Drama

A Separation

  • Title: A Separation
  • IMDb: link

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Winner of the Academy Award for Best Foreign Language film, A Separation is a study in a family’s struggles after the husband and wife separate over differences surrounding the future of their daughter. Simin (Leila Hatami) wants to move the family to America and give her daughter Termeh (Sarina Farhadi) opportunities she will not find in Iran, but her husband Nader (Peyman Moadi) will not consent to a divorce and refuses to abandon his invalid father (Ali-Asghar Shahbazi) for the promise of a better life in a country that is not his own.

When his wife moves out Nader has no other choice but to hire someone to look after his father while he is at work. Nader agrees to give the work to a husband (Shahab Hosseini) of a friend of Simin’s, but when he’s unable to take the job due to legal troubles it falls to his wife Razieh (Sareh Bayat) to take care of elderly man suffering from Alzheimer’s and dementia, which proves to be a much harder task then she initially envisioned.

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Act of Valor

  • Title: Act of Valor
  • IMDB: link

act-of-valor-posterActing, it turns out, is harder than it looks. The experiment from co-directors Mike McCoy and Scott Waugh to cast real Navy SEALs instead of actors for the lead roles in Act of Valor produces mixed results and probably shouldn’t be repeated any time soon.

Act of Valor isn’t an awful film but it feels oddly put together. At times it films like a documentary, a pseudo-documentary, an action flick, and a hamfisted USA Armed Forces recruitment film. Despite giving us a group of impressive action sequences these pieces don’t fit together well.

It’s hard to blame the SEALs, who were chosen to showcase what the real soldiers can do in combat situations, when they are given such uneven writing to work with. It’s true, that with the possible exception of the oldest member of the team, the group certainly aren’t natural actors, but Kurt Johnstad‘s script doesn’t do them any favors with its share of awkward dialogue.

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A Dangerous Method

  • Title: A Dangerous Method
  • IMDB: link

a-dangerous-method-posterA slow moving drama centered around the science of psychology may initially seem an odd choice for director David Cronenberg‘s latest project, but A Dangerous Method proves to be an engaging study of the minds and hearts of three individuals, each of whom finds themselves at the mercy of their uncontrollable passions and foibles.

Based on the play by Christopher Hampton and the book by John Kerr, Cronenberg and screenwriter Christopher Hampton deliver a character study centered around three people central to the birth of psychoanalysis. Michael Fassbender stars as Carl Jung, a doctor who in the early 20th Century would expand on the ideas of Sigmund Freud (Viggo Mortensen) to create analytical psychology.

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Shame

  • Title: Shame
  • IMDb: link

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Brandon Sullivan (Michael Fassbender) is an intensely unhappy man. He spends his days in his searching for porn on his office computer and nights with a bevy of women (Elizabeth MasucciCalamity ChangDeeDee LuxeHannah WareCharisse Merman) he picks up in bars and clubs, or pays for (either in person or online).

Brandon is addicted to sex to such an extent that he’s unable to emotionally deal with any woman he might have something more than physical relationship with, including an alluring co-worker (Nicole Beharie). His only real friend is his boss who goes out with him at night as his wingman, looking for women to cheat on his wife with.

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The Iron Lady

  • Title: The Iron Lady
  • IMDb: link

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The Iron Lady is as perplexing as it is forgettable. Coming off like a sanitized made-for-TV film that was given a bigger budget once it landed arguably the greatest living actress, the film is centered around some of the least important moments of one of the most important British politicians of the 20th Century. Like I said, perplexing.

In her waning days, after losing her husband, Margaret Thatcher (Meryl Streep) looks back on her career as she rose to power as Britain’s first female Prime Minister during one of the country’s most tumultuous periods. Despite detractors, and the fact that many of her monetary policies helped lead to high unemployment and social unrest (some of which is still felt today), the film certainly takes a pro-Thatcher stance.

The strangest choice the film makes is to center so much of the story around Thatcher’s days after her years in office. Yes we get flashbacks of her days in office, but except for a segment of the the film that deals with the Falklands War, they are short, fragmented, and don’t fit together all that well.

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