June 2007

This Week in Animated Film

This animated mockumentary, a mix of Happy Feet and Blue Crush, centers around the world of competitive penguin surfing.  There’s a lost legend, the current champ, and the wide-eyed dreamer who wants to make it big.  Featuring the voice talents of Shia LaBeouf, Zooey Deschanel, James Woods, Jon Heder, and Jeff Bridges.  Here’s a HD trailer if you prefer and you can check out the official site.  We’ve seen it, and trust us – it’s better than it sounds, and we’ll have the review for you when the movie surfs into theaters everywhere on Friday.

Surf’s UP
N/A

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‘Up’ Catches Highs and Lows of Love

After giving us “The 40-Year-Old Virgin,” a mature but funny look at dating, it must have been a logical next step for Judd Apatow to direct “Knocked Up,” a mature but funny film that takes place a few years later in an average person’s life, during the process of preparing for parenthood.  Smart but never pretentious, funny without ever stepping away from reality, Apatow’s newest film is a clear winner and one worth seeing.

Knocked Up
4 Stars

Comedies are just about always about the absurd.  Think about it, try to name five comedies in the past few years that have given us real people and real situations.  Sure, there are rare gems like the semi-grounded Clerks II, but most of what we get is something along the lines of the over-the-top Talladega Nights or – dare I mention its name – Wild Hogs.  The very definition of humor is a comic, absurd, or incongruous quality causing amusement.  So when a movie like Knocked Up, a film ripped straight out of reality, and is one of the funnier movies in the recent output of Hollywood; it’s one worth noting.

Ben, a man with a little extra chunk, finds a woman with a face worthy of the cover of Seventeen magazine at a club, and even gets the invite to go home with her for a one night deal.  That’s good!  She gets pregnant.  That’s bad!  But they’re going to try to make it work and have the child together.  That’s good!  They start yelling at each other and having a hard time creating a relationship out of nothing.  That’s bad!

 

But hey, no one ever said that love was easy, and writer/director Judd Apatow gets some serious brownie points for portraying this fragile relationship that started out mostly thanks to alcoholic consumption and a rogue condom as being as volatile as it should be.

Our director adds to the reality of the situation with steady-cam shots, what must have been largely improvised scenes and a sometimes bland, unintentional but utterly believable color scheme delivered by its digital cameras.

The jokes are fueled by the nervousness of the impending baby and relationship of the parents, not by larger-than-life people who you’ve often seen on the big screen but never on walking on the street.  It helps to make the film feel as though it might have been a documentary about two random people who happened to get pregnant together.

Apatow gets plenty of help from his actors though.  Seth Rogen, as Ben, is undeniably the slacker-extraordinarie that his character calls him to be.  Living off of a lawsuit settlement, the guy’s only ambitions are to smoke pot and help his friends create their website that highlights nude scenes from movies.  On the other hand, you’ve got Katherine Heigl as the blonde who sails into her job as a personality for the E! Network with her carefree laugh and easy going but serious attitude.  When their lives are crashed into each other, they’re awkward together.  They aren’t some Hollywood romance, and you can feel the discomfort in each one’s demeanor.  You can see why they’re fond of each other, but they’re just too different to be peas in a a pod with each other.  We also get a great performance out of Paul Rudd, the family man who just doesn’t know how live as a husband.

Maybe the best thing about Knocked Up is if you cut out every laugh the comedy, it could have absolutely been your typical European independent film about the difficulty of relationships, communication and love.  Not that there’s any justification to editing out Apatow and his cast’s jokes, Rudd in particular will have you on your side with just his imitation of Robert DeNiro or his soul-searching speech about bubbles.  With so many comedies out there solely relying on laughs to work, it’s refreshing to see a true filmmaker deliver something as mature as Knocked Up, a movie that works on every level.  If you want laughs or if you want reality, you can’t go wrong.

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‘Gracie’ Just Another Face in the Crowd

Do I really have to review Gracie?  I mean, I guess if I can try to avoid the specifics in here, I can just recycle the review for future clones that inhibit the sports drama of over-coming the odds, but it just seems so redundent to have to review a film you’ve already seen, and will see again a lot in the future.

Gracie
2 Stars

Gracie is never a bad film, it’s just a repeat of countless other films that came before it.  Why should you go out to the megaplex and plunk down all of your hard-earned money on a rerun?

Gracie wants to play soccer, but can’t because she’s a chick.  Boo hoo, whatever; come back when you can give me a movie where I care about the characters.  It’s not a total mess-up – the lead of Carly Schroeder can hold her own, and Dermot Mulroney is actually pretty good as the father who trains his daughter to play like a son.  Still recovering from a death in the family, he doesn’t know how to reconnect with his family, and doesn’t know how to connect in the first place with his only daughter.  This isn’t quite a noteworthy performance, but it is solid and the only above-average aspect in a movie full of average.

But the plot is just blah.  I mean, if Gracie is the first film you ever see, it just might have you cheering on the heroine as she trains to be the best, but if not it’s just going to feel like a Disney Channel movie that twinges just a shade or two darker.  But the worst part is the over-exaggerated misogyny.  Here’s how half of the men think in the film: “Whoa – what?  Wait, you’re telling me that a girl wants to play soccer?

That’s outrageous!  Not only will I try to keep her from playing at all, but I’ll go out of my way to foul her and give her a bloody nose, because I don’t think a woman’s place is anywhere outside of a Kitchen!”  As a man, I can say that I’m honestly offended by this.  I mean, I can understand that political correctness was different in the 70s (when the film takes place,) but the men in this film are so unnecessarily discriminatory that I can’t take it seriously, and the fact that Bro-Seller-Outer director Davis Guggenheim paints men this cruelly seems like just too easy a method to use to get the audience on your side.

You know, I’ll give this much to Gracie.  Aimed at a demographic of young girls, it may be the first sports drama that they ever see; and maybe if its their first experience with it, it will be a fun one.  But there’s just not anything here for veterans of the genre.

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