5 Razors

Slumdog Millionaire

  • Title: Slumdog Millionaire
  • IMDB: link

The film takes place over a period of many years through a series of flashbacks.  In the present we see Jamal Malik (Dev Patel) interrogated for supposed cheating on the Indian version of Who Wants to be a Millionaire by a Police Investigator (Irfan Khan) and his subordinate (Saurabh Shukla) who simply can’t believe an uneducated street kid like Jamal could actually know the answers.

In his attempts to prove his innocence we are granted glimpses at Jamal’s early life as a child (played by Ayush Mahesh Khedekar) with his older brother Salim (Azharuddin Mohammed Ismail) through his performance on the show the night before.

What director Danny Boyle and screenwriter Simon Beaufoy give us is a thoroughly engaging and slowly unfolding tale as Jamal relates his story and the events which led to him learning the answers to the trivia questions he was given.  Along the way we learn more about his life, his first love, and his tempestuous relationship with his brother.

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The Great Films – Rear Window

  • Title: Rear Window
  • IMDb: link

“Are you interested in solving this case or in making me look foolish?”
“Well, if possible, both.”

With the recent release of Disturbia I thought this would be a good time to introduce a new feature and take a look back at the film which it pays homage to.  Alfred Hitchcock’s Rear Window is considered one of the director’s finest films by both critics (it earned a 100% Fresh rating from Rotten Tomatoes and ranked #42 on AFI’s 100 Greatest American Movies of All Time) and fans (at the time of this review it ranks #16 on IMDB’s Top 250 Films of All Time).

Alfred Hitchcock, ah, there was a man who knew how to tell a tale.  The joy in Rear Window is the simplicity.  One man looking into the windows of his neighbors discovers a little about them, and a little about himself, and uncovers what he believes is evidence of cold-blooded murder.  It’s a film of slow revelations, of constant building tension, of troubled relationships, and of learning the truth about yourself as well as your neighbors.  If you enjoy suspense then you could search long and hard trying to find a flick better than this one.

Stuck at home with a broken leg, photojournalist L.B. Jefferies (Jimmy Stewart) begins to examine the world around him finding numerous worlds in the apartments across the courtyard.  Over the past six weeks these strangers have become his form of entertainment and his only way to experience the outside world.

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Batman: Mask of the Phantasm

  • Title: Batman: Mask of the Phantasm
  • IMDB: link

“I need it to be different now.  I know I made a promise, but I didn’t see this coming.  I didn’t count on being happy.”

The return of Bruce Wayne’s (Kevin Conroy) lost love (Dana Delany) to Gotham and the arrival of a new mysterious villain are the ingredients to what is, at least so far, the best Batman film ever made.

Taking pieces from both Frank Miller’s Barman: Year One and Mike Barr’s Batman: Year Two this animated flick gives us a new villain for Batman to fight and ghosts from the past which must be confronted.  The best scenes of the film involve the flashbacks of Bruce Wayne weighing his new feelings for Andrea (Delany) versus the vow he made to his parents.  Of all the Batman movies made Mask of the Phantasm does the best job of capturing the continually tortured soul of Bruce Wayne on screen.

Also included are flashbacks scenes of Bruce Wayne’s first night out as a vigilante, with missed success (something missing from Batman Begins) and a look back at the first moment Bruce Wayne donned his famous costume in one of the best Batman scenes ever.  Neither Tim Burton nor Christopher Nolan have given us anything as perfect in this simple shadow non-reveal reveal of Batman’s first appearance.

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Holy Absolute Awesomeness Batman!

  • Title: The Dark Knight Returns – Absolute Edition
  • Comic Vine: link

“Every year they grow smaller.  Every year they hate us more.  We must not remind them that giants walk the earth.”

Frank Miller’s classic The Dark Knight Returns is a masterpiece.  Comic books get a bad rap in our society, but, as in any art form or genre, there are those pieces that perpetuate the mundane stereotypes, and then there are those that transcend.  Dark Knight is the later.

Forty years after the character’s introduction to pop culture, Frank Miller was able to craft something uniquely different, that would not only change the character forever, but begin a tidal wave movement of celebrating the legend of the hero while paradoxically showing the heroes themselves, as real people struggling in a real world.

Miller reminds us of the tortured young boy behind the mask, filled with a vengeful rage that has not yet, and perhaps never will be, quenched.  Batman, more than ever before, took his place as a legend, an icon, a super-man if you will.

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Dark City

  • Title: Dark City
  • IMDb: link

“That’s what Science Fiction and Fantasy is for, after all; to take one behind the scenes,
to force one to reinvent the paradigm. And Dark City does that in spades.”
—Neil Gaiman

I’m a big fan of The Matrix, but I’m a bigger fan of Dark City. Released more than a year before Neo took the red pill to the delight of audiences everywhere, writer/director Alex Proyas presented a similar tale of a man trapped in a world where nothing is quite what is seems. Although not as widely known (more than six times the number of people have taken the time to rate The Matrix on IMDb), it is a superior film in almost every conceivable way. Released in 1998 we mark the occasion by reviewing the DVD ten years later.

Back in the spring of 1998 I was in the middle of a particularly brutal college semester and looking for a few hours respite.  Checking the paper I discovered the local $1 movie theater was showing a film I had missed, Dark City.  Taking a chance, I went.  I went back the next night as well.  And the third night I dragged my two roommates and went back again.  I long ago lost track of the number of films I have seen over my lifetime, but I can count on one hand the films which have had this reaction on me.

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