August 2016

Blue Beetle: Rebirth #1

Blue Beetle: Rebirth #1Owing more than a little to Bryan Q. Miller‘s Batgirl run which put the younger hero under the tutelage of her retired predecessor, Keith Giffen offers us two Blue Beetles for the price of one. First off, I’m ecstatic to see Ted Kord back in the DCU complete with his Bug (if not his costume or partner in crime Booster Gold). Focused primarily on the adventures of Jaime Reyes as the Blue Beetle, I’m happy to see Ted carving out a new spot for himself in the background.

Scott Kolins certainly has a flair for drawing Reyes’ costume. And I appreciate the nod to Ted’s costume with his Blue Beetle t-shirt (even if I’d rather see him in costume – possibly in flashbacks?).

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Killjoys – Johnny Be Good

  • Title: Killjoys – Johnny Be Good
  • wiki: link

Killjoys - Johnny Be Good

Things get bloody for the Killjoys as Dutch‘s (Hannah John-Kamen) plan to rescue Johnny (Aaron Ashmore) and Pawter (Sarah Power), bring down the wall, and kill Jelco (Pascal Langdale) runs into a few snags including putting her at the mercy of the leaders of an angry mob in the aftermath of a night’s activities that left more than one-hundred dead and questions that need to be answered. Needing to give D’Avin (Luke Macfarlane) time to implement the Killjoys makeshift Plan-B, Dutch holds out telling her captors where Jelco has been taken.

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Mechanic: Resurrection

  • Title: Mechanic: Resurrection
  • IMDb: link

Mechanic: ResurrectionThe follow-up to 2011’s The Mechanic returns Jason Statham as retired hitman Arthur Bishop. After faking his death, Bishop has lived the good life in Rio until a courier (Yayaying Rhatha Phongam) for an old frenemy (Sam Hazeldine) throws Bishop’s life into chaos. After falling for the honeypot (Jessica Alba) sent in to earn his trust, Bishop is blackmailed into committing the impossible assassinations of the world’s three largest arms dealers (Femi Elufowoju Jr., Toby Eddington, and Tommy Lee Jones) in a matter of days when he fails to prevent her kidnapping.

Better than the first film, director Dennis Gansel relies too heavily at times on close shaky-cam quick-cut action scenes. The script by Philip Shelby and Tony Mosher is more convoluted than necessary for a rather straightforward action film. Because of this the story requires a bit more set-up, following the open action sequence, before the movie really gets going. The set-up is really just an excuse to throw Statham into action scenes in multiple exotic locales (Thailand, Brazil, and Australia). On that level it works pretty well, especially during it’s best scene involving Bishop’s murder by swimming pool.

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