Drama

J. Edgar

  • Title: J. Edgar
  • IMDb: link

j-edgar-poster

For his latest film director Clint Eastwood teams up with Milk writer Dustin Lance Black to examine the life of one of the 20th Century’s most famous, and infamous, men ever employed by the United States Government – J. Edgar Hoover. Eastwood and Black offer us a Hoover who was a fascinating figure, a great American, and a deeply flawed human being unprepared to deal with his own paranoia, latent homosexuality, and the eventual wealth of power he possessed as the first Director of the Federal Bureau of Investigation.

As with many biopics, the story is told through a series of flashbacks as Hoover (Leonardo DiCaprio) goes over his experiences with a series of writers working on his autobiography. The film begins with Hoover’s early days with the agency, his promotion, and the ruthlessness he used to move the F.B.I. into the 20th Century by incorporating new techniques such as fingerprint analysis and forensics into police work and changing the image of government agents in the public’s perception. He also managed to blackmail a great many people.

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Take Shelter

  • Title: Take Shelter
  • IMDB: link

take-shelter-posterWhen a construction worker starts to have apocalyptic nightmares and hallucinations he becomes obsessed with spending his time and his family’s limited resources to build onto a fallout shelter in their backyard.

Curtis (Michael Shannon) is convinced that a storm, unlike anyone has ever seen, is approaching and the shelter is his only hope of keeping his wife (Jessica Chastain) and daughter (Tova Stewart) safe. He’s also well-aware that his problems might be linked to his family’s history of mental illness. His mother (Kathy Baker) was diagnosed as a schizophrenic at the age he is now. Are his visions real or is he too loosing his mind?

Written and directed by Jeff Nichols, Take Shelter works well because the lead character is able to admit the possibility that everything he’s experiencing may be nothing more than his delusions. But that admission doesn’t mean he’s not still at their mercy. Over the course of the film the gathering storm in his mind grows louder and louder until it finally erupts.

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The Rum Diary

  • Title: The Rum Diary
  • IMDB: link

the-rum-diary-posterIn the 1950’s Hunter S. Thompson would pen a novel that wouldn’t see the light of day for more than 40 years. Its path to the theaters wasn’t much smoother as it languished in development hell for the better part of a decade before writer/director Bruce Robinson and Johnny Depp (Thompson’s original choice for the role) were attached in 2009. The story follows the exploits of Paul Kemp (Depp), a struggling novelist, who leaves New York to accept a job no one else wants at The Daily News in Puerto Rico. The film also stars Amber Heard who the camera doesn’t so much love as continuously lust after in every scene she appears.

The film follows the misadventures of Kemp including his friendship with the paper’s lead photographer (Michael Rispoli) and his reluctant involvement in a land grab scheme by a buisness man named Samuelson (Aaron Eckhart). Kemp’s part in the scheme is made more difficult by his inability to stop drinking and his instant fascination to Samuelson’s girl, Chenault (Heard). Did I mention how pretty she was?

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The Ides of March

  • Title: The Ides of March
  • IMDb: link

ides-of-march-posterThe loss of innocence is the theme for George Clooney‘s latest directoral effort which centers around a high-ranking political staffer whose idealism is shattered over the course of the two-hour film as he learns just how dirty a business politics really is.

The youthful Stephen Myers (Ryan Gosling) has worked on more campaigns that most staffers twice his age but he believes he’s finally found the real thing in Governor Mike Morris (Clooney). Morris is one of two front-runners for the Democratic Party’s nomination for President. With Myers help he might even make it, if he’ll agree to make the backroom deals to get him the delegates needed to sew-up the nomination.

Myers is approached by the campaign manager (Paul Giamatti) for Morris’ opposition who attempts to woo the wunderkid over to his campaign. Although he declines the offer, Myers’s hyper-paranoid boss (Philip Seymour Hoffman) is angered over his protege’s willingness to meet with the enemy.

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Moneyball

  • Title: Moneyball
  • IMDB: link

moneyball-posterIn the early 2000’s the Oakland A’s had just lost three of their big name stars and the small market team was in trouble in terms of continuing to compete in a league where they could be outspent by more than $100 by the likes of the New York Yankees. A’s General Manager Billy Beane (Brad Pitt) knew something had to change.

Hiring an assistant (Jonah Hill) who believed the team could compete by relying on sabermetrics (created by Bill James) rather than traditional models of building a team, Beane became an innovator by showcasing how a small market team could compete against the big boys.

The film begins with the playoff loss to the Yankees in 2001 and follows the rocky course of Beane instituting a completely new way of thinking to the old school baseball front office scouts and staff. The film highlights the early struggles and eventual success of the team over the 2002 season as well as focus on Beane’s relationship with his daughter (Kerris Dorsey).

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