Drama

We Live in Time

  • Title: We Live in Time
  • IMDb: link

We Live in Time is a bit of a throwback, a solid film that shows the formula of throwing together two extremely likable stars and giving them a stage to perform is still a formula for success. For our pairing we get Andrew Garfield and Florence Pugh as Tobias and Almut. The film jumps around in non-linear fashion to delve into the pair’s relationship from their cinematic meet-cute (where she literally runs into him with his car) through the ups and downs of their relationship over the years.

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Conclave

  • Title: Conclave
  • IMDb: link

Far less silly than Angels & Demons (at least until its final ten minutes), and with less conspiracy and murder, Conclave tackles the election of a new pope by the sequestered College of Cardinals. Our main protagonist throughout events is Cardinal-Dean Thomas Lawrence (Ralph Fiennes) who despite his recent religious struggles finds himself in charge of the proceedings where he sides with the more modern liberal candidates (Stanley Tucci and Lucian Msamati) for the open position over other candidates (John Lithgow and Sergio Castellitto).

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Flow

  • Title: Flow
  • IMDb: link

Sometimes you search an entire year in vain for the film which will allow you to fall in love with cinema, and what it can be, all over again. Flow is that perfect film. Springing from the mind of writer/director Gints Zilbalodis and co-writer Matiss Kaza, Flow follows a nameless black cat, and the various other animals he will meet along the way, in the mostly abandoned woodland setting where a flood will displace everything. Featuring no humans, nor narration or dialogue of any language, Flow is a survival story told through its use of real animal sounds, and the sounds of the surroundings, helping to bring the characters and their world to life.

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I Saw the TV Glow

  • Title: I Saw the TV Glow
  • IMDb: link

Writer/director Jane Schoenbrun‘s I Saw the TV Glow examines themes of obsessive fandom, despondency, isolation, familial dysfunction, and dysphoria all through social outcasts Owen (Ian Foreman and later Justice Smith) and the slightly older Maddy (Brigette Lundy-Paine) who bond over a late-night teen horror show called The Pink Opaque

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Maria

  • Title: Maria
  • IMDb: link

Maria explores the final days of renown opera singer Maria Callas (Angelina Jolie) looking back on her life in a self-medicated haze that blurs fantasy and reality in her quest to rediscover the voice she lost years ago. The standouts here are Jolie’s performance, for which she trained 7 months to learn to sing opera (a mix of both Jolie and Callas’ voices are used throughout the film), and the film’s amazing look courtesy of cinematographer Edward Lachman, set decoration by Sandro Piccarozzi, and costumes by Massimo Cantini Parrini.

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