Annette Bening

Nyad

  • Title: Nyad
  • IMDb: link

Nyad

Based on true events, Nyad offers the attempts of retired long-distance swimmer Diana Nyad (Annette Bening) who in her 60s became obsessed with completing the swim from Havana to Florida which she failed to accomplish in her 20s. While in many ways your typical sports drama featuring an athlete overcoming impossible odds, and driven (and haunted) by personal experience, the film’s story is elevated by the performances of Benning and by Jodie Foster who plays Diana’s best friend and coach throughout her multiple attempts to make history.

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Death on the Nile

  • Title: Death on the Nile (2022)
  • IMDb: link

Writer/director/star Kenneth Branagh returns to reprise his role as Hercule Poirot in this follow-up to 2017’s adaptation of Murder on the Orient Express. The adaptation of Agatha Christie’s Death on the Nile isn’t as successful, in part due to source material not being as strong this time around and in part for some questionable creative decisions.

It takes far too long to get to the setting for our murder mystery, let alone the murder itself. By the time the body has dropped more than half the film seems to have already passed. In a somewhat defiant attempt to justify the character’s look in the previous film, Branagh opens with a flashback explaining the reasoning behind Poirot’s ridiculous mustache. After jumping forward, we are given multiple scenes setting up various characters, both in London and in Egypt, before finally get them all together on a ship sailing down the Nile River.

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The Report

  • Title: The Report
  • IMDb: link

The ReportThe Report is one of a number of movies released in 2019, most of them based on true stories, centered around an idealistic protagonist uncovering a dark truth and struggling to bring it to light. Our hero is Senate staffer Daniel J. Jones (Adam Driver) who is chosen by Senator Dianne Feinstein (Annette Bening) to lead an investigation into the CIA’s detention program, and the enhanced interrogation techniques they deployed, following the attacks on September 11, 2001. What he discovers is shocking and disgusting, as is the CIA’s work to discredit the report and make sure the truth never sees the light of day.

The events depicted in the film are less shocking today then when they were disclosed, but writer/director Scott Z. Burns does fashion this version of Jones as the vessel for the outrage over what was done in the name of freedom as well as a singular source to document and describe many of the flaws with the CIA’s methods that, after all was said and done, produced very little in actionable intelligence. While Jones is obviously Burns’ hero, Senator Feinstein is a bit harder for him to nail down (especially given her late waffling against the opposition to the report).

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Marvel’s Carol Danvers

  • Title: Captain Marvel
  • IMDb: link

Marvel's Carol Danvers movie reviewAfter dabbling in movies like Guardians of the Galaxy and Thor: Ragnarok, Marvel goes all-in on more hardcore sci-fi with their latest film offering a sort-of alien protagonist in a rebellious Kree warrior who arrives on Earth searching for a scientist before the alien-shape-shifting Skrulls can get their hands on her. Complicating matters for Vers (Brie Larson) are her fractured memories of Earth, only recently returned from her interrogation with the Skrulls, which will not only lead her on a search for a missing scientist but also a discovery into who she is.

It may have taken Marvel a decade and DC to greenlight two movies (Wonder Woman and its sequel) before going into production with a lead female protagonist, but the writing and directing team of Anna Boden and Ryan Fleck deliver a solid super-hero film that fits somewhere in the lower-upper-half of the MCU. Larson easily carries the film that brings in some fan favorite supporting characters that help liven up the proceedings after a somewhat clunky opening act that spends a lengthy amount of time explaining the Kree, the Skrulls, the war between the two alien races, and Verse’s role with the Kree.

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20th Century Women

  • Title: 20th Century Women
  • IMDb: link

20th Century Women movie reviewI was a big enough fan of writer/director Mike Mills‘ 2011 film Beginners to include it on my best of the year list. In his first film since Beginners, Mills reuses themes of nostalgia and the awkwardness of life along with some of the same structure (including inter-cut stills and narration to frame a time and place), but although 20th Century Women features a strong cast it lacks the intimacy and magic of his previous movie.

Set during the 1970s, the film focuses on single mother Dorothea (Annette Bening), her teenage son Jaime (Lucas Jade Zumann), and the other women in their lives, Jaime’s longtime best-friend Julie (Elle Fanning) and Dorothea’s friend and tenant Abbie (Greta Gerwig), who Dorothea enlists to help raise her son to grow into a proper man.

The strength of the script is the film’s characters and their interactions (even if Mills struggles a bit a making some of these women, based on the real women who raised him, a bit too cute and quirky for their own good). A notable weakness is the size of the cast leading to a less focused film that while enjoyable isn’t necessarily all that memorable.

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