Drama

Memories of Murder

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  • Title: Memories of Murder
  • IMDb: link

Memories of Murder movie review17 years after its initial release, Memories of Murder finally earns worldwide exposure. The film only received a token release in the United States a couple of years later. Given both the critical praise of writer/director Bong Joon Ho‘s Parasite and new revelations on the real-life events Memories of Murder draws from, 2020 becomes the perfect time to revisit the film (or, for so many, to get a first look at what some praise as the best Korean film of the century).

Bong Joon Ho’s tale examines the search for an elaborate South Korean serial killer targeting young women in the rural city of Hwaseong in Gyeonggi Province. The film’s two main characters are the local detective in charge of the case (Song Kang-Ho) and an investigator from Seoul (Kim Sang-kyung) who don’t think much of each other’s methods.

The film weaves the pair’s antagonist odd couple dynamic into an old school detective story that ratchets up the tension with each new victim who is found. It also coyly uses misdirection and more than one red herring to keep the audience guessing about what will happen next.

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Black Bear

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  • Title: Black Bear
  • IMDb: link

Black Bear movie reviewA filmmaker (Aubrey Plaza) facing writer’s block travels to a remote house in the Adirondack Mountains hoping for inspiration to strike. What happens next is subject to debate as any or all of the events could be nothing more than the actress turned director’s dark musings and may or may not have any connection to reality. Written and directed by Lawrence Michael Levine, Black Bear is primarily a vehicle to showcase Aubrey Plaza who owns the screen playing two different versions of the same character each trapped in a situation spiraling out of control.

In one version, Allison (Plaza) is greeted by the house’s owners (Christopher Abbott and Sarah Gadon) who are stuck in a failing marriage with a baby on the way. Allison’s arrival only further exacerbates the couple’s problems by introducing an attractive unknown variable into their lives. In the second storyline, Allison is an actress starring in her husband’s (Abbott) small independent film. With shooting nearly complete, he uses Allison’s jealousy towards her co-star (Gadon) to force the best possible performance no matter what his psychological games to do her emotional state.

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Black Beauty

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  • Title: Black Beauty (2020)
  • IMDb: link

Black Beauty movie reviewAnna Sewell‘s Black Beauty: His Grooms and Companions, the Autobiography of a Horse has been adapted a dozen or so times over the past one-hundred years to both television and film. Disney+’s new version centers mostly on the relationship between the wild mustang (voiced by Kate Winslet) and an orphaned teenager named Jo (Mackenzie Foy) who bond at her uncle’s (Iain Glen) horse sanctuary following the death of Jo’s parents.

Recasting Beauty as a mare rather than stallion allows for writer/director Ashley Avis to reframe the story, in part, as female empowerment (with a bit of class struggle thrown in for good measure). It also, not so subtly, highlights the comparisons between Jo and Beauty who create a lasting bond that continues long after they are separated. The script highlights the themes of animal cruelty from the book as the script touches on Beauty’s later owners, a ranger (Hakeem Kae-Kazim), a farmer (Jacques Wuister), a carriage driver (Greg Parves), and finally an unscrupulous carriage business owner (Deon Lotz) who treat Beauty with varying levels of care before the horse comes back into possession of Jo at the end of the film.

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The Personal History of David Copperfield

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  • Title: The Personal History of David Copperfield
  • IMDb: link

The Personal History of David Copperfield movie reviewDirector Armando Iannucci‘s The Personal History of David Copperfield is a light and breezy affair filled with familiar faces like Peter Capaldi, Gwendoline Christie. and Hugh Laurie. The film takes a more theatrical stage view than Hollywood approach to casting the project, ignoring any racial overtones and simply casting the best actor available for any particular role (such as throwing together Benedict Wong and Rosalind Eleazar as father and daughter). While initially appearing odd on-screen, the color-blind approach turns out to be quite freeing to both the film and its actors.

Dev Patel stars as Charles Dickens‘s David Copperfield (from the novel of the same name). We’re introduced to young David (Jairaj Varsani) who is yanked from his idyllic childhood to London after his widowed mother (Morfydd Clark) marries the villainous Murdstone (Darren Boyd). The dastardly devil is only missing a moustache to twirl to make his effect complete. Putting David to work in one of his factories, that is where he remains until his mother’s death when he escapes and strives to find a new life for himself as a gentleman.

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The Last Vermeer

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  • Title: The Last Vermeer
  • IMDb: link

The Last Vermeer movie reviewBased on true events, and adapted from 2008’s The Man Who Made Vermeers by Jonathan Lopez, The Last Vermeer is set in 1945 and centers around Captain Joseph Piller (Claes Bang) of the Allied Forces charged with returning art stolen by the Nazis to its rightful owners. Piller’s latest investigation is of art seller Han van Meegeren (Guy Pearce) who is a suspected Nazi collaborator after tracing a sale of one of Johannes Vermeer‘s paintings back to van Meegeren. Over the course of his investigation, and during van Meegeren’s trial, Piller becomes aware of facts which lead him to doubt the suspect’s guilt.

The film’s biggest problem is how the screenplay by James McGee, Mark Fergus, and Hawk Ostby is framed. We’re given the wrong leading man. As a main character, Pillar is your typical bland police officer. The script isn’t helped by subplots spending time delving into his troubled marriage and his feelings for his assistant leading in large part to the melodramatic air of the tale. The trial’s inevitable big reveal, which takes an amazing amount of Hollywood liberties to show off facts the audience has known for an hour or more, is laughably over-the-top.

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