Hercule Poirot

A Haunting in Venice

/ / Movie Reviews
  • Title: A Haunting in Venice
  • IMDb: link

Kenneth Branagh stars and directs in his third adaptation of a Hercule Poirot mystery, this time Agatha Christie‘s 1969 novel Hallowe’en Party. Quite different from the novel, screenwriter Michael Green plays up a supernatural element to the story allowing the film to make use of a host of horror tropes. Relocating the story to Venice, where Poirot (Branagh) has apparently retired, the detective gets dragged into attending a Halloween party and séance by old friend and mystery author Ariadne Oliver (Tina Fey) who made them both famous after basing her fictional detective off of Poirot.

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Death on the Nile

/ / Movie Reviews
  • Title: Death on the Nile (2022)
  • IMDb: link

Writer/director/star Kenneth Branagh returns to reprise his role as Hercule Poirot in this follow-up to 2017’s adaptation of Murder on the Orient Express. The adaptation of Agatha Christie’s Death on the Nile isn’t as successful, in part due to source material not being as strong this time around and in part for some questionable creative decisions.

It takes far too long to get to the setting for our murder mystery, let alone the murder itself. By the time the body has dropped more than half the film seems to have already passed. In a somewhat defiant attempt to justify the character’s look in the previous film, Branagh opens with a flashback explaining the reasoning behind Poirot’s ridiculous mustache. After jumping forward, we are given multiple scenes setting up various characters, both in London and in Egypt, before finally get them all together on a ship sailing down the Nile River.

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Murder on the Orient Express

/ / Movie Reviews
  • Title: Murder on the Orient Express
  • IMDb: link

Murder on the Orient Express movie review

2017’s Murder on the Orient Express isn’t the first adaptation of Agatha Christie’s work, nor is likely to be the last. Director Kenneth Branagh, who also stars as Christie’s famous detective Hercule Poirot, offers a stylish version of events featuring an all-star cast as mystery and murder unfold on the renown luxury passenger train which gets stuck in an avalanche with a murderer onboard. And, to make sure his performance won’t be forgotten, Branagh sports some of the most bizarre facial hair you’ll see on film (at least one not filed under Science Fiction).

The movie gets off to an interesting start by introducing us to Poirot solving an unrelated mystery which sufficiently showcases the detective’s considerable deductive ability to the audience. However, from this sequence up until the murder aboard the train, the film stalls a bit while getting Poirot aboard and introducing the variety of characters who will become his suspects over the remainder of the film. Once there’s a dead body and mystery to solve, the film picks up again, although the conclusion to Christie’s mystery doesn’t work quite as well on film as it may on the printed page.

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