Drama

War Horse

/ / Movie Reviews
  • Title: War Horse
  • IMDB: link

war-horse-posterFor his latest director Steven Spielberg returns to the theater of war, but in a far more family friendly way than Saving Private Ryan. War Horse centers around the relationship between a young man (Jeremy Irvine) and his horse, separated by the war, both trying to survive and make it back to each other. If it sounds like Lassie Goes to War, it is, except in this case Lassie is a horse (and Timmy falls into WWI instead of a well).

For the second time in a matter of weeks Spielberg delivers a somewhat disappointing film. War Horse doesn’t have the same problem as The Adventures of Tintin, having no real heart at the middle of the story, but it is overly sentimental and far, far too much like a Lassie film than I assume the director planned to make.

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The Artist

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  • Title: The Artist
  • IMDB: link

the-artist-posterFame is a fickle thing. The largest star in the world can fall into relative obscurity almost overnight, and an extra can go from chorus girl to center stage almost as quickly. Hollywood films have played on these themes for decades, but none in more than 80 years have done so quite like The Artist.

Set to a Vertigo-esque score by Ludovic Bource The Artist is a marvel in itself. In an age where CGI is king this little independent film takes us back nearly a century by embracing the era of Charlie Chaplin and Douglas Fairbanks.

In 2011 it’s not every day you get a black and white silent film. The action alone carries the story, with title cards (rather than subtitles) to fill in any necessary exposition.

Our story begins with the introduction of George Valentin (Jean Dujardin), the world’s biggest silent movie star, and Peppy Miller (Bérénice Bejo), a young extra just starting out on one of George’s films. As Peppy’s career begins to take off George finds himself obsolete almost overnight as silent films are replaced by talkies.

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We Bought a Zoo

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  • Title: We Bought a Zoo
  • IMDB: link

we-bought-a-zoo-posterWe Bought a Zoo certainly isn’t writer/director Cameron Crowe‘s best film. However, it is his most family friendly and, with the possible exception of Jerry McGuire, his most commercial. It some circles that may be seen as a bad thing, but if Crowe’s latest is a little more formulaic than usual he still delivers a charming film that most should be able to enjoy.

Based on a true story, Matt Damon stars as Benjamin Mee, a single-father still reeling from the death of his wife (Maggie Elizabeth Jones). In need of a fresh start, and against the advice of his brother (Thomas Haden Church) and the disapproval of his angsty teenage son (Colin Ford), Benjamin spends the family’s savings to buy a rundown zoo, saving the park and the 200 species from destruction.

In a few months, with the help of the park’s zoo keeper (Scarlett Johansson) and staff (Angus Macfadyen, Patrick Fugit, Elle Fanning, Carla Gallo) Benjamin must to get the zoo up to code if he has any hope of seeing a return on his investment and save the park for good.

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Young Adult

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  • Title: Young Adult
  • IMDB: link

young-adult-posterReuniting with writer Diablo Cody, director Jason Reitman‘s latest is a darkly humorous character study of a woman who has never grown up. In fact, she may be incapable of doing so. We’ve seen stories like this before where a shallow lead character gets his/her comeuppance and has a last minute change of heart. Thankfully, Young Adult is not that movie.

Cody and Reitman are for more interested in showcasing how people don’t change over time than how a singular reality-smashing awakening can transform a character and cause real change. Mavis is a pretty reprehensible self-entitled bitch at the beginning of the film, and a couple of days spent in her hometown doesn’t do much to change that fact. Even if she is a bit humbled by events, she’s still the same person she’s always been.

On learning that her high school boyfriend (Patrick Wilson) and his wife (Elizabeth Reaser) have just had a baby boy, Mavis Gary (Charlize Theron) leaves Minneapolis and travels home to the small suburb of her birth. Sadly, she doesn’t make the trip for the purpose she was invited, to attend the family’s baby shower.

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My Week with Marilyn

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  • Title: My Week with Marilyn
  • IMDB: link

my-week-with-marilyn-posterIt’s almost as shame Michelle Williams is so good as Marilyn Monroe in My Week with Marilyn because her performance could easily overshadow what is one of the year’s best films.

There have been plenty of films I’ve enjoyed and appreciated in 2011, but I’ve waited a 11-and-a-half months to walk out of a theater and say I love a film. That streak is now over.

My Week with Marilyn based on Colin Clark’s memoir, recounts the young man’s first experience working on a film as the third assistant director of The Prince and the Showgirl directed and starring renown British actor Laurence Olivier (Kenneth Branagh) and American sensation Marilyn Monroe (Williams).

My Week with Marilyn isn’t only a love story to the troubled actress, but also this age of filmmaking and celebrity when one of England’s greatest actors took a chance on an increasingly hard to work with actress who the camera loved. The experiment went so well Olivier would essentially give up directing and return to the stage.

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