Penélope Cruz

The Invite

  • Title: The Invite
  • IMDb: link

Easily comparable to Who’s Afraid of Virginia Woolf?, both in its subject manner and its origins and staging from a stag play, The Invite is nothing more or less than an evening two couples spend together leading to arguments, arousal, suffering, and, ultimately, something nearing understanding. Although at times uncomfortable, it’s an evening you don’t want to miss.

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Official Competition

  • Title: Competencia oficial
  • IMDb: link

From Mariano Cohn and Gastón Duprat comes this dark satire featuring a group of people who should never have gotten together to make a film when a businessman (José Luis Gómez) turned producer looks to enhance his reputation despite knowing nothing about film (or the Nobel Prize winning novel he’s bought). Then there’s the eccentric director (Penélope Cruz) who casts the book’s estranged brothers with a method theater actor (Oscar Martínez) and a worldwide movie star (Antonio Banderas) hoping to harness their mutual animosity to fuel the film.

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Parallel Mothers

  • Title: Parallel Mothers
  • IMDb: link

For a film that centers around a plot point that would be right at home in any soap opera, Parallel Mothers provides a surprisingly strong drama. Penélope Cruz and Milena Smit are strangers who meet in the hospital, both giving birth to their first child. Each will take home a boy, but what they won’t realize for quite some time is that each mother was given the other’s son.

It’s Janis (Cruz) who begins to suspect the truth when the father (Israel Elejalde), a flirtatious archeologist with a wife and no real interest in a more permanent relationship with the photographer, sees no resemblance in the child to anyone in his family. A chance meeting with Ana (Smit) brings the characters back into each others orbit as Janis’ suspicions are realized and a gnawing guilt over the truth begins to color all that will follow.

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