Drama

• Title: Eastern Promises
• IMDB: link

The film begins with two deaths and one birth.  A father and son brutally murder a customer in a barbershop.  Across London a 14 year-old prostitute (Sarah-Jeanne Labrosse) dies as she gives birth to a baby girl.  These two events are both traced back to the head (Armin Mueller-Stahl) of one of the city’s most powerful Russian crime families and his son (Vincent Cassel).

When a midwife (Naomi Watts) begins an investigation into the girl’s life she finds only darkness and death which put her, the child, and her loved ones in danger when the organization’s newest and deadliest member (Viggo Mortensen) is sent to retrieve the girl’s diary, protect the family’s secrets, and clean up the mess.

There’s much to appreciate here in a film where almost all of the performances are purposefully understated and controlled.  Even if the film doesn’t live up the high expectations of A History of Violence, there is plenty to enjoy including one of the most brutal fight sequences in recent memory between a naked Mortensen and a pair of Russian goons.

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• Title: Resurrecting the Champ
• IMDb: link

I remember watching the trailer for this film and wondering why it wasn’t made for the ABC Family channel.  Truth is I’m not much of a Josh Hartnett fan, other than his small roles in films like The Virgin Suicides and Sin City.  This film, as cheesy as it is at times, comes off with some heart, and Hartnett deserves most of the credit.

Erik Kernan (Hartnett) is a sports writer, who, as his boss (Alan Alda) describes, has a talent for typing with very little writing.  Looking for a shot on the newspaper’s magazine, and a cushier gig, Erik proposes the story of a former boxing champion Bob Satterfield (Samuel L. Jackson) now living on the streets.

Although much of screen time of the film is taken up with Satterfield and his story and Kernan’s attempts to tell it to the world, that’s not what the film is really about.  More than anything else this is a film about fathers and sons.  Kernan deals with being separated from his wife (Kathryn Morris) and six-year-old son (Dakota Goyo), and at the same time tries to come to terms with the legacy of his father, a legendary radio announcer.

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