson), Walsingham’s son (Adam Godley), a burgeoning relationship between Elizabeth (Cornish) and Raleigh.

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Across the Universe

/ / Movie Reviews
  • Title: Across the Universe
  • IMDb: link

“All you need is love.”

Across the Universe

The film begins with an English dock worker named Jude (Jim Sturgess) who travels to America to find his father.  His journey takes him to a college where he befriends a screw-up named Max (Joe Anderson) and falls head-over-heels for Max’s sister Lucy (Evan Rachel Wood).

Traveling to NY with Max Jude finds himself living with a nightclub singer (Dana Fuchs), a guitar player (Martin Luther), and a young lesbian named Prudence (T.V. Carpio) struggling with her place in the world.  Making a living as an artist and designer Jude enjoys his new world until the terrors of war fracture the group’s fragile peace.

What follows is an exploration of love against the backdrop of the 1960’s, Vietnam, civil unrest, violence, and change.  Max is drafted, Lucy becomes a civil activist, fame and glory strain the relationship between Sadie and JoJo.  The world changes and each struggles once again to find their place in it, stay true to themselves, and grow and change with the times.

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Trade

/ / Movie Reviews
  • Title: Trade
  • IMDb: link

Trade

The film begins with the kidnapping of Adriana (Paulina Gaitan), a 13 year-old girl from Mexico, and Veronica (Alicja Bacheleda-Curus), a young woman from the Baltic States.  They are taken by force to an unknown location and then put in the pipeline to be sold with others as sex slaves.  We watch their journey from Mexico, into the United States, and to New Jersey where they will be sold.

The other part of the story concerns American cop Ray (Kevin Kline) and Adriana’s brother Jorge (Cesar Ramos) who team-up to try and rescue his sister.

The film is full of disturbing scenes including the brutal rape of Veronica and highly suggestive scenes involving Adriana and girls and boys her age performing sex acts on the side of the road for money.  There are also scenes in which the girls are forced to change and pose provocatively for the camera, forcibly drugged, and beaten.  I honestly don’t know how this film avoided an NC-17 rating, which it justly deserves; it’s certainly not a film for the squeamish.

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