January 2019

Voltron – Battle Scars

  • Title: Voltron: Legendary Defender – Battle Scars
  • wiki: link

Voltron - Battle Scars television review

The search for the destructive new Robeast takes Volton back to Olkarion where they discover a burnt-out shell of the once vibrant world they knew. Pidge‘s (Bex Taylor-Klaus) connection to the planet allows her to see the events of the planet’s final hours, as a silent observer unable to change events, including the attack of the Robeast and a discovery that, although it might not have saved this planet, could be crucial in tracking down the planet killer.

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Uncanny X-Men Annual #1

Uncanny X-Men Annual #1 comic reviewWelcome back Scott Summers. I’ve made no secret of the fact that my interest in all things X-Men has waned considerably since the death of Cyclops. With the help of the “new and improved” younger version of Cable, Uncanny X-Men Annual #1 puts things right by returning Scott Summers to the land of the living. As with Green Lantern: Rebrith (the Geoff Johns standard for resurrected and redeeming a fallen hero), things get a little tricky and a bit convoluted in explaining how the hero is resurrected. However, at least for now, I’m happy that Marvel long ago abandoned their original mandate of when someone dies in the Marvel Universe they stay dead.

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Legacies – Maybe I Should Start from the End

  • Title: Legacies – Maybe I Should Start from the End
  • wiki: link

Legacies - Maybe I Should Start from the End television review

The first, and possibly only, appearance by Landon’s mother (Ayelet Zurer) fills in some of the remaining blanks about Malivore and Landon’s (Aria Shahghasemi) connection to it. Heading in as back-up when Landon gets into trouble, Hope Mikaelson (Danielle Rose Russell) and Alaric (Matthew Davis) are able to help convince Seylah than Landon is indeed the son she gave up years ago (while also learning the dark secret behind Landon’s birth and why he is tied to artifacts of the Hell dimension). “Maybe I Should Start from the End” also reveals the existence of a shadowy government agency protecting the pit while also secretly taking out magical creatures on the down low.

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Comic Rack

Comic RackIt’s a new week so it must be time to talk about comics! Welcome back to the RazorFine Comic Rack boys and girls. Pull up a bean bag and take a seat at feet of the master as we offer you this quick list of all kinds of comic book goodness set to hit comic shops and bookstores this month from all your favorite publishers including DC, Marvel, Dark Horse, Archie, Dynamite, IDW, Image Comics, and others.

This week includes Action Comics, Amazing Spider-Man, Betty and Veronica, Crimson Lotus, Detective Comics, Infinite Dark, James Bond 007, Life is Strange, Lone Ranger, Punisher, Rick and Morty, Scooby-Doo! Team-Up, West Coast Avengers, Zorro: Legendary Adventures, the first issues of Fight Club 3, Journey Into Unknown Worlds, Star Trek: The Q Conflict, Wyrd, and the final issues of Marvel Knights 20th, Newbury & Hobbes: The Undying, Raven: Daughter of Darkness, Rick and Morty Vs Dungeons & Dragons, and Rivers of London: Action at a Distance.

Enjoy issue #247

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Cold War

  • Title: Cold War
  • IMDb: link

Cold War movie reviewCold War, at least for me, brings up an important distinction about the difference between appreciating a film versus liking it. Too often people look at movies and leave the theater believing on a gut level if they liked a movie it’s great and if they didn’t like it the film must be hot garbage (and quite possibly an attack on everything they hold dear including the entirety of filmmaking and good taste). Centering a story around the on-again off-again romance of a dysfunctional couple in post-WWII Poland and France, writer/director Pawel Pawlikowski produces a film that is easy to appreciate. As for liking it… well, let’s just say the film let me cold.

In terms of look, style, the recreation of the time period, and the beautiful black-and-white cinematography by Lukasz Zal, Cold War certainly delivers. It also offers a pair of strong performances by Tomasz Kot and Joanna Kulig as musicians and lovers who are nearly as dysfunctional when apart as when they are together, making one wonder whether we are supposed to be rooting for the pair to end up together or finally break free of each other.

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