Drama

Selah and The Spades

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  • Title: Selah and The Spades
  • IMDb: link

“They always try to break you down when you’re seventeen.”

Selah and The Spades movie reviewWritten and directed by Tayarisha Poe, Selah and The Spades offers a look at the cliques inside the private high school of Haldwell where its title character (played by Lovie Simone) reigns supreme by running the school’s drug-dealing faction known as the Spades. It’s highs are stronger than its lows, but Poe’s film has enough of each to undercut the storytelling at times leading to an uneven tale of the secret life of spoiled high school students after hours.

The film finds it strength in Simone as the out-going senior troubled by insecurities, rivals, and an overbearing mother (Gina Torres) who has her daughter’s life planned out, and Celeste O’Connor as the younger transfer student who Selah takes under her wing. While the film teases something more between them, in the end it’s hard to tell just what the two mean to each other (or if they even know). Also of note are Poe’s vision and the cinematography of Jomo Fray, both of which help frame the story as something apart from the majority of high school films. Even if the ending feels rushed and somewhat unsatisfying, enough of Selah and The Spades works to make it memorable in a year where that could be scarce.

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The Way Back

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  • Title: The Way Back
  • IMDb: link

The Way Back movie reviewThe simplest way to describe The Way Back would be if a Hallmark movie and a sports movie had a baby. Pulling from two separate genres, the film from director Gavin O’Connor doesn’t have to strain too hard as it uses the basic tropes of each as a crutch for much of its running time. The film introduces us to former star basketball player Jack Cunningham (Ben Affleck) who is lured out of his alcoholic haze by his old Catholic high school in need of an emergency replacement for their down-on-their-luck basketball team. Apparently the need for a coach was dire enough that Cunningham being well-known as the local slush wasn’t enough to immediately eliminate him from contention.

At first reluctant to take the job, Cunningham accepts the added responsibility and stress while dealing with a serious drinking problem, a broken marriage, and recent tragedy in his family. If Affleck’s character was a song, it would be a country song. As for his team, it’s the expected motley group of kids smaller and less athletically gifted than most of their competition, but when both the coach and players buy-in and put their noses to the grindstone… well, you know the rest.

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The Call of the Wild

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  • Title: The Call of the Wild
  • IMDb: link

The Call of the Wild movie reviewThe Call of the Wild, adapted from the Jack London novel of the same name, follows the journey of a St. Bernard/Scotch Collie named Buck who ends up in the Yukon as a sled dog after being stolen from his owner (Bradley Whitford) and sold north. The CGI-enhanced mutt is the main character of the film, while making friends (Harrison Ford, Omar Sy, Cara Gee) and enemies (Dan Stevens) along the way with both men and dogs. CGI is used on Buck to enhance the pooch’s emotions. The effect works in most cases, but there are scenes where it does feel a little disturbing.

Adapted by screenwriter Michael Green (Blade Runner 2049, Green Lantern), the straightforward tale of a heroic dog offers an earnest family-friendly film. I will admit I found both Buck and his journey more enjoyable than I expected. Buck is easy to root while the rest of the film’s characters are mostly cast in simple terms as good, evil, or indifferent. Released by the rebranded 20th Century Studios (renamed after Disney acquired Fox), the movie will no doubt play for years on Disney+ making a suitable companion piece to something like Eight Below or any one of the various Benji films.

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Just Mercy

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  • Title: Just Mercy
  • IMDb: link

Just Mercy movie reviewBased on true experiences of defense attorney Bryan Stevenson (Michael B. Jordan), writer/director Destin Daniel Cretton delivers a straightforward biopic that is more about one lawyer’s struggle against a broken legal system than the legal maneuverings of a crafty lawyer. After a brief introduction to the character, the film begins in earnest with Stevenson taking his Harvard education to Alabama to defend those on death row who never received a fair trial.

The film primarily deals with Stevenson’s attempts to earn a new trial for Walter McMillian (Jamie Foxx) who was convicted of murder on the testimony of one unreliable witness (Tim Blake Nelson) and no physical evidence thanks in large part to the pressure and intimidation of a local sheriff (Michael Harding) whose motives the film never really examines.

Just Mercy is a solid film filled with actors who have given more memorable roles in other movies. Along with Foxx and Jordan we also get Brie Larson as another member of the defense team who helped Stevenson set-up the Equal Justice Initiative offices in Montgomery, Alabama.

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1917

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  • Title: 1917
  • IMDb: link

1917 movie reviewBased on actual events that occurred during World War I, 1917 follows two British soldiers (George MacKay and Dean-Charles Chapman) sent alone across enemy territory to warn of an impending ambush by the German Army. The script from director Sam Mendes and Krysty Wilson-Cairns strips down to the bare essentials avoiding obvious tropes and cliches from war movies to deliver one of the most memorable entries to the genre in recent years which was based on a story Mendes’ grandfather told him as a child. Exceptionally well shot by cinematographer Roger Deakins, 1917 is a movie of heroism, sacrifice, and survival that is marvelous to behold.

For a film about war, 1917 is a deceptively quiet film that builds tension between the moments of action (equally as memorable as its quite sequences) as our protagonists race to prevent more than 1,000 troops (including a brother) from walking into the enemy’s deadly trap while performing what appears to the British line as a hasty retreat. Along the way, Mendes sprinkles in supporting performances from the likes of Benedict Cumberbatch, Colin Firth, Mark Strong, and Richard Madden, but the film belongs to the two soldiers on their own past the German line on a suicide mission to deliver a message in time.

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