Lone Ranger

The Lone Ranger #1

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the-lone-ranger-v2-1-coverThe Lone Ranger rides again! I’m a fan of Dynamite Entertainment’s previous Lone Ranger series by writer Brett Matthews and artist Sergio Cariello (with some terrific covers by John Cassaday). I even own the Definite Edition hardcover. The new series gets off to a bit of a shaky start coming off very much like the poor B-Western from which the character sprang (that frankly we don’t want to be reminded of).

The Lone Ranger and Tonto are supporting characters for a story centered on a farmer and his family terrorized by a local band of outlaws which, before the issue’s end, will have the Ranger looking back on the similarities to his own past.

The first issue isn’t bad, and a one-issue story opening was a good choice, but it’s far from the rousing call to adventure I’d been hoping for. I’ve missed seeing a Lone Ranger on the comic stand. There’s a fair share of clunky dialogue from Ande Parks and the art of Esteve Polls lacks the larger than life quality of Sergio Cariello’s take on the character, but I’m willing to give the title another issue or two to see if it finds its way. Hit and Miss.

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The Death of Zorro #1

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death-of-zorro-1-coverFrom Dynamite Entertainment and writer Ande Parks comes a team-up (of sorts) between two of Dynamite’s biggest stars. Our story begins with an aging Don Diego de la Vega putting on the costume one more time when soldiers attack a nearby mission, and ends when news hits the comic’s other masked man that the hero known as Zorro is dead.

Although I’m not a big fan of Esteve Polls’ art, the issue does have a few things going for it. First, it gives us the Lone Ranger and Zorro in a single comic (although it fails to give us the two of the together in even a single panel, which is a bit of a disappointment). The presentation of Diego’s final battle juxtaposed by the note he left his wife is also a nice touch.

All that said, too much of the issue centers around periphery characters which I doubt will play that big of a role in the rest of the series. As first issues go, especially for a five-issue mini-series, this one needs to deliver more up front. Hit-and-Miss.

[Dynamite, $3.99]

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The Lone Ranger Definitive Edition (Volume One)

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  • Title: The Lone Ranger Definitive Edition (Volume One)

It’s all here: the lone survivor of a massacre, a white horse, the faithful Native American companion, a silver mine to forge bullets, and a mask. Writer Brett Matthews‘ take on the western icon The Lone Ranger may not be for everyone, but it suits me just fine.

At the heart of the tale is John Reid, a man deeply conflicted with the death of his brother Dan, weighing his need for justice and revenge, and still searching for his place in the world. Our hero is still the man we know, he just doesn’t know it quite yet. The comic is harsher (mirroring the landscape and time period) than most depictions, and the stories often involve tough choices and a fair bit of violence with each issue.

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The Lone Ranger #12

/ / Comics
  • Title: The Lone Ranger #12
  • Comic Vine: link

“There’s a reason I make them out of silver.”

Issue #12 picks up with the Lone Ranger back on the trail of Cavendish.  Reunited with Tonto and finally coming to terms with who and what he is, and what he’s willing to do to keep his vow, the Ranger sets out for justice.

There’s a lot going on in this single issue from the Ranger’s opening moments pumping Winthrop for information (in sharp contrast to Cavendish’s attempts later on),  to admitting his past mistakes to Tonto, to Cavendish’s gleeful reintroduction as the series major villain..

However my favorite scenes from this book come from the interaction between the Ranger and his brother’s widow and young son.  The scene with Linda peals away another piece of the Lone Ranger legacy by explain why the masked man uses sliver bullets and what they symbolize to the Texas Ranger turned outlaw vigilante of justice.

Brett Matthews and Sergio Cariello provide a great story with art to match.  And not to be outdone John Cassaday provides another cover that can only be described as damn cool.

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