Drama

Sound of Metal

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  • Title: Sound of Metal
  • IMDb: link

Sound of Metal movie reviewRiz Ahmed stars as one-half of a heavy metal band whose life is turned upside down when the drummer starts to lose his hearing. A recovering heroin addict, Ruben (Ahmed) agrees to go to an insular community for deaf recovering addicts to appease girlfriend Lou (Olivia Cooke) while still refusing to come to terms with what has happened to him.

The film from co-writer/director Darius Marder is one on personal struggle, loss, acceptance, and transformation as Ruben struggles both in finding a new life and his refusal to let go of what he had prior to his hearing loss. Even discounting the imparement, Ruben practices selective hearing in what doctors and others tell him both about the state of his hearing and about the limited help he might receive from expensive cochlear implants.

Although much of it takes place with a couple of montages, we do witness Ruben’s role from outsider to productive member of the deaf community over the course of the film. But despite the help Joe (Paul Raci) and others give to Ruben, the drummer can’t let go of returning to life on the road with Lou.

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News of the World

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  • Title: News of the World
  • IMDb: link

News of the World movie reviewThe idea of a man travelling from town to town to read newspapers may seem quaint in today’s information age, but the collaboration between Paul Greengrass and Tom Hanks offers a classic low-key western that is the dramatic equal to their previous collaboration, Captain Phillips. It may not be The Searchers, but Greengrass offers a wide-open canvas for Hanks to provide one of his better performances in recent years.

Traveling from town to town, reading his collection of recent newspapers, Captain Kidd (Hanks) comes across a lynched soldier and a young girl (Helena Zengel) who, as one character succulently put it, has been orphaned twice. Raised by the Kiowa people who killed her family, only to see the tribe wiped out by Union soldiers, Johanna’s only living relatives live far south towards the home Captain Kidd has avoided since the end of the Civil War.

The set-up is fairly simple, the reluctant Kidd decides to deliver the wild girl no one else seems to be able to control, home. On the road, the pair encounter various obstacles while learning a bit about each other, themselves, and where they belong.

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Soul

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  • Title: Soul
  • IMDb: link

Soul movie reviewPixar tackles the meaning of life in Soul. Jamie Foxx stars as Joe, a lifelong struggling musician who dies on the very day he earns his big break. Refusing to walk into the Great Beyond, Joe finds himself trapped in the Great Before where young souls are prepared prior to their journey to Earth. Joe’s fate will depend on helping a troubled soul (Tina Fey) find her one true thing.

Soul marks both Pixar’s first African American lead character and its director in Pete Docter (who also worked on much of the film’s development and screenplay). It’s a fun film, which will remind you of a number of body-switching comedies once Joe and 22 (Fey) make it back to Earth (many of those developed by Disney). The film also confirms that beaurcracy doesn’t end at death and Joe finds an entire new world to explore (and escape) if he wants to get home and claim his big break (while also teaching 22 about life).

Despite dealing with life and death, Soul lacks the emotional weight of previous Pixar films such as Up or Toy Story 3 due to how goofy much of the film becomes after Joe’s death.

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The Midnight Sky

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  • Title: The Midnight Sky
  • IMDb: link

The Midnight Sky movie reviewWhat went wrong here? Based on the novel Good Morning, Midnight by Lily Brooks-Dalton, The Midnight Sky is a mess of mishmashed themes from other films such as The Martian, The Road, Gravity, Apollo 13 and others (all of which work far more effectively than what we’re given here). George Clooney directs and stars as the last man on Earth, a dying scientist in the Arctic who remains after the rest of humanity has fled to the stars when “something” happens to the planet (other than it being bad and having to do with radiation, the film never bothers to explain). I’m usually a fan of Clooney, particularly when he steps behind the camera, but The Midnight Sky never quite works.

Apparently none of the fleeing spaceships fare much better than those wiped out by radiation as our scientist turns his attention to one ship returning from a long mission on a moon of Jupiter. While most of the story takes place with Clooney is full grizzly mode, we get flashbacks to his past (where he provides the voice for Ethan Peck in some seriously disjointed scenes), and other sequences show life aboard the returning spaceship.

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Tesla

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  • Title: Tesla
  • IMDb: link

Tesla movie reviewTesla is a lesser version of The Current War, which itself was far from a great film. Narrated by Anne Morgan (Eve Hewson) in the present (despite the fact she died in 1952), Tesla covers the career of inventor Nikola Tesla (Ethan Hawke).

Writer/director Michael Almereyda makes some odd choices here, both in a narrator using an Internet that was developed decades after her death and in some pretty cheap greenscreen techniques the culminate in a bizarre music video that closes out the film. While some of these make the film memorable, they don’t do much for the quality of the final product. Nor does the plot’s choice to largely skip over important events of Tesla’s life. Those with even a cursory knowledge of Tesla won’t find much here, and the film’s meager budget doesn’t offer the opportunity to showcase the scale of his inventions and aspirations.

Hawke is hit-and-miss in the title role and Kyle MacLachlan is entirely forgettable as Thomas Edison (who it waffles on as a villain). If the film has any real star, it’s Hewson whose absence is felt in any scene in which she is not featured.

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