Drama

Black Beauty

  • Title: Black Beauty (2020)
  • IMDb: link

Black Beauty movie reviewAnna Sewell‘s Black Beauty: His Grooms and Companions, the Autobiography of a Horse has been adapted a dozen or so times over the past one-hundred years to both television and film. Disney+’s new version centers mostly on the relationship between the wild mustang (voiced by Kate Winslet) and an orphaned teenager named Jo (Mackenzie Foy) who bond at her uncle’s (Iain Glen) horse sanctuary following the death of Jo’s parents.

Recasting Beauty as a mare rather than stallion allows for writer/director Ashley Avis to reframe the story, in part, as female empowerment (with a bit of class struggle thrown in for good measure). It also, not so subtly, highlights the comparisons between Jo and Beauty who create a lasting bond that continues long after they are separated. The script highlights the themes of animal cruelty from the book as the script touches on Beauty’s later owners, a ranger (Hakeem Kae-Kazim), a farmer (Jacques Wuister), a carriage driver (Greg Parves), and finally an unscrupulous carriage business owner (Deon Lotz) who treat Beauty with varying levels of care before the horse comes back into possession of Jo at the end of the film.

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The Personal History of David Copperfield

  • Title: The Personal History of David Copperfield
  • IMDb: link

The Personal History of David Copperfield movie reviewDirector Armando Iannucci‘s The Personal History of David Copperfield is a light and breezy affair filled with familiar faces like Peter Capaldi, Gwendoline Christie. and Hugh Laurie. The film takes a more theatrical stage view than Hollywood approach to casting the project, ignoring any racial overtones and simply casting the best actor available for any particular role (such as throwing together Benedict Wong and Rosalind Eleazar as father and daughter). While initially appearing odd on-screen, the color-blind approach turns out to be quite freeing to both the film and its actors.

Dev Patel stars as Charles Dickens‘s David Copperfield (from the novel of the same name). We’re introduced to young David (Jairaj Varsani) who is yanked from his idyllic childhood to London after his widowed mother (Morfydd Clark) marries the villainous Murdstone (Darren Boyd). The dastardly devil is only missing a moustache to twirl to make his effect complete. Putting David to work in one of his factories, that is where he remains until his mother’s death when he escapes and strives to find a new life for himself as a gentleman.

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The Last Vermeer

  • Title: The Last Vermeer
  • IMDb: link

The Last Vermeer movie reviewBased on true events, and adapted from 2008’s The Man Who Made Vermeers by Jonathan Lopez, The Last Vermeer is set in 1945 and centers around Captain Joseph Piller (Claes Bang) of the Allied Forces charged with returning art stolen by the Nazis to its rightful owners. Piller’s latest investigation is of art seller Han van Meegeren (Guy Pearce) who is a suspected Nazi collaborator after tracing a sale of one of Johannes Vermeer‘s paintings back to van Meegeren. Over the course of his investigation, and during van Meegeren’s trial, Piller becomes aware of facts which lead him to doubt the suspect’s guilt.

The film’s biggest problem is how the screenplay by James McGee, Mark Fergus, and Hawk Ostby is framed. We’re given the wrong leading man. As a main character, Pillar is your typical bland police officer. The script isn’t helped by subplots spending time delving into his troubled marriage and his feelings for his assistant leading in large part to the melodramatic air of the tale. The trial’s inevitable big reveal, which takes an amazing amount of Hollywood liberties to show off facts the audience has known for an hour or more, is laughably over-the-top.

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The Queen’s Gambit – Openings

  • Title: The Queen’s Gambit – Openings
  • IMDb: link

The Queen's Gambit - Openings television review

I was intrigued by the trailer for Netflix’s new show The Queen’s Gambit. I’m a little less so after the first episode. Don’t get me wrong, “Openings” is well made. It is however largely an origin story absent of what I was sold on. Series star Anya Taylor-Joy gets only a cameo here on an opening scene teasing where the series will eventually lead. The rest of the episode takes place years earlier with Isla Johnston playing the 9 year-old version of Beth Harmon who is sent to an orphanage after the death of her mother where she discovers her two great loves: chess and drugs. Based on Walter Tevis’s 1983 novel of the same name, the mini-series will follow Beth’s rise from the orphanage to unexpected heights in chess while struggling with the addictions which begin here.

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The Trial of the Chicago 7

  • Title: The Trial of the Chicago 7
  • IMDb: link

The Trial of the Chicago 7 movie reviewIn a year which has seen both a rise of public protest and attempts by both state and federal to squelch freedom of assembly comes a timely film from writer/director Aaron Sorkin looking back at the anti–Vietnam War protesters known as the Chicago Seven. While jumping over large parts of the trial, and using flashbacks to reveal events out of order, The Trial of the Chicago 7 certainly takes dramatic license. As a result, it’s not a great trial movie, but is still an engaging and moving film.

Leading the protest of the 1968 Democratic National Convention which ended in police violence, Abbie Hoffman (Sacha Baron Cohen), Jerry Rubin (Jeremy Strong), Tom Hayden (Eddie Redmayne), Rennie Davis (Alex Sharp), David Dellinger (John Carroll Lynch), Lee Weiner (Noah Robbins), and John Froines (Danny Flaherty) were all charged with crossing state lines with the intention of inciting a riot. Also on trial was Bobby Seale (Yahya Abdul-Mateen II), who despite not being present at the riots (or connected to the other defendants), found himself guilty by association for the inflammatory speech he gave that day.

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