December 2020

The Croods: A New Age

/ / Movie Reviews
  • Title: The Croods: A New Age
  • IMDb: link

The Croods: A New Age movie reviewThe sequel to 2013’s The Croods returns the cast of the original for a new adventure. The prehistoric family meet the more evolved Hope (Leslie Mann) an Phil Betterman (Peter Dinklage), friends of Guy’s (Ryan Reynolds) parents, who have created a safe zone that all the Croods except for Grug (Nicolas Cage) immediately fall in love with (although their hosts aren’t all that keen on their guests staying longterm).

The sequels offers much the same humor of the original with its conflict coming from the deepening relationship between Guy and Eep (Emma Stone) which threatens Grug’s pack and the Bettermans’ plan to steal Guy away from Eep for their daughter Dawn (Kelly Marie Tran). Eventually, danger will come to safe oasis and the two families will learn to work together.

There’s some fun here, I did appreciate the choice to make Eep and Dawn friends instead of rivals, but for all its wackiness there’s not much substance. The Croods: A New Age is a so-so sequel to a so-so film. Fans of the original will likely enjoy themselves, but the sequel doesn’t do much to evolve past the limited appeal of the original.

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Soul

/ / Home Video
  • Title: Soul
  • IMDb: link

Soul movie reviewPixar tackles the meaning of life in Soul. Jamie Foxx stars as Joe, a lifelong struggling musician who dies on the very day he earns his big break. Refusing to walk into the Great Beyond, Joe finds himself trapped in the Great Before where young souls are prepared prior to their journey to Earth. Joe’s fate will depend on helping a troubled soul (Tina Fey) find her one true thing.

Soul marks both Pixar’s first African American lead character and its director in Pete Docter (who also worked on much of the film’s development and screenplay). It’s a fun film, which will remind you of a number of body-switching comedies once Joe and 22 (Fey) make it back to Earth (many of those developed by Disney). The film also confirms that beaurcracy doesn’t end at death and Joe finds an entire new world to explore (and escape) if he wants to get home and claim his big break (while also teaching 22 about life).

Despite dealing with life and death, Soul lacks the emotional weight of previous Pixar films such as Up or Toy Story 3 due to how goofy much of the film becomes after Joe’s death.

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Batman: Black and White #1

/ / Comics

Batman: Black and White #1 comic reviewBatman: Black and White returns for another series of stories featuring the Dark Knight Detective in black-and-white adventures. The standout to Batman: Black and White #1 is the final tale of the issue by G. Willow Wilson and Greg Smallwood which involves Batman tracking down Killer Croc to a woman’s apartment. Along with a nice twist, “Metamorphosis” offers the best art of of the collection as Smallwood makes use of the shadows and the Gotham night to frame our leading man to maximum effect.

Although there isn’t a must-read tale in the issue, “Metamorphosis” is worth giving the issue a chance, even if the rest of the stories don’t quite measure up.

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The Midnight Sky

/ / Movie Reviews
  • Title: The Midnight Sky
  • IMDb: link

The Midnight Sky movie reviewWhat went wrong here? Based on the novel Good Morning, Midnight by Lily Brooks-Dalton, The Midnight Sky is a mess of mishmashed themes from other films such as The Martian, The Road, Gravity, Apollo 13 and others (all of which work far more effectively than what we’re given here). George Clooney directs and stars as the last man on Earth, a dying scientist in the Arctic who remains after the rest of humanity has fled to the stars when “something” happens to the planet (other than it being bad and having to do with radiation, the film never bothers to explain). I’m usually a fan of Clooney, particularly when he steps behind the camera, but The Midnight Sky never quite works.

Apparently none of the fleeing spaceships fare much better than those wiped out by radiation as our scientist turns his attention to one ship returning from a long mission on a moon of Jupiter. While most of the story takes place with Clooney is full grizzly mode, we get flashbacks to his past (where he provides the voice for Ethan Peck in some seriously disjointed scenes), and other sequences show life aboard the returning spaceship.

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Tesla

/ / Home Video
  • Title: Tesla
  • IMDb: link

Tesla movie reviewTesla is a lesser version of The Current War, which itself was far from a great film. Narrated by Anne Morgan (Eve Hewson) in the present (despite the fact she died in 1952), Tesla covers the career of inventor Nikola Tesla (Ethan Hawke).

Writer/director Michael Almereyda makes some odd choices here, both in a narrator using an Internet that was developed decades after her death and in some pretty cheap greenscreen techniques the culminate in a bizarre music video that closes out the film. While some of these make the film memorable, they don’t do much for the quality of the final product. Nor does the plot’s choice to largely skip over important events of Tesla’s life. Those with even a cursory knowledge of Tesla won’t find much here, and the film’s meager budget doesn’t offer the opportunity to showcase the scale of his inventions and aspirations.

Hawke is hit-and-miss in the title role and Kyle MacLachlan is entirely forgettable as Thomas Edison (who it waffles on as a villain). If the film has any real star, it’s Hewson whose absence is felt in any scene in which she is not featured.

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