Ella Purnell

Fallout – The Head / The Ghouls

  • Title: Fallout – The Head / The Ghouls
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Fallout - The Head / The Ghouls

“The Head” and “The Ghouls” offer us the short-term forced team-up of the Ghoul (Walton Goggins) and Lucy (Ella Purnell) who he tracks down but only after she’s lost the scientist’s head to a water beast. The two together is the highlight of the two episodes, which do take a slight dip here compared to the rest of the season. We also get a pairing for Maximus (Aaron Moten) who, while still pretending to be Titus, is given a new squire in Thaddeus (Johnny Pemberton) who he will need to keep his identity secret from. On the trail of Lucy, the pair find the same water beast, defeating it and claiming the head, perhaps giving Maximus a bit too much confidence he can continue to pull of this rouse.

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Fallout – The Target

  • Title: Fallout – The Target
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Fallout - The Target

“The Target” introduces us to Dr. Siggi Wilzig (Michael Emerson), teasing his importance and knowledge, and working as the catalyst to also bring our three main characters together for the first time in Filly. Lucy (Ella Purnell) is the first to come across the scientist, first camping on the road, and later in the town which will also see the arrival of the Ghoul (Walton Goggins) and Maximus (Aaron Moten) wearing the armor of Knight Titus which he will claim as his own after choosing not to save the knight from his preventable run-in with a mutation he had planned to blame his squire for.

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Fallout – The End

  • Title: Fallout – The End
  • IMDb: link

Fallout - The End

Adapted from the post-apocalyptic video game series, the opening episode of Fallout gives us the end of the world and then what comes next. After a brief introduction to the world before nuclear annihilation, we jump to the late 23rd Century to spend most of the episode with Lucy (Ella Purnell), the daughter of Vault 33’s Overseer Hank MacLean (Kyle MacLachlan), and her life within 50s-style fallout shelter. While keeping specifics to a minimum, we know that the vaults were constructed to continue humanity’s survival (although we get allusions that there were more nefarious purposes as well).

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Miss Peregrine’s Home for Peculiar Children

  • Title: Miss Peregrine’s Home for Peculiar Children
  • IMDb: link

Miss Peregrine's Home for Peculiar ChildrenAdapted from Ransom Riggsnovel of the same name, Tim Burton‘s latest tells the story of high school outcast named Jake Portman (Asa Butterfield) who is drawn into a mystical and macabre world following his grandfather’s (Terence Stamp) death as he discovers all the childhood bedtimes stories told to him are actually based on real people and real events just waiting for Jake to find them.

As a film Miss Peregrine’s Home for Peculiar Children features all the trademarks of Burton’s style, although without Johnny Depp or Helena Bonham Carter the movie feels more serious and less madcap than several of the director’s more recent projects. As a story, the movie feels very much like a book (somewhat akwardly) adapted to film. The odd story moves in fits and starts introducing Jake’s life prior to his grandfather’s death, his psychoanalysis, and his journey to England with his father (Chris O’Dowd), before getting down to introducing Miss Peregrine (Eva Green in the role Helena Bonham Carter would usually play) and her unusual students all trapped in a time-loop in a single day during WWII where they are safe from the monsters hunting them.

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Never Let Me Go

  • Title: Never Let Me Go
  • IMDB: link

Most of us never know what our purpose is or why we’re here. The same can’t be said of the characters of Never Let Me Go, adapted from Kazuo Ishiguro’s novel of the same name. As children they understand more about their roles in the world than most who live a full century.

The story is told through the perspective of Kathy H. (Carey Mulligan) thinking back over her childhood at Hailsham boarding school and her two best friends Tommy (Andrew Garfield) and Ruth (Keira Knightley). Hailsham isn’t your average school. And these aren’t your average youngsters. Here the guardians (not teachers or headmistresses) encourage the children’s creative expression, enforce strict discipline, and prepare the students for a life already chosen for them.

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