Based on true events, The Order is a solid drama about burnt out FBI Agent Terry Husk (Jude Law) sent to the Pacific Northwest to take it easy in an assignment where nothing ever happens… until he connects a series of robberies with a radicalized offshoot of a white power organization with a charismatic leader (Nicholas Hoult) and big plans for changing the world.
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Saoirse Ronan stars in director Nora Fingscheidt‘s stylish memoir based on Amy Liptrot’s true story. Jumping around her timeline to showcase various moments of Rona’s (Ronan) life from childhood to present provides context to how she ended up one one of the most remote Orkney Islands fighting her addiction with alcoholism and building a new life. While following her inner journey, the film also examines life on the island and nature beyond as her relative isolation brings her a peace she hasn’t seen in years.
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With the ship being bought out for a wedding cruise, most of the storylines of “I Always Cry at Weddings” have to deal with the medical team dealing with issues of the wedding party and mother of the bride. Most turn out to be not so serious, although the psychological problems of the groom to be put a permanent damper on the festivities after he commits suicide. The crew also get to stand in for the bride and groom at the rehearsal allowing for us to get at least the semblance of a wedding in the wedding episode.
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Airing at an appropriate time of year, “Halloween Week” offers a week of Halloween-themed events aboard the latest cruise along with the regular selection of medical cases to be solved. The most memorable moments of the episode come early on with Max (Joshua Jackson) providing real competition to Tristan (Sean Teale) by constantly showing up in the same costume. While the idea Avery (Phillipa Soo) isn’t good at Halloween feels like just giving her a themed plot on the show (which isn’t really necessary given her big save on the beach), the episode also features several of the guest-stars in a variety of costumes.
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Based on real events, Anna Kendrick‘s directorial debut splits its focus between serial killer Rodney Alcala (Daniel Zovatto) and struggling actress Cheryl Bradshaw (Kendrick) whose lives intersect as contestants on The Dating Game. I like all the pieces here, as the script by Ian McDonald explores 70s misogyny across both stories as Bradshaw makes compromises to further her career and McDonald targets young woman to add to his list of victims. My only complaint with the film is how it is put together.
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