Essays

Oscar Predictions

It’s Oscar time, baby!  Here’s your breakdown at most of the major categories and our takes on who should win, who will win, and who was unfairly left out.  Odds and momentum have No Coutnry for Old Men prepapared to sweep most of the major awards, except for best actor…  Oh, but we’re getting ahead of ourselves.  Check out the Full Diagnosis.

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Best Picture

Atonement
Juno
Michael Clayton
No Country for Old Men
There Will Be Blood

Deserves a spot on the list – Sweeney Todd: The Demon Barber of Fleet Street, Across the Universe

Doesn’t belong – Atonement‘s inclusion here is a real head-scratcher.

Alan’s Take – From this list I’d push for Juno, but would be okay with either Michael Clayton or There Will Be Blood.  I know No Country is a heavy favorite, but despite all the things it does well it has a few too many flaws for me to be okay with calling it the best of the year.

Ian’s Take – No Country has been so firmly at the top of this list for so long, I could see the momentum finally giving in for this picture by the award actually gets awarded.  That could yield the prize to the second most loved movie of the year, There Will Be Blood, or if both of those movies split the votes like a lot of folk are predicting, we could see a big surprise win with of Michael Clayton emerging out of a no-clear winner situation.  Scoff if you will but the thriller’s been picking up a lot of steam in the past two weeks.

Who will win – No Country has all the momentum and the Academy, with possibly only the slow building support of There Will Be Blood getting in its way.

 

Best Director

Paul Thomas AndersonThere Will Be Blood
Joel and Ethan CoenNo Country for Old Men
Tony GilroyMichael Clayton
Jason ReitmanJuno
Julian SchnabelThe Diving Bell and the Butterfly

Deserves a spot on the list – Tim BurtonSweeney Todd: The Demon Barber of Fleet Street, Julie TaymorAcross the Universe

Doesn’t belong – That’s a nice list.

Alan’s Take –  For my money Burton, oh wait he’s not nomiated.  Schnabel probably won’t get the nod since other this this nomination his film was completely ignored (it didn’t even make the Foreign Language Film category) and although many people like Michael Clayton most of the love has gone to Clooney rather than Gilroy.  So in a three-way race between Reitman, the Coen’s, and Anderson I’ll take Reitman for resurrecting the careers of Bateman and Garner and providing the best comedy of the year two years in a row.

Ian’s Take – I could see the fatigued buzz for the Coens in No Country dying out at the last minute for this category too – in which case the winner is definitely my boy Paul Thomas Anderson.

Who will win – The Coen Brothers pulled down the Director’s Guild Award and are the odds on favorite here.

 

Best Actor

George ClooneyMichael Clayton
Daniel Day LewisThere Will Be Blood
Johnny DeppSweeney Todd: The Demon Barber of Fleet Street
Tommy Lee JonesIn the Valley of Elah
Viggo MortensenEastern Promises

Deserves a spot on the list – Ryan GoslingLars and the Real Girl, Christian BaleRescue Dawn

Doesn’t belong – Tommy Lee Jones gave a very good performance in an average film.

Alan’s Take – I would love for Depp to win for what is a terrific performance in an under-appreciated film and I can certainly argue that he’s deserving, but there’s that guy from Last of the Mohicans which turned a frightful bore of a film into something truly remarkable.

Ian’s Take – Why even waste valuable syllables discussing this one?  The deserved winner is Daniel Day-Lewis.

Who will win – In the surest bet of the night Daniel Day Lewis takes home the Oscar.

 

Best Actress

Cate BlanchettElizabeth: The Golden Age
Julie ChristieAway From Her
Marion CotillardLa Vie En Rose
Laura LinneyThe Savages
Ellen PageJuno

Deserves a spot on the list – Wei TangLust, Caution, Keri RussellWaitress, Evan Rachel WoodAcross the Universe, Hilary SwankFreedom Writers

Doesn’t belong – Sorry but a vanity project like Elizabeth 2 just doesn’t warrant a slot.

Alan’s Take – You know if this same selection was in the Best Supporting Actress category I’d call Page a shoe-in.  Here though I don’t believe she’s got enough to pull away from the likes of Cotillard and Christie.  Linney’s nomiation is one of the few for The Savages which I thought was the type of film the Academy might more strongly embrace.

Ian’s Take – This one’s tricky.  Julie Christie or Marion Coitllard might seem like favorites, but I think the fact that they’re both low-profile foreign pics is going to really hurt them.  But hey, people love Juno, and Ellen Page is the it-person of the moment.  Don’t be surprised if this girl gets her first Oscar the same week she turns legal.

Who will win – Marion Coitllard

 

Supporting Actor

Casey AffleckThe Assassination of Jesse James by the Coward Robert Ford
Javier BardemNo Country for Old Men
Philip Seymour HoffmanCharlie Wilson’s War
Hal HolbrookInto the Wild
Tom WilkinsonMichael Clayton

Deserves a spot on the list – Michael SheenMusic Within, Andy GriffithWaitress, Ed SandersSweeney Todd: The Demon Barber of Fleet Street, Steve Zahn and Jeremy DaviesRescue Dawn

Doesn’t belong – In a deep category bump both the sentimental favorite of Holbrook and the talented Wilkinson.

Alan’s Take – Michael Sheen gave the best performance of the year in a film almost no one saw, and both Zahn and Davies deserve recognition for their roles as POW’s.  They nominated the better film of Casey Affleck’s but not his best performance of the year, that came in Gone Baby Gone.  Of those nominated I’d like to see Hoffman win just for the year he’s had (Charlie Wilson’s War, The Savages, Before the Devil Knows You’re Dead).  Last year the Academy went with the sentimental favorite of Alan Arkin, but, sorry Mr. Holbrook, I don’t seem them doing that for a second year in a row.

Ian’s Take – We all know Javier Bardem is going to win this one – and if he doesn’t, may Anton Chigurh have mercy on the Academy’s souls.

Who will win – Javier Bardem

 

Supporting Actress

Cate Blanchett – I’m Not There
Ruby DeeAmerican Gangster
Saoirse RonanAtonement
Amy RyanGone Baby Gone
Tilda SwintonMichael Clayton

Deserves a spot on the list – Emily MortimerLars and the Real Girl, Adrienne ShellyWaitress, Kelly MacdonaldNo Country for Old Men

Doesn’t belong – It’s a nice gesture to give Ruby Dee a nod here, but we had a hard time even remembering her performance.  And seriously, where’s all this support for Tilda Swinton coming from?

Alan’s Take – I’ve seen all the nominated perfomances except for Blanchett’s take on Dylan, and Amy Ryan’s perforance is a cut above the rest.  The only question is whether the Academy would prefer to give the award to a better known actress in a higher profile film.

Ian’s Take – The Academy folk love Cate Blanchett, but I doubt many of them can get very excited about something as different (though awesome) as the mish-mash Bob Dylan biopic I’m Not There.  And though Amy Ryan was an early favorite, the lack of a front-runner in this category is going to give way to the universally lovable Ruby Dee for a role that would be hard not to fall for, even if it’s not that important of one.

Who will win – This is the cateogry where anything can happen.

 

Animated Film

Persepolis
Ratatouille
Surf’s Up

Deserves a spot on the list – TMNT

Doesn’t belong – Well, it was a pretty weak year for animation.

Alan’s Take – Rats and peguins but no turtles?  Sigh.  All three of these are fine films, Ratatouille being the most entertaining and Persepolis the most thought provoking.  But what are the chances of a philisophical foreign language film winning best animated film?

Ian’s Take – Persepolis could pop up out of nowhere as the hipper choice than either of the kids movies, but Ratatouille is one of the very best reviewed films of the year – and I doubt the Academy has the balls to deprive Pixar of an Oscar two years straight.

Who will win – No way the Academy gives it to a peguin film which isn’t the best of the nominees two years in a row.  This one goes to the rat.

 

Documentary

No End in Sight
Operation Homecoming: Writing the Wartime Experience
Sicko
Taxi to the Dark Side
War/Dance

Deserves a spot on the list – The King of Kong: A Fistfull of Quarters, Air Guitar Nation

Doesn’t belong – Did we really need three Iraq films?

Alan’s Take – That King of Kong: A Fistfull of Quarters isn’t up for nomination is a travsesty.  Not only one of the best documentaries it’s also one of the best flms of the year.  I would also have liked to see Air Guitar Nation get a little love as well.  The Academy really does need a sense of whimsy!

Ian’s Take – I can see the Academy giving this to Moore as an apology for booing him five years ago when he criticized the war during his Bowling for Columbine acceptance speech; but I wonder how Mikey will feel about stealing The King of Kong‘s crown.

Who will win – With the vote splitting the three Iraq themed films it looks like a cake walk for Michael Moore (unless the Academy gets afraid of his acceptance speech).

 

Foreign Language Film

Beaufort
The Counterfeiters
Katyn
Mongol
12

Deserves a spot on the list – Lust, Caution, The Diving Bell and the Butterfly

Doesn’t belong – Hard to say as none of these films have made it out our way.

Alan’s Take – Wait a minute.  Shnobel gets a nod for Best Director but his film isn’t even nominated in the Foreign Language category???  And where’s the love for Lust, Caution, which is one of the best, if not the best, film of Ang Lee‘s career?  For more on the “reasoning” behind these snubs read this.

Ian’s Take – Because of the sheer idiocy of Oscar rules, neither Diving Bell, Lust, Caution or the universally praised and then forgotten The Host were even eligible for this award.  And thanks to the genius policy, I’ve seen not one of these films.  So . . . uh . . . whatever.

Who will win – ???

Go here for the full list of nominees

Oscar Predictions Read More »

RF’s Top 5 Movies on DVD Everyone Should Own

We’re introducing a new feature today.  Every now and again the RF staff, with the help of some friends, will be giving short (but sweet) lists on all kinds of movie goodness (and badness).  Everybody’s got a DVD collection, though some are better than others.  But what are those handful of DVD’s everyone should have on their shelf?  I’m glad you asked!  Today, with the help of one of our Kansas City Film Critic pals, we’ll take a look and give you some recommendations for DVD’s everyone should own.

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A few notes about today’s list.  The list includes single movies (that’s why you won’t see the original Star Wars Trilogy showing up on my list) available on DVD.  These are not necessarily a list of our favorite films nor a list of what we believe to be the greatest films of all time.  This is a list of movies we just can’t seem to stop watching, and think you should be watching too!

Phil Boatwright is our guest-reviewer for today’s list.  Phil has been writing film reviews from a Christian perspective for thirteen years, and is a fellow member of the Kansas City Film Critics Circle.  He is a syndicated film reviewer for such publications as The Christian Single, Living with Teenagers, St. Louis Metro Voice and other periodicals across the country.  You can currently read Phil’s reviews and articles here.

For simplicity, and to give you a wider sampling, we haven’t duplicated any film (for example two of Phil’s 5 could fit easily on my list).  All the films are arranged alphabetically below.  Enjoy!


 

Phil Boatwright’s Top 5

Casablanca I have always considered Citizen Kane the one flawless film, but after a recent viewing of Rick & Elsa’s great love story, I’ve capitulated – Casablanca truly reigns as the greatest motion picture of all time.  I cannot find a false or ineffective camera angle, line or performance in the entire production.  Love, honor and patriotism prevail.  It’s a film I never get tired of viewing.

It’s a Mad, Mad, Mad, Mad World All-star cast includes Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney…oh, heck, it stars every major comic from the ‘30s to the ‘60s!  A non-stop laugh-a-thon as a group of motorists learn of a fortune buried 200 miles away.

The Magnificent Seven Derived from the Kurosawa “Eastern,” The Seven Samurai, about gunmen defending a poor Mexican village from bandits is perfectly cast, and contains great shootouts.  Elmer Bernstein’s music is outstanding.  (I’m actually getting a little tired of the film, but it’s taken me near eighty showings to do it.)

The Quiet Man Most film historians grudgingly accept John Wayne as one of the grandest personas ever to appear on celluloid.  Some even take umbrage to the pronouncement that he could not act.  From my research over the years, I’ve discovered John Wayne was John Wayne.  Bigger than life with a Mount Rushmore identity, Wayne was brave, tough, generous and patriotic, just like the man in played in a 150 movies.  Even political foes like Lauren Bacall and Kirk Douglas stand in awe of what he was and what he stood for.  True, no one has made more dreadful films (Rio Lobo, The Conqueror, Jet Pilot), but on the other hand, few have given us any more entertaining pictures than The Quiet Man.  In it Wayne is indomitable in dealing with Victor McLaglen, humorous with Barry Fitzgerald, and tender with one of the most beautiful women on the movie screen, Maureen O’Hara.  John Ford won a deserving Best Director Oscar for this production of a man returning to his roots and discovering that love with an Irish redhead can be as rocky and beautiful as Ireland itself.  A loving, sentimental look at the Ireland we all wish existed.  Great music, cinematography and story make this one of the Duke’s best.  Romance, humor and one of the longest fight scenes ever filmed!

Singin’ in the Rain There are some very funny lines and sequences in this movie, but it’s the dance numbers that truly stand out.  Donald O’Connor’s Make ‘Em Laugh does just that.  And I defy you to not feel the joy of found love as Gene Kelly does the classic title song.


 

Alan’s Top 5

2001: A Space Odyssey I needed a sci-fi flick and for reasons mentioned above took Star Wars out of the equation.  That left me with a quandary.  I also needed a Stanley Kubrick film (everybody should own at least one) and although this isn’t my favorite film of his it does fill both categories nicely.  It’s influence can still be felt today (remember 2006’s The Fountain, or the look of last year’s Sunshine), and it remains one of the most ambitious projects any director attempted.  This space opera of a black monolith, a crazy computer, and an ending I’m still not sure I completely understand, pushed the envelope in every way.  It’s one of the few films that you can watch over and over and leave with a slightly different experience each time.

All The President’s Men Robert Redford and Dustin Hoffman, who have rarely been better, bring the true story of Watergate to the big screen.  The film is based off the book by Woodward and Bernstein which chronicled their investigation into the Watergate scandal and led to the eventual resignation of President Nixon.  From production, to acting, to directing, to storytelling, the film works on every conceivable level and presents an important message about journalism which only Good Night and Good Luck (30 years later!, read that review) has come close to.  The two-disc special edition includes featurettes on time period, the reporters, journalism, the impact of the film, the real life Deep Throat, and commentary from Redford.

Garden State This might seem to stand out against the other films on the list, but it’s meant to.  We all have movies like this in our collection.  Sure there are better films on the shelf but somehow this one keeps finding itself in the DVD player.  I’m a big fan of Zach Braff’s (who wrote and directed as well as starred in the film) off-beat love story, and have lost track of the number of times I’ve watched it.  This is the film which finally made me like Natalie Portman, and think maybe that Scrubs guy has something afterall (though everything he’s done since has made a strong argument for this being an anomoly rather than a breakthrough).  And that soundtrack!  Garden State is a supremely watchable, and enjoyable, film.  Check out the full review.

Rear Window James Stewart, Grace Kelly and Alfred Hitchcock.  What more could you possibly want.  This film has many imitators but no true successor.  For more on the beautifully remastered DVD read my full review.

The Third Man Orson Welles.  It was hard to choose a film for this list.  I also considered Citizen Kane and A Touch of Evil, but in the end chose this noir thriller about a fool (Joseph Cotten) who stumbles into murder and mayhem in post-WWII Vienna, and solves the murder of his friend Harry Lime (Welles).  Aside from having the best reveal of all time, and one of the greatest speeches (about cuckoo clocks, of all things) the film also sports one of the most unique film scores, and a style and atmosphere perfectly suited to the story.  The two-disc Criterion Edition is filled to the brim with extras and features including multiple audio commentaries, a Graham Green radio recording, documentaries, featurettes, and more.  Like all Criterion discs it’s a bit pricey ($39.99) and almost impossible to find on sale, anywhere, but this one is worth it.  There are few films as memorable, and fans of cinema could, and have, spent years dissecting the camera angles, the lighting, and Anton Karas and his zither.  Just how good is this film?  Both the AFI (American Film Institute) and the BFI (British Film Institute), both claiming ownership to it, rank it among the best films of all time!

RF’s Top 5 Movies on DVD Everyone Should Own Read More »

Something to Sing About – Top 25 Films of 2007

What a year in film!  As I sat down to work on what was originally set to be a top ten list of the best movies of 2007 I was left with too many quality films and memorable moments which would be left off the list.  The deepest year in cinema in quite some time includes some terrific comedies, some heartfelt romances, adaptations of some unbelievable true stories, and four (count ‘em four!) musicals. Check out the entire list inside the Full Diagnosis.

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Honorable Mention:

As silly as it seems to do an honorable mention for a list which already includes 25 films, here are those memorable films not quite good enough to make the list but still worth mentioning.  Sidney Lumet’s Before the Devil Knows You’re Dead is a fine film about robbery and murder and if it had been a little more original (Woody Allen himself remakes this same film every few years, including his newest due out early next year) it would easily have earned a spot.  Lack of originality also knocked off American Gangster which isn’t quite as good as the films it borrows from.  Once (read December’s review) is a terrific little British film filled with great music and a touching love story (now if only it weren’t shot by a midget with ADHD and Cerebral Palsy!).  Hot Fuzz (read the review) is an enjoyable parody, but our list already has a slightly better one of those, and Nanking (read the review) is as gruesome and depressing documentary as you’ll find this year.  There are also a pair of films, Away From Her and The Savages (read the review), with deal with dementia, Alzheimers, and the hard choices to put loved ones in nursing homes.  I have small issues with all of these, but each deserves to be recognized for what it gets right as well.  All are worth a look.

*NOTE – Although I did my best to see as many of the films as possible there are a small number which I have not seen at the time of this list including I’m Not There, No End in Sight, and The Great Debaters; so I guess we’ll never know where they would have ranked on the list.

Now that’s taken care of, on with the list…


25. Hairspray

We begin the 2007 list with a musical, which is fitting since there were several noteworthy from this past year.  If you take John Travolta and his ridiculous fat suit out of the equation this films sky rockets up the list, but even such ridiculousness can not ruin the fun.  Nikki Blonsky comes from nowhere to star as Tracy Turnblad in this tale of young love, segregation, and dreams of stardom.  This remake of the 1988 film gives us a strong cast, memorable moments, and some catchy tunes (including “Good Morning Baltimore,” “I Can Hear The Bells,” “I Know Where I’ve Been,” and “You Can’t Stop the Beat”).  Aside from Travolta, the film is well cast in terms of both actors and performers including Amanda Bynes, James Marsden, Michelle Pfeiffer, Brittany Snow, Zac Efron, Taylor Parks, Elijah Kelly, and Christopher Walken, but it’s Blonsky who steals the film and your heart.  It’s a toe tappin’ good time and the sweetest and funniest film about racism and segregation you’re likely to find.

Now available on DVD

 

(read the full review)


24. In the Shadow of the Moon

It’s been a quarter of a century since man flew into space in the final Apollo mission and walked on the moon for the last time.  I wasn’t even born yet!  This new documentary takes a look back at the Apollo missions and interviews all the surviving astronauts who made the journey (Buzz Aldrin, Alan Bean, Michael Collins, Jim Lovell, and Neil Armstrong).  Those who already know quite a bit about the Apollo missions won’t find much new information here, but as a primer for the time period it works quite well and may find a niche in classrooms as well as home DVD collections.  And everyone should be interested in the tales and experiences these men of a select fraternity have to relate.  There’s more than enough here to make an entire mini-series, but this documentary from David Sington finds a way to manage the information and present it in a systematic and entertaining way.  The biggest complaint I can make is it isn’t long enough, and that’s one I’m always willing to live with.

The DVD will be released on February 12

 

(read the full review)


23. Amazing Grace

If you sneezed you most likely missed Amazing Grace; it didn’t stick around too long, but it did make an impression.  Ioan Gruffudd stars in this biopic of William Wilberforce who fought to end England’s involvement in the slave trade in the late 18th and early 19th Century.  There’s strong acting from a talented cast including Albert Finney, Ciaran Hinds, Toby Jones, Jeremy Swift, Russell Sewell, good art and costume design to recreate the look and style matching the time period, and a tale that gives you some history along with its drama.  And there’s the tale itself, more than a little reminiscent of Frank Capra, about one innocent man standing up to a corrupt world with only a woman at his side (Romola Garai) who helps him at his lowest point to turn the tide and achieve victory.  I have small concerns with the film in terms of structure and flashbacks (and if they sang Amazing Grace one more time I was going to kill someone!) but even with these issues it is still an engaging and well-made film.

Now available on DVD

 

(read the full review)


22. Ocean’s Thirteen

Thirteen is the new Twelve.  The summer of three-quels was mostly a bust (remember Spider-Man 3, or how about Pirates of the Caribbean: Trainwreck at World’s End?).  Even The Bourne Ultimatum and Shrek the Third had their issues.  Only one lived up to the hype.  Clooney, Pitt, Damon, Cheadle, and the crew return for another lesson in cool.  I enjoyed both Ocean’s Eleven (read December’s review) and Ocean’s Twelve (read Aaron’s review).  This time the group gathers to defend one of their own.  Okay, so there’s no Julia Roberts or Catherine Zeta Jones, but we do get Al Pacino as the new baddie, and Ellen Barkin as “I believe the term is cougar.”  A perfect merging of styles from the first two films gives us more stunts, the Broady (an unforgettable nose), and more con speak including the “Billy Martin,” “Irwin Allen,” “Susan B. Anthony,” and the “Cartwheel.”  No, it’s no Shakespeare, but it’s damn fun and the coolest movie from all of 2007.

Now available on DVD

 

(read the full review)


21. Sicko

Health Care in this country is fucked.  I doubt that’s surprise for you, but do you know how well it works in other countries?  Michael Moore’s latest documentary takes us on a little tour showcasing Health Care horror stories, and examining how other countries are getting by just fine with the “evils” of Socialized medicine.  Less political than his previous documentaries, Moore is more subdued and more willing to let the evidence speak for itself.  Although he can’t quite make it through the documentary without making as ass of himself by trying to invade Guantanamo Bay and preen for the cameras in his latest self-serving stunt.  If he could control these impulses I think he could easily make the jump from a very good documentary filmmaker to a great one.  I don’t think it’s his best film (for my money that’s Bowling for Columbine), but it’s almost certainly his most balanced.  Although it does deliver much new information, Moore does combine these strands into the core of a strong message film and call to action.

Now available on DVD

 

(read the full review)


20. The Hunting Party

Richard Gere had a pair of nice performances this year starring as real, but less than completely reputable, scoundrels.  The first was in The Hoax (read that review) as Clifford Irving, the man who sold the world a completely fictitious biography of Howard Hughes.  But it’s the second film which I’ve chosen to put on the list.  In The Hunting Party, based on Scott Anderson’s Esquire piece, Gere stars as a washed-up journalist who wrangles his old cameraman (Terrence Howard) and some network VP’s kid (Jesse Eisenberg) into hunting for the most dangerous and wanted war criminal in Bosnia.  Written and directed by Richard Shepard (The Matador, read that review) it’s a tale so surreal it must be true (a theme you’ll find repeated on this list).  This film won’t do anything to help you have more sympathy for the United States government, but it might do a little to help you understand why other countries don’t necessarily see us as the saviors and last bastion of morality many Americans believe we are.

The DVD will be released on January 22

 

(read the full review)


19. No Country for Old Men

The Coen Bros. return to form with the decidedly dark No Country for Old Men.  Many critics are hailing it as one of the year’s best films, and it is, though I would put a few films in front of it (like say eighteen or so).  Everything is set up for a terrific experience, but it doesn’t quite deliver on all counts.  This tale of a rancher (Josh Brolin) with a bag of stolen cash on the run from a hitman (Javier Bardem) provides some tense moments, some great acting, and some damn fine cinematography.  It also has some mildly-annoying plot issues in the first twenty minutes and is saddled with an ambiguous and unsatisfying ending which prevents it from ranking higher on this list.  Even if the film runs out of gas well before the projector stops spinning, when it gets it right it gets it just right.  For me, this is a film which is one or two rewrites away from realizing and delivering on all of its promise.  Still, it’s a pretty darn good film, and a sight better than the last few flicks put out by the Coens.

Now playing in theaters

 

(read the full review)


18. Rescue Dawn

Rescue Dawn (not to be confused with September Dawn) retells the tale of the only American Prisoner of War during America’s war in Vietnam to escape and make it out of the Laotian jungle alive.  Written and directed by Werner Herzog, who some object to for his liberties with true events, presents a compelling story of Lt. Dieter Dengler’s (Christian Bale, in a performance so good it’s scary!) imprisonment and eventual escape.  Bale is certainly the film’s star but there are several strong supporting performances, especially from his fellow prisoners played by Jeremy Davies and Steve Zahn (yeah, that Steve Zahn can ACT!).  All of the main actors give the best performances of their careers.  It’s a stripped down hard look at the effects of P.O.W. camps on soldiers without any bells, whistles, heavy handed action scenes, large stunts or special effects, or forced patriotic theme music.  It’s not a fun movie by any stretch of the imagination, but it’s very good film and a story worthy of being told.

Now available on DVD

 

(read the full review)


17. Lust, Caution

The first of two foreign films on the list is director Ang Lee’s tale of revenge and sex in World War II China.  Wei Tang (who should become a worldwide star after this performance) plays a naive young patriot who agrees to help bring down a Japanese sympathizer and traitor (Tony Leung) by becoming his mistress.  At times it’s not an easy film to watch, and the sex scenes, both violent and sensual, certainly earn the film’s NC-17 rating, but in terms of enveloping you and pulling you into an unknown world of pain, pleasure, and conflicting desires it succeeds most handedly.  It’s an Ang Lee film so you know it’s going to look and sound great, but it’s the involved script and superb acting (especially by Wei Tang) which make it truly memorable and one of the best films of the year.  This is my favorite Ang Lee film in a decade, which was the last time he explored some of these issues, and for the first time in a long time I can’t wait for his next film.

The DVD will be released on February 19

 

(read Ian’s review)


16. The Diving Bell and the Butterfly

The second foreign language entry is Scaphandre et le papillon, Le.  In terms of a film experience it rates quite high.  Based on the true story of French Elle Editor Jean-Dominque Bauby (played here by Matthieu Amalric) who was paralyzed after a stroke and hospitalized, the film tells the story of Bauby’s slow progress of learning to communicate through only muscle of his body he can still control, his left eye.  Shot mostly in first-person from Bauby’s point of view the film captures the frustration and internal struggle of a man whose life is completely turned upside down.  Although it begins to wear on you, and the film makes an odd shift away from the first-person point of view, there is much here to enjoy and appreciate in terms of filmmaking and storytelling.  And the bevy of French beauties doesn’t hurt either (Marina Hands, Emma de Caunes, Marie-Josee Croze, and Emmanuelle Seigner)!

Now playing in limited release
Opens wide on January 11

 

(no review)


15. There Will Be Blood

With little effort you will no doubt find many critics who rank Paul Thomas Anderson’s (Magnolia, Boogie Nights) new film based on the work of John Updike higher on their lists, but, for me, this is where the movie belongs.  A film designed more to wow critics than general viewers There Will Be Blood is a terrific looking and exceptionally well-made film.  Daniel Day-Lewis gives one of the finest performances of the year and carries a film, that though great to look at, would be completely unwatchable without him.  Over-long (by at least 45 minutes), cursed with an obtrusive and increasingly annoying score for the first third of the film, and without a single character of any redeeming virtue, it’s not much fun to watch.  Anderson’s film overcomes these flaws with a taut tale of greed, and although the film flounders at times, it does end with the single best scene in film this year and a closing line which will no doubt mark its place in movie history.

Now playing in limited release
Opens wide January 18

 

(read Ian’s review)


14. Michael Clayton

I have minor quibbles (mostly in terms of editing and the scoring of the film) with Michael Clayton which is why it doesn’t rank higher on the list.  But what writer/director Tony Gilroy and star George Clooney do give us a tense legal drama without a single courtroom scene (think about how hard that is to pull off!).  More concerned with how the law really works outside in the real world than how it works inside a courtroom, Gilroy’s script gives us a cynical look at the legal profession and the unique roles of “fixers” like Michael Clayton.  The supporting performances are top notch, though I had some trouble with the increasingly random and odd behavior of Tilda Swinton’s character who becomes a little too easily unhinged for a woman in her position.  It’s a cynical look at the law and how it is used in our country, but, sadly (for our sakes), it rings true.  Even with its few flaws which keep it off my top ten, it still ranks as one of the year’s best films.

The DVD will be released on February 19

 

(read the full review)


13. Into the Wild

Emile Hirsch, in what is sure to earn him more plumb roles and keep him from making The Girl Next Door 2: This Time More Skanky, stars as Christopher McCandless in this tale of a young man turning his back on his life and traveling the country before making a a trip to Alaska to live in the wilderness.  What could have easily come off hokey instead comes off as an important discussion of the meaning of life, especially modern life.  Hirsch surprises with a great performance which carries the film, and there are several small roles from the likes of Hal Halbrook, Kristen Stewart, Catherine Keener, and Vince Vaughn, which all add weight and perspective to the tale.  Based on the true experiences of Christopher McCandless, the tale as recounted from Jon Krakauer’s book.  Although a bit of a downer, the film succeeds in asking questions and imploring the audience to leave and come up with their own answers about the life of McCanless, and their own.

The DVD will be released February 12

 

(read December’s review)


12. The Assassination of Jesse James by the Coward Robert Ford

I wrote in my original review that I believed The Assassination of Jesse James by the Coward Robert Ford to be one of those films which would improve on multiple viewings.  After seeing it recently for a second time I think this is true.  Although I still believe the tale is a little too fractured, attempting to go in too many directions at once, and cram too much into its already hefty running time, it’s still one of the most memorable films of the year.  This biopic based on the novel by Ron Hansen, even with its flaws, is a joy to watch.  A slow and cerebral film that might turn off some looking for more action in a Jesse James film (don’t expect a big shoot ‘em up here), captures the feel and pace of the time period and the characters.  Brad Pitt and Casey Affleck are well cast in the main roles with a talented supporting cast (even if it sometimes gets in the way).  And the cinematography by Roger Deakins will take your breath away; it’s the best looking film of the year.

The DVD will be released on February 5

 

(read the full review)


11. Waitress

This film bounced around my list, but Adrienne Shelley’s final film comes in just outside the top ten films of 2007.  Many people were more impressed with Knocked Up, but for me there were two pregnancy themed comedies more worthy of recognition from this past year.  The first is this small dark comedy featuring Keri Russell as waitress and pie maker, and less than enthused mother to be.  The film is as delightful as it is delicious.  Filled with wit, humanity, and style, which carefully balances its dramatic and comedic elements as easy as pie (pun intended!).  Whether it’s the Russell’s droll narration to her unborn baby, Nathan Fillion’s nice turn as an awkward doctor and love interest, that annoying little man with his spontaneous poetry (Eddie Jemison), the obnoxious and selfish husband (Jeremy Sisto), the mouth watering pies, or Andy Griffith’s words of wisdom, every single spice and ingredient is used to just the right amount.  It’s simply too tasty a treat to be left off the list.

Now available on DVD

 

(read the full review)


10. Lars and the Real Girl

Another romantic comedy?  Yep!  Lars and the Real Girl is one of the most original and heartfelt films of this, or any other, year.  Ryan Gosling gives one of the year’s best performances as a man unable to connect to those around him.  To solve his problem he finds a girlfriend online – trouble is she’s made of plastic and silicone.  Who would have thought the sweetest film of the year would star a sex doll?  Lars attempt to connect to “Bianca” moves the whole town to accept him and help make his new friend part of their lives.  It’s a deeply personal tale of a young man struggling to connect to the outside world and at the same time it’s filled with some terrific comedy (the expressions of those who meet Bianca for the first time alone are worth seeing the film).  If it had just been funny the film would be fine, but its heart is what earns it a spot on this list.  (By the way, the film also provides a darkly sinister alternative take for all you cynics out there – it’s about a man who kills his wife to be with another woman!)

Currently playing in theaters

 

(read the full review)


9. Charlie Wilson’s War

This film is based on a true story, and yet it’s slightly harder to buy that Lars and the Real Girl, but that doesn’t mean it isn’t just as enjoyable.  Tom Hanks stars as Congressman Charlie Wilson, who before the events depicted in the film was most notable only for getting re-elected five times.  But with a little help this Congressman from nowhere who nobody ever heard of began the largest covert war in the history of the United States and helped to bring down the fall of the Soviet Union.  There’s much to enjoy here, starting with the script from Aaron Sorkin which provides wit, comedy, and perspective.  Also worth noting are the strong cast which includes Philip Seymour Hoffman, Julia Roberts, and Amy Adams and a bevy of beauties who make up Charlie’s support staff (who he affectionately refers to as “Jail Bait”).  Here again absurdity is made real in a carefully crafted and completely believable way.  Those younger than myself might not understand the historical impact of these events, but the events of this film have added impact and import due to America’s role in the world today.

Currently playing in theaters

 

(read the full review)


8. Walk Hard: The Dewey Cox Story

Turns out the wrong kid didn’t die after all.  The second musical on this year’s list is the near perfect send-up of recent movie biopics such as Walk the Line, De-Lovely, Beyond the Sea, and Ray (among others).  If ever there was a genre which took itself a little too seriously, constantly reused the same structure and set-up, and deserved a swift kick in the pants, it’s this one.  Aside from funny parody the film also provides some of the year’s best music, including my pick for best song in film this year – “Let’s Duet” (see it here).  Maybe not all the jokes are winners (the 70’s weren’t real kind to Dewey), but there’s enough here to keep your toes taping and your chest aching throughout the entire length of the film.  John C. Reilly takes the audience on a Forrest Gump ride through the years and proves not only can he handle carrying a film, but he can shine.  How good is this film?  Even Tim Meadows (Tim-FUCKING-Meadows) comes off like gangbusters.  Not that’s great filmmaking!

Currently playing in theaters

 

(read the full review)


7. TMNT

Now I may be in the minority here (and judging by the Rotten Tomatoes score of this film, I certainly am), but I loved this film.  In a year of great comedy and drama it was a lean year for both comic book movies and sci-fi films, but TMNT proved to be the best of each.  Those unfamiliar with the original comic book may have been put off by the film’s look and tone, but this was the Turtles film I’d been waiting to see for two decades.  The look feels like it was taken directly from the original comic, the action and animation are high quality, and the film is just FUN!  Is it a tad too comic booky for the general public or those who grew up on the watered down TV show?  Maybe, but in terms of adapting the look and feel of the original work onto the big screen it far exceeded my expectations.  300 (read that review) may have pulled in more money on more screens but came off much more silly than TMNT.  This is the best animated, comic adaptation, and sci-fi/fantasy film of the year.

Now available on DVD

 

(read the full review)


6. Juno

Another pregnancy comedy?  Yep!  Director Jason Reitman and screenwriter Diablo Cody give us this quirky tale of a teenager, played exceptionally well by young Ellen Page (last seen cutting off a guy’s junk in Hard Candy), dealing with an unexpected pregnancy after a one-night stand with her best friend (Michael Cera in a terrific understated performance as the naive Bleaker).  The writing here is outstanding (especially from a first time screenwriter!) and the talented cast pull off an unconventional tale of life’s little struggles.  Jason Bateman and Jennifer Garner prove they may not have to fire their agents after finally landing plum roles as the potential adoptive parents, and Allison Janney and J.K. Simmons provide just the right mix of humor and heart as Juno’s parents.  Love for this small little film has steamrolled, and deservedly so.  The film is filled with terrific scenes, great quotes, big laughs, and moving moments.

Currently playing in theaters

 

(read the full review)


5. Death at a Funeral

The funniest movie of the year, period.  British farce is a bit of a required taste, but for those who enjoy this type of humor this film is a must-see.  Director Frank Oz gives us a crazy tale centered around a funeral that will leave your eyes watering and sides aching.  There are secrets revealed, mysterious guests (Peter Dinklage), family squabbles, unwanted former lovers, the wrong body in the casket, and a young man (Alan Tudyk) who has mistakenly taken an incredibly powerful hallucinogenic compound and is reacting rather badly, and publicly, to its effects.  The stellar cast also includes Matthew Macfayden, Daisy Donovan, Jane Asher, and Andy Nyman.  The characters and events converge in hilarity and hijinx.  Just thinking back on this one makes me laugh.  This small British import was overshadowed by the bigger comedies of the year (it opened on the same date as Superbad), but its quality should help others find it on DVD long after they’ve forgotten those other films.

The DVD will be released February 26

 

(read the full review)


4. Across the Universe

Another controversial pick?  Yep (it is my list afterall).  There might not have been a more divisive film all year, but love it or hate it you can’t ignore the most unique movie experience of the year – Across the Universe.  And I loved it; this film just knocked my socks off.  Director Julie Taymor’s Beatles inspired rock opera is filled to the brim with sights and sounds which amaze and entertain.  Jim Sturgess and Evan Rachel Wood lead a talented cast of actors (and singers) through the 60’s on a journey of awareness, acceptance, understanding, and a final realization that all you need, in the end, is love.  The film is filled to the brim with great music moments including T.V. Caprio’s “I Wanna Hold Your Hand,” Sturgess’ “Girl,” Joe Anderson’s “Hey Jude,”  Joe Cocker showing up to sing “Come Together,” and Wood singing “It Won’t Be Long,” (watch some of the music clips here).  Not all the numbers are winners, but the majority are, as is the simple love story which binds them all together.

The DVD will be released on February 5

 

(read the full review)


3. Freedom Writers

I’ve waited a full year to put this film on my list of top films of the year.  Had this film opened one week earlier it would have headed my list of the Best Films of 2006, but it will just have to settle for being the third best film of this great year in movies.  Hilary Swank stars as a young first year teacher struggling to make a difference.  Inspired by the true story of Erin Gruwell‘s experience the film shows the the passion and the pain of teaching, the behind the doors politics, the time and effort, and the struggle to find a way to reach and educate an apathetic generation.  As a former teacher in an urban setting myself, I can honestly tell you the film gets it all right.  Swank is terrific here, but the real stars of the film are the students April L. Hernandez, Jason Finn, Hunter Parrish, Mario, Jacklyn Ngan, Vanetta Smith, Kristin Herrera and Deance Wyatt.  Those who missed out on this film from early January should pick it up on DVD and give it a chance.  You’ll be glad you did.

Now available on DVD

 

(read the full review)


2. The King of Kong: A Fistful of Quarters

For the second year in a row the two-spot on the list goes to a documentary.  The title alone should get you to see this film; seriously, how cool is that!  Although there were certainly more important documentaries this year dealing with health care, genocide, war, disease, and moral atrocities, among others, there were none as engaging, entertaining, and informative about their subject matter than King of Kong: A Fistful of Quarters.  The film gives us a young hero (Steve Wiebe), a grizzled veteran and black hat (Billy Mitchell), and a battle to be won (the high score on Donkey Kong).  Taking us into the world of competitive gaming Seth Gordon’s documentary shows us a competitive niche culture wary of outsiders and over-protective of their own.  Part sports movie, part western, and part tragedy, the film has it all.  Steve Wiebe’s trial and error to dethrone Billy Mitchell, set to the music of the 1980’s, is a tale of perseverance and passion that everyone, not just video game nerds, can enjoy.

The DVD will be released on January 29

 

(read the full review)


1. Sweeney Todd: The Demon Barber of Fleet Street

And the Best Film of 2007 is… another musical?  Yep!  Tim Burton’s adaptation of Stephen Sondheim’s Broadway musical is a fascinating journey into sorrow, hatred, vengeance, love, and revenge.  Johnny Depp owns the screen as Sweeney Todd: The Demon Barber of Fleet Street proving once again he is one of the most talented actors working today, and that he can carry a tune.  And the supporting cast hold their own, especially Jayne Wisener, Jamie Campbell Bower, and young Ed Sanders, who knock the musical numbers out of the park.  In a year with an abundance of really good films, and a few really great films, this is the film of the year.  Sweeney Todd scores off the charts in terms of look, sound, feel, and tone.  And the musical numbers, from the humorous to the vengeful to the heartbreaking including “God That’s Good,” ““No Place Like London,” and my favorite – the heartwrenching “Not While I’m Around “(see them here) will stay with you long after the final curtain has fallen.  It’s bloody marvelous!

Now playing in theaters

 

(read the full review)

Something to Sing About – Top 25 Films of 2007 Read More »

The Best of 2007

What would be better than getting this totally rad retro toy robot? That would be seeing my top picks for 2007.

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Few films stood out in 2007, but ones who did shined awfully bright. To follow are my top 5 films that are a must experience. Yes only 5, I’ve decided one of my New Year’s resolutions is to keep things simple and easy. How easy is it to accomplish viewing 5 great films? Pretty damn easy, that’s how easy. Others that didn’t make top 5, but worth a watch are No Country for Old Men, The Bourne Ultimatum, 3:10 to Yuma, Assassination of Jesse James by the Coward Robert Ford and Eagle vs Shark.

Here are the top 5 “TOTALLY RAD” films of the year.

1. Into the Wild: Let’s give another one up to Sean Penn; not only can that boy act, but has a hell of a set of directing chops. Brilliant cast, beautiful cinematography, jam’n soundtrack and a story that takes the whole audience on an epic adventure, how could anyone go wrong with Into the Wild? Based on the bestselling book by Jon Krakauer, this film reaches past the boundaries of everyday existence and delivers us into a world of thought, reasoning and love for life. Here is a young man who is tired of being what society and his parents expect and wants his freedom from the drudges of everyday life. He takes a long journey towards his goal of living in the wilderness in the cold depths of Alaska. Along his trip he runs into so many characters that shows him what true family is all about and how accepting your love and forgiving, you can accomplish anything.(read the full review)

2. Juno: Juno is a fresh twist to a teenage accident. Interesting how she originally chose to abort, but simply couldn’t bring herself to the task. Instead Juno and her buddy gathered up a PennySaver and found the want ads for babies. Cute white couple, looking to adopt beautiful newborn, will pay big dollars or something like that; Juno wanted the perfect couple to take care of what she new in her heart she couldn’t. The family dynamic and the humor that comes from everyday life makes Juno a pleasant surprise and a joy to watch. (read the full review)

3. Once: Once is an unpretentious film that has all the makings of a huge hit, between the music and chemistry amongst the leads there is no escaping the compassion that overwhelms. Humorous and poignant, this independent Irish driven musical doesn’t get caught up in the mundane, but rather keeps in tune with an inspiring romance. Once showcases the talents of Glen Hansard, singer/songwriter for the popular Irish band The Frames, and the delicate voice of Markéta Irglová, a new and refreshing face to the big screen. No worries if you are not a big musical fan, Once doesn’t pound you over the head with one song after another, but adds a perfect mix of dialogue and character interaction to accompany the music.(read the full review)

4. In the Valley of Elah: This film scared the shit out of me. To think the youth we have across seas right now and what type of mental capacity they have to handle everything being thrown at them. We have school shootings by teenagers not much younger than the ones we are intrusting with death and devastation in a third world country. The point of the this film should certainly make people set up and take notice, there is something so wrong with murder and to take it so lightly to commit it and cover it up and have absolutely no remorse for the crime, unbelievable. Tommy Lee Jones put on one of the best performances of his career and the way he and Charlize Theron worked together mesmerized the audience. She could have used a little more finesse and pizzazz behind her character and Susan Sarandon has played the grieving mother before. Interesting to see so much talent in one film and not expecting it, Jason Patric, James Franco and Josh Brolin, I didn’t see them coming. In the Valley of Elah is a must see with 4 razors.

5. Hairspray: Hairspray is a delightful toe tapping head bobbing experience. A remake of a musical of a remake of a…whatever, it fits perfect with today’s generation and what we would expect of a musical. Superstars like John Travolta, Michelle Pfeiffer, Christopher Walken and Queen Latifah grace the screen and the younger cast, Amanda Bynes, Zac Efron, Elijah Kelley and newbie Nikki Blonsky really add that special spark. Hairspray was a load of fun and a very unexpected and pleasant experience to watch. (read the full review)

The Best of 2007 Read More »

Blood, Murders and Hot Sauce: Ian’s Top 10 Films of 2007

Guess what guys?  Here’s a list of movies I liked this year.  IN FACT, it’s a list of the ten movies I like the very most.  I liked them all, and would totally give a thumbs up to anyone who helped to make any of them (except Halle Berry)!

Well go ahead man, what are you waiting for!?

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Let’s just get right to business, my favorite films of the year – with the order sure to change a whole lot of times before I bite the bucket – are as follows:

10 – The Diving Bell and the Butterfly

What makes this french film, based on the real life events of a paralyzed man who wrote a book by winking his eye, isn’t the strong story of the the likewise acting; but the unique voice of the movie’s director,  Julian Schnabel.  Beautiful, tragic and full of life without ever drawing attention to itself, it’s a joyous reminder that the greatest gift given to everyone is the imagination.  Look for it to become the most praised foreign film of the year.

9 – Things We Lost in the Fire

It really bugs me that I’m giving the annoying Halle Berry a spot in both my best and worst of the year lists; but I’d be lying to myself if I said that Things We Lost in the Fire weren’t a strong film that doesn’t have any trouble doing what it wants to do.  Mostly following the death of a father, husband and best friend (of a Benicio Del Toro character, who deserves an Oscar nom that the actor won’t get), the movie is about moving on and learning to take advantage of the good things in life.  Susanne Bier directs this clean cut of cinema clearly and gracefully, matching the beauty of the story in every technical aspect.  Read my review for more.

8 – 300

I don’t know if this movie is making too many year-end lists – and I don’t know that it wholly deserves to – but for a style-over-substance guy like me, it’s at home in its top ten spot.  I don’t have any complaints with the story; but everyone knows that this movie’s forte was its technical aspect.  Action films age pretty badly; but will enough time ever pass that one shot of 300 won’t make you pump your fist and scream “Fuck Yeah?”  Zack Snyder imagery, along with Larry Fong‘s pulpped, reddened photography were revolutionary for a studio picture, and one that will hopefully lead other films down less conventional visual paths.

7 – The King of Kong: A Fistful of Quarters

This documentary on two men racing for the world record high score at the classic Donkey Kong arcade game is one that’s destined to have a massive cult following.  With archetypically good and bad characters like Steve Wiebe, an everyman father/teacher who’s always number two and Billy Mitchell, a selfish hot sauce salesman evil enough to be a bad guy played by Ben Stiller in a movie; King of Kong is too undeniably fun to dismiss.  Documentaries, for whatever reasons, tend to deal with serious stories out of life; but this one proves that there’s no reason you can’t document something hilarious and outlandish in one too.  You’ll never boo, hiss or applaud so much at a documentary.

6 – Death Proof

It’s long.  It’s talky.  But I can’t think of another movie to ever take so much advantage of its build-up in its last act.  If all I saw of the movie were the first ninety minutes, it wouldn’t be on my list; but Quentin Tarantino‘s organic and most thrilling car chase in god knows how long wins every speck of attention in your brain, plastering you to your seat and sending you into cheers for characters you didn’t even think you liked, just for saying something as simple as “Nuh-uh, Motherfucker!”  That, and Tarantino’s aesthetic tribute to exploitation cinema is unknockable – it’s a perfect homage that, at the same time, awesomely outdoes any movie or style it’s imitating.  With a movie this fresh after fifteen years of directing, Tarantino isn’t losing his edge – he’s just getting started.

5 – Alpha Dog

The most flawed movie on this list, Alpha Dog just might be the most emotionally powerful.  It’s preachy and melodramatic around the edges, but the inside is a 100% authentic, believable story about a bunch of not-a-boy, not-yet-a-man guys trying to act tough; but they don’t realize how stupidly they’re behaving when they kidnap the kid brother of a guy they have beef with.  It’s a furious but solid argument against the machismo so many guys at the beginning of adulthood feel like they have to project.  I don’t know that I needed two prologues, a home video montage or worst of all, Sharon Stone crying in a bad fat-suit; but everything else in the film will get you more worried and angry than anything else this year.  You can go back a long ways and read my first opinion of the film.

4 – The Mist

Did anyone expect a giddy, pulpy horror picture about monsters coming from another dimension to be so damn good?  I didn’t, but I have a hard time thinking of this movie as anything short of amazing now.  Director Frank Darabont takes this scary thriller the philosophical route – he’s more interested in the demons that reveal themselves in the frightened human than the ones that walk on eight towering, hairy legs.  Let’s give some marks to Marcia Gay Harden for her just-right over-the-top performance as a self-appointed prophet, along with everyone else in this strong ensemble cast.

3 – No Country For Old Men

The Coens’ return to their merciless, humorless but often hilarious style of filmmaking is probably the most heralded film of the year, and I’m not disagreeing on this one.  Javier Bardem is damn petrifying as the grim reaper, and the everything else about this clean, ironic film makes it the most Coenish to date.  Haunting and lingering, this movie about the lack of glory that inhibits our lives is one you won’t ever forget.

2 – There Will Be Blood

Every one of the five years spent waiting for Paul Thomas Anderson‘s follow-up to the dizzy but exquisite Punch-Drunk Love were painful – but at least now we know they weren’t in vain.  Anderson’s exploration of business, religion and ethics feels so easily collected, only a real pro could do it.  Of course this is just as much P.T.A.‘s show as it is Daniel Day-Lewis’, who slowly makes his oil baron character more and more disconnected from reality until he finally pops out and off of humanity.  I could go on, but I think I’ll stop since I just wrote a review for the film last week.

1 – Zodiac

I’m surprised to see it at number one, and to be fair it only beats out the number two film after hours of thought; but my favorite movie of the year is probably Zodiac.  Few people can take a two-and-a-half hour+ picture that takes place over a quarter century without a resolution this satisfying and tense; but you have to hand it to thrill-master David Fincher that he handles the job with flying colors.  The terror and mythology of a serial killer run rampant through the Bay area keep this massive picture on the tracks, headed for one conclusion and one conclusion alone.  The gorgeous digital picture handles the retrospect perfectly – it gives us the allure of the 70s while looking current and undated.  And, while I’m automatically going to love any movie with Robert Downey Jr. in it, he’s got some great company in Zodiac with the boyish Jake Gyllenhaal and the frustrated Mark Ruffalo, alongside countless thankless character actors that only pop up for one or two scenes.  I can’t say it’s my number one film by a mile, but it’s a movie I haven’t stopped thinking about since I saw it in March, and I don’t know that I ever will.

Blood, Murders and Hot Sauce: Ian’s Top 10 Films of 2007 Read More »