Gone Baby Gone
- Title: Gone Baby Gone
- IMDB: link


Ben Affleck, who does double duty here by co-writing the film, his first since Good Will Hunting (he adapted the tale from Dennis Lehane‘s novel), and directing his first feature, produces a pretty good flick. Centered around the poorer section of Boston each character feels real. It may not be a pretty view of America, but, sadly, it’s a far more realistic one than most of us are willing to admit.
For the first hour the film slowly unfolds as the investigation by John Ashton (Sgt. Taggart!!) and Ed Harris and led by Morgan Freeman uncovers only dead ends and false leads. The case is complicated by the mother’s (Amy Ryan) drug addiction, her recent decisions, and the people surrounding her that may have a reason to hurt her, or possibly her child.
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Thrillers work on keeping the audience on the edge of your seat. This film isn’t a thriller. Character studies work by examining individuals and relationships, bringing truths and secrets out, and making resolutions. This isn’t a character study. In fact, I’m not sure what it is. I know what it wants to be, but it just doesn’t know how to get there.