October 2006

New on DVD

Oh, heck yes! It’s Tuesday, and that means that you, yes you, the happy reader of RazorFine Review, gets to read a brand new installment of New on DVD!  Is it even remotely possible to contain the excitement?  I think not.

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Welcome to a week of commercial hits.  With the excetption of American Dreamz, all of the titles in this week’s column either grossed over $50 million in theaters, or lasted on television for eight years.

Film:

The Break-Up I don’t have many actors that I can’t stand.  When I announced my anticipation for Marie Antoinette to my friends, I was met by a barrage of hatred for Kirsten Dunst; when I see the covers of tabloids, I just can’t understand why everyone loves to hate Lindsay Lohan.  But there is one starlet of Hollywood who I can’t find any favor in – Jennifer Aniston.  She was great in The Good Girl, but in any other movie she fails to prove any ability to act.  All she seems to do in any movie (including The Break-Up,) is recite lines while looking perky and as adorable as ever.  I couldn’t sympathize with her at all throughout all of her trials through the movie because I never saw her character, all I saw was the super-star known for two things: Friends and Brad Pitt.  Having said that, Vince Vaughn is charmingly funny as usual in this film, and it never hurts in my book to feature an alum of Arrested Development (Jason Bateman,) but thanks to Aniston the movie just never works.  Alan wasn’t too fond of it either, as made evident in his review of the film.

Over the Hedge I never thought I would say this, but the best computer animated film this year so far wasn’t from Pixar.  No, Cars was fun but flat, giving DreamWorks the opportunity to steal the show with its simple but delightful Over the Hedge.  It did everything right – it had an all-star cast (with names like Bruce Willis, Steve Carell and even Captain Kirk,) a family friendly script that anyone could enjoy and, most importantly, it was funny.  It was funny on multiple levels, from Carell’s sugar junkie squirrel Hammy to the over the top direction found in the third act, it’s impossible not to give off a loud laugh at least a dozen times during the movie.  The animation might have failed to bring anything new to the table, but other than that there are no complaints to be had in this movie.  Alan was a believer too, as his review demonstrates.

American Dreamz Too be honest, I walked out of American Dreamz disappointed.  As a believer that About a Boy is easily one of the most over-looked classics of the past ten years, I was excited to see this promising next film for Paul Weitz.  It was the first to lampoon the easily lampoonable American Idol, and featured Dennis Quaid with a hilariously spot-on impersonation of an American President who might or might not be a reflection of George W. Bush, American Dreamz had the potential to be a great satire on today’s America.  But the final product isn’t what could have been – what we get instead is a jumbled effort that makes it seem as though Weitz couldn’t decide if he wanted to make a serious, political film or a solid knee-slapper.  Still, American Dreamz should be commended for trying something most comedies try to steer clear of: having an intelligent message.  Alan, on the other hand, found more appeal in the film as you can read in right here.

The Omen You know, The Omen wasn’t that good, but at least it was exciting (which in itself makes it several thousands times more watchable than The Grudge 2)  Sure, it was made obvious from its theatrical campaign that the only reason it was greenlit was so that 20th Century Fox would have a scary movie to release on 6/6/06; but hey, it wasn’t too bad.  It was watchable and, though rarely scary, was often intense.  There are better horror films out there to rent this Halloween; but I’ll be honest, after seeing The Grudge 2 last week (you can read my review of that stinker here,) even White Noise sounds like a fun-filled fright-fest.  Although Alan didn’t exactly agree with me on the issue, obvious from his one-star review of the film.

Television:

That ‘70s Show: Season 5 Who buys these DVDs?  Seriously, who cares enough to pay money for an okay show that is already run, rerun and overrun through syndication .  The show is a testament of how there’s always going to be an audience out there for crappy television.  Still, if you need a fix for your Fez infatuation, then by all means run out there and throw Fox some more money.

Charmed – The Complete Sixth Season Rejoice Charmed fans, although the death of the WB may have destined the show for the same fate, you get the sixth of the show’s eight seasons today!  The show was by no means great, but still a fun enough way to pass an hour by.  Some even tried to claim that, in a post-Buffy world, it was a semi-worthy heir to the show.  Of course, no show of its kind has come even close to matching the genius Buffy the Vampire Slayer since it ended three years ago, but you get the idea.

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Marie Antoinette Week

Sofia Coppola gave us The Virgin Suicides and Lost in Translation.  This Friday she brings her latest film, re-teaming with Kirsten Dunst, in Marie Antoinette.  Over the week we’ll be taking a look at Coppola’s first two films as well as a gander at a few of Miss Dunst’s as well.  And of course we’ll have our reviews for her new flick on Friday.

But that’s not the only film opening this week.  The list includes Flags of Our Fathers, the first of two films to be released from director Clint Eastwood examining the Battle of Iwo-Jima, as well as obsessed dueling magicians Christian Bale and Hugh Jackman in The Prestige, a new 3-D version of Tim Burton’s The Nightmare Before Christmas, Terry Gilliam falling further into the abyss with a film that makes his last (The Brothers Grimm) appear to be a classic, another horsey movie with a young girl learning about life, and the star-studded cast of the Augusten Burroughs biopic Running With Scissors

All that and more; take a peek inside for the full list.

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Sofia Coppola brings Marie Antoinette to the screen, in the guise of Kirsten Dunst, for her third film.  All this week we’ll take a look some of the previous films of Coppola and Dunst as we begin Marie Antoinette Week here at RazorFine.

But that’s not all that’s scheduled to hit theaters this week.  Want to know more?  Just click on the title for film info including a full cast list.  Want a closer look?  Just click on the poster to watch the trailer.

Opening Friday:

Marie Antoinette

For her third film Sophia Coppola decided to adapt Lady Antonia Fraser’s The Journey which takes a sympathetic look at the figure of Marie Antoinette.  For her star Coppola called on Kirsten Dunst (the two worked on Coppola’s first film The Virgin Suicides) as well as Judy Davis, Jason Schwartzman, and Rip Torn.  The film received a mixed reaction at the Cannes Film Festival (as any pro-Antoinette film would) but also earned one award and a nomination for the Golden Palm.  The rock trailer, the intriguing cast, and the lush photography make this look like a film worthy of viewing and discussion.  How worthy?  Well check back Friday for our reviews!

Flags of Our Fathers

In the first of two films dealing with the Battle of Iwo Jima (Eastwood also directed Letters from Iwo Jima, presented from the Japanese point of view) Clint Eastwood gives us Ryan Phillippe, Jesse Bradford, and Adam Beach as the surviving members of the most famous photograph from WWII.  The film follows the stories of all six men, their families, the raising of the flag at Iwo Jima, how it changed the lives of the three men who made it home, and how the U.S. Government used the event to help jumpstart the war effort.  The script was penned by Oscar winner Paul Haggis (Crash).  Make sure you check back Friday for our review.

The Prestige

Batman vs. Wolverine.  Christain Bale and Hugh Jackman play competing Victorian Age magicians obsessed with outdoing each other and being proclaimed the best magician in London.  Christopher Nolan (Memento, Batman Begins) directs this journey of pride and obsession that will make everyone quickly forget that other regrettable magic film from ealier this fall.  It also stars Scarlett Johansson, Michael Caine, Piper Perabo, Rebecca Hall and David Bowie (yes, THAT David Bowie) as Nikola Tesla.  Check back Friday for our full review.

Flicka

Are you Flickin’ kidding me?  Another horsey movie?  Based on the novel My Friend Flicka by Mary O’Hara (made into a film in 1943 with Roddy McDowall) follows the story of a young teenager girl (Alison Lohman) claiming a wild horse as her own to prove to her father she could one day run the ranch.  This version also stars country music star Tim McGraw and Maria Bello as the parents (how freakin’ lucky is McGraw, he gets to pretend to be Bello’s husband on-screen and go home to Faith Hill at night)!  With Bello’s involvement you’d expect the film to be more than what it seems.

The Nightmare Before Christmas 3-D

Tim Burton’s tale of Jack Skellington (Chris Sarandon) leaving Halloween Town for Christmas Town with a well-intentioned, but woefully inept, plan to play Santa Claus (Edward Ivory) gets a remake in 3-D for Halloween (and you only had to wait 13 years).  The remastered digital 3-D prints include Lucas-like “improvements” included a revamped soundtrack.  For those of you who don’t remember the voice actors include Catherine O’Hara, Paul Reubens, Greg Proops, William Hickey, and the music and singing (he does the singing voice of Jack) of Danny Elfman.  I guess this animated 3-D flick craze is here to stay (Monster House). 

Opening Friday, in Limited Release:

Running with Scissors

In a film based off of Augusten Burroughs’ memoir, Augusten (Joseph Cross) dealing with an alocholic father (Alec Baldwin) and unstable mother (Annette Bening) as he spends his young years with his mother’s therapist (Brian Cox) and his extended family.  The first rate cast also includes Evan Rachel Wood, Gwyneth Paltrow, Gabrielle Union, and Joseph Fiennes.  Burroughs’ family wasted no time in suing Augusten so you can bet there’s some juicy tidbits to be enjoyed.  For you Nip/Tuck fans – the film is directed by the series head staff writer and executive producer Ryan Murphy.  The film opens Friday in limited release.

Sleepling Dogs Lie

Writtnen and directed by Bob Goldthait (yeah, THAT Bob Goldthwait) this dark comedy asks the question “Is honesty always the best policy?”  After Amy (Melinda Page Hamilton) shares a sexual indiscretion from her past with her current fiance (Bryce Johnson) she struggles with the consequences.  Both the film earned a Grand Jury Prize nomination at Sundance.  I have to say I’m more than a little curious at just what craziness Goldthwait’s brain unleashes here.  The film also stars Geoffrey Pierson, Jack Plotnick, Brain Posehn, Morgan Murphy, Steve Agee, and Bonita Friedericy.  It upens exclusively Los Angeles and New York on Friday.

Tideland

Terry Gilliam doesn’t play it safe, he reaches for the moon with his own brand of madness.  Whe he succeeds he gives us Time Bandits, The Fisher King, and Twelve Monkeys.  We he fails however we get films like Tideland.  The movie follows the odd little Jeliza-Rose (Jodelle Ferland) who finds herself in an abandoned country farmhouse with her inattentive druggie father (Jeff Bridges) after her mother (Jennifer Tilly) dies of a heroin overdose.  She lives in a bizarre fantasy world which includes the heads of dolls and the retarded neighbor.  Just how bad is Tideland?  Check back Friday for my review to find out.

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Man of the Year

  • Title: Man of the Year
  • IMDB: link

Man of the YearWe’ve seen this done before, and done better.  Man of the Year doesn’t come close to Levinson’s direction of David Mamet’s wickedly humorous satire Wag the Dog and lacks the warmth of Dave.  It falls apart in the second act, seemingly written and directed by a studio exec’s retarded grandson, as the film losses all it’s momentum as the comedy is shelved for a thrill-less thriller.

Tom Dobbs (Robin Williams) is a comedian with his own late-night political show, think Bill Maher or Jon Stewart amped up on caffeine.  An offhand remark by a audience member begins a series of unusual and unbelievable circumstances leading this funny man to become the President of the United States.

It has a perfect set-up.  As Dobbs runs just to stir the pot, which no one takes seriously, Elanor Green (Laura Linney), an employee of the Diebold-like maker of the new voting machines, discovers a slight flaw in the system.  When she presents her findings to the CEO she is told the problem is being worked on and will be corrected.

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Nakey, Nakey

  • Title: Shortbus
  • IMDB: link

ShortbusSex is a compelling subject in film, books, and television.  In discussing, and showing, sex you know you’ve got the audiences attention.  Shortbus knows how to grab us early, but soon fails to perform to expectations as it blows it’s wad in the first eight minutes.

The film opens with a voyeuristic journey as the film, seemingly at random, looks through windows into the sexual lives of a select few of the millions in New York City.  The shock and strangeness of the situation immediately will make you take notice and, depending on your moral stance, possibly be appalled.

It’s the perfect choice to bring you into this world.  Sadly though, once here, writer/director John Cameron Mitchell has very little to say.

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Not Too Much to Get Upset About

Just in time for the Halloween season comes The Grudge 2, a film that sure looks creepy from the commercials and posters.  From the promotions you might be expecting a unique panorama of the disturbing that teaches your stomach how to do a flip.  But the film comes up so stale on the scares that you’ll think someone put the thrills on ‘Mute.’

The Grudge 2
1 Star

I don’t know.  I mean really, I just don’t know.  The Grudge 2 isn’t that awful of a movie.  It is, in most respects, a competent motion picture.  The shots are solid, the story-telling is clear and there’s some decent art direction.  But at the same time, nothing in the film ever comes out to actually grab the audience.  It’s just a blank few reels that try to capture the fright-infested feel for a PG-13 audience perfected by The Ring four years ago that comes up short.

Haunted houses suck.  Seriously man, don’t go in them.  They will mess you up.  Sarah Michelle Gellar learned this two years ago in the first film, but nobody listened to her.  This explains why High School Queen Bees, their followers and the Sister of Gellar’s character (Amber Tamblyn, doing crappiest acting this side of the new year acting this year) all decide to go for a nice bumbling trip into the Japanese homestead haunted by a family of pissed off spirits who, instead of just wanting to get along, curse anyone who enters their home by haunting them, and killing them shortly thereafter. 

They’re all unconnected beautiful people who’s story’s don’t connect until the end.  It’s one of those twist endings that the screenwriter must have thought “Oh sweet, this is going to be like The Sixth Sense, so it must be brilliant!”, but then it turns out that twist endings have been battered to death in the past decade; so though the script ties up all the loose knots well enough, it’s blow you back into your seat.

Bringing on Takashi Shimizu, who directed the Japanese films that both Grudge films are based off of, wasn’t a bad idea.  The kind of quiet, subdued and eerie, lingering nature of Asian film can make a great fit for horror; what better way to acquaint American audiences with a different side of film-making than importing a talent from over-seas.  The Asian influences are obvious, but Shimizu’s final product is an odd mix of the Orient and Hollywood – things are quiet and subdued, but he never translates the creepies into the film.  The scares are more American in nature; there are going to be less people thinking “Crap on a stick, did that kid just meow?  How did that happen?  Who?  What?  I’m scared!” and more people shouting “OH MY GOD WATCH OUT BEHIND YOU, IT’S THE MEOWING KID!” at the screen.  Some attempts are made to make The Grudge 2 genuinely creepy, but if you’ve seen the predisessor there’s nothing new here.  Shimizu just doesn’t have a trick up his sleeve that will frighten anyone who’s already seen The Ring, or for that matter, most horror films before.

The only job that The Grudge 2 can complete is the easiest one of all: it’s a scary movie in October with famous enough celebrities.  This, in turn, will drive middle-schoolers to have their parents drive them in Chevy Suburbans to their nearest suburban cineplex by the hoard.  Let’s face it folks – if you were a 12-year-old who didn’t know what a good Horror film was, you would love to see a scary movie to help prepare for Halloween.  Hey, you might even get some points for being able to show up at school and brag that you saw the film, as your peers stood in awe of the fact that you were brave enough to sit through such a frightening-looking film.

The acting, the story, the scares . . . the only redeeming quality of the film is that the film is never that bad.  But none of that really matters too much, the only reason anyone will see The Grudge 2 is because they’re preteens with the price of admission burning through their Old Navy jeans.

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