Drama

The Glorias

  • Title: The Glorias
  • IMDb: link

The Glorias movie reviewAdapted largely from Gloria Steinem‘s autobiography My Life on the Road, the latest from director Julie Taymor offers a look at the life and travels of Steinem through the performances of four different actresses. Following the film’s initial look at Gloria’s unorthodox childhood, where she is played by Ryan Kiera Armstrong and Lulu Wilson, Alicia Vikander then carries the role for the next hour exploring Gloria’s travels and development both as a writer and activist before handing over the role to Julianne Moore for the film’s final hour.

The structure of the film does allow the actresses to appear on-screen together at times as Gloria talks over decisions and regrets with both older and young versions of herself. This isn’t the only unusual technique Traymor uses of the course of the film, but it is by far the most effective. Otherwise, The Glorias plays much like a standard biopic, albeit with several scenes shown out of order.

Given the times, especially following the recent death of Ruth Bader Ginsburg, the film, and it’s subject matter, is certainly timely.

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Spenser Confidential

  • Title: Spenser Confidential
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Spenser Confidential movie reviewSpenser Confidential is loosely based on Robert B. Parker’s novels about a smart-ass Boston private investigator. And when I say loosely, I mean screenwriters Sean O’Keefe and Brian Helgeland may have glanced at the spine of one of the dozens of Spenser novels written by Robert B. Parker over the decades. The film re-imagines Spenser (Mark Wahlberg) as a recently-paroled cop who spent five years in prison after beating up his superior officer (Michael Gaston) on his front lawn after the police captain buried evidence on the brutal murder of a protester (Avery Grant).

With dreams of being a truck driver, Spenser is pulled back into the muck when the police captain and another officer are murdered on the day Spenser is released from prison. Although only a suspect for about five seconds, Spenser decides to look into the situation on his own. Hawk (Winston Duke) is re-imagined as a young kickboxer rather than the world-class hitman with a shared boxing past with Spenser. Alan Arkin co-stars as gym owner Henry Cimoli who, along with training Hawk and giving Spenser a place to stay, helps Spenser and Hawk on the case.

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How to Build a Girl

  • Title: How to Build a Girl
  • IMDb: link

How to Build a Girl movie reviewAdapted from the semi-autobiographical novel of the same name by Caitlin Moran, How to Build a Girl introduces us to awkward and imaginative teenager Johanna Morrigan (Beanie Feldstein) who finds a way to take her writing talent and use it not only to support her struggling lower-class family, but also reinvent herself into music critic Dolly Wilde.

Along with Johanna, the family Morrigan consists of her equally socially-awkard gay brother (Laurie Kynaston), a mother (Gemma Arterton) whose attention is consumed by newborn twins, and a father (Paddy Considine) who has yet to accept he was a rocker who was never good enough to make it big.

Triggered in part by need to help her family, but also by a desire to escape her lonely life, Johanna breaks out of her comfort zone. First through a love of music, and later through ruthless criticism, Johanna is transformed into the sassy Dolly Wilde. How to Build a Girl is part coming-of-age story, part self-exploration, and part morality tale how a little power can corrupt someone so easily and completely (especially an unsuspecting teen).

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Selah and The Spades

  • Title: Selah and The Spades
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“They always try to break you down when you’re seventeen.”

Selah and The Spades movie reviewWritten and directed by Tayarisha Poe, Selah and The Spades offers a look at the cliques inside the private high school of Haldwell where its title character (played by Lovie Simone) reigns supreme by running the school’s drug-dealing faction known as the Spades. It’s highs are stronger than its lows, but Poe’s film has enough of each to undercut the storytelling at times leading to an uneven tale of the secret life of spoiled high school students after hours.

The film finds it strength in Simone as the out-going senior troubled by insecurities, rivals, and an overbearing mother (Gina Torres) who has her daughter’s life planned out, and Celeste O’Connor as the younger transfer student who Selah takes under her wing. While the film teases something more between them, in the end it’s hard to tell just what the two mean to each other (or if they even know). Also of note are Poe’s vision and the cinematography of Jomo Fray, both of which help frame the story as something apart from the majority of high school films. Even if the ending feels rushed and somewhat unsatisfying, enough of Selah and The Spades works to make it memorable in a year where that could be scarce.

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The Way Back

  • Title: The Way Back
  • IMDb: link

The Way Back movie reviewThe simplest way to describe The Way Back would be if a Hallmark movie and a sports movie had a baby. Pulling from two separate genres, the film from director Gavin O’Connor doesn’t have to strain too hard as it uses the basic tropes of each as a crutch for much of its running time. The film introduces us to former star basketball player Jack Cunningham (Ben Affleck) who is lured out of his alcoholic haze by his old Catholic high school in need of an emergency replacement for their down-on-their-luck basketball team. Apparently the need for a coach was dire enough that Cunningham being well-known as the local slush wasn’t enough to immediately eliminate him from contention.

At first reluctant to take the job, Cunningham accepts the added responsibility and stress while dealing with a serious drinking problem, a broken marriage, and recent tragedy in his family. If Affleck’s character was a song, it would be a country song. As for his team, it’s the expected motley group of kids smaller and less athletically gifted than most of their competition, but when both the coach and players buy-in and put their noses to the grindstone… well, you know the rest.

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