November 2010

Comic Rack

It’s a new week so it must be time to talk about comics! Welcome to the RazorFine Comic Rack boys and girls. Pull up a bean bag and take a seat at feet of the master as we offer you this quick list of all kinds of comic book goodness set to hit comic shops and bookstores this week from all your favorite publishers including DC, Marvel, Dark Horse, BOOM!, Dynamite, Image Comics, and others.

This week includes Astounding Wolf-Man, Batgirl, Birds of Prey, Incredible Hulks, Muppet Sherlock Holmes, New Avengers, Spike, Unwritten, the first issues of 27, All New Batman: The Brave And The Bold, Angel: Illyria, Ant-Man & The Wasp, Atomic Robo Vol. 5, Chaos War: Thor, Dungeons And Dragons, Halcyon, Iron Man: The Rapture, She-Hulks, T.H.U.N.D.E.R. Agents, Victorian Undead II: Sherlock Holmes Vs Dracula, Wildstorm Presents, and the final issues of Batman: The Return Of Bruce Wayne, Shadowland: Daughters Of The Shadow, Thanos Imperative, and Tron: Betrayal.

Enjoy issue #104

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Batman and Robin #16

Guess who’s back under the cowl? Grant Morrison’s Black Glove story arc mercifully comes to an end here as Simon Hurt‘s plans are stopped by Robin and not one but two Batmen.

On the plus side we finally get some explanation as to who Hurt is and how he’s managed to survive for so long. We get to see Batman finally smashing this annoying character’s face in (something I’ve been waiting months for). And Morrison delivers an ending which changes Bruce Wayne‘s relationship to Batman permanently and sets the stage for Batman Incorporated.

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Secret Six #27

The cover has Bane riding a miniature Tyrannosaurus Rex, do I really need to give you a reason to pick this issue up? Okay, how ’bout Catman as the new Warlord riding a giant freakin’ cat through the armies led by his former teammates? In three words: Oh Hell Yeah!

The story itself is a little messy. Bane’s recovery and Scandal Savage‘s guilt take up quite a few pages, as does the dance between Amanda Waller and Spy Smasher (which ends satisfactorily with Waller turning the tables). It’s also unclear what changes the minds of Catman’s squad from seemingly abandoning their mission to going right to the palace and joining the army.

By the end of issue #27 we’re still left with two separate squads and only one issue left to conclude this fun, but bizarre, story arc. It’s not the best issue of Secret Six, but it’s a hellova lot of fun. And, did I mention it has Catman riding a giant freakin’ cat and mauling an entire army. Yeah, that’s pretty cool.

[DC $2.99]

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Megamind

  • Title: Megamind
  • IMDB: link

“Our battles quickly got more elaborate. He would win some, I would almost win others! He took the name Metro Man, defender of Metro City. I decided to pick something a little more humble – Megamind, incredibly handsome criminal genius and master of all villainy!”

What makes a hero? DreamWorks latest animated feature Megamind, scripted by Alan J. Schoolcraft and Brent Simons, and borrowing heavily from the Golden and Silver Age of comic books (most notably a certain Man of Steel), asks that question. The answer they deliver is highly entertaining.

Metro Man (Brad Pitt) is the beloved hero of Metro City. Shot into space as a baby to escape a dying world he arrived on Earth with good looks, great hair, and abilities far outreaching those of the average man. He’s a hero with the powers of Superman and the ego of Booster Gold. But he’s not who this film is about.

There was another shuttle, another dying world, and another orphaned alien child who took his first steps on the planet we call home. He wasn’t as good looking (being blue and all), and lacked the cool powers that made others swoon for Metro Man. Always painted as the bad boy, the trouble maker, this child would grow up to accept and cherish the role by becoming Metro City’s greatest menace: the super-villain Megamind (Will Ferrell).

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Due Date

  • Title: Due Date
  • IMDB: link

“Oh God! I’m so stupid.”

The one constant thought that kept running through my head while watching Due Date was how much it reminded me of a film I would much rather be watching – Planes, Trains & Automobiles. It’s almost as if director Todd Phillips and the four screenwriters attributed to the film (really, it took four of you to write this?) set out to make a more intense, edgier, dumber version of the film more closely resembling the adolescent tone of Phillips earlier work – Road Trip.

Now you may think to yourself, as I did, “Gee, that sounds like the dumbest idea ever.” And, no surprise here, you’d be right.

As the film opens Peter Highman (Robert Downey Jr.) is on his way home to his loving wife (Michelle Monaghan) but his course is derailed before he even steps inside the airport by the incredibly obnoxious Ethan Tremblay (Zach Galifianakis). What follows is a predictable Odd Couple mismatched pairing as the two are forced to travel cross country together in order to get Peter home in time for the birth of his first child.

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