Fantasy

Hercules

  • Title: Hercules (2014)
  • IMDb: link

HerculesBased on the comic book mini-series from writer Steve Moore and artist Admira Wijaya, Hercules removes the myth and legend of the figure choosing to cast Hercules (Dwayne “It’s Okay to Call Me The Rock Again” Johnson) as a weary nomadic mercenary rather than the true son of Zeus (although he certainly trades on the legend for his own profit) well after completing his legendary 12 labors. With a band of loyal warriors around him, Hercules’ legend has grown over time as his exploits have been exaggerated to the point that everyone believes the mythic warrior to be the unstoppable son of a god.

Director Brett Ratner‘s film reminds me a little of Antoine Fuqua‘s King Arthur which similarly removed the mythical trappings and magic surrounding a legendary figure in an attempt to focus on the man behind the legend and those closest to him. Hercules may not be as successful as Arthur, but The Rock is perfectly cast in the role and Ratner surrounds him with a strong supporting cast and impressive effects for a B-movie that’s better than expected.

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2004 – King Arthur

  • Title: King Arthur
  • IMDb: link

King Arthur

Released in 1981, John Boorman‘s Excalibur remains the standard against which every King Arthur film is measured. Setting itself apart, Antoine Fuqua‘s film (released in theaters 10 years ago today) chose to ignore the more mystical and mythological aspects of the King Arthur legend while providing a more grounded version set during the end of the Roman occupation of Britain.

Here Arthur (Clive Owen) is a half-Celtic Roman cavalry officer in charge of a select group of indentured knights: Lancelot (Ioan Gruffudd), Tristan (Mads Mikkelsen), Gawain (Joel Edgerton), Galahad (Hugh Dancy), Dragonet (Ray Stevenson), and Bors (Ray Winstone). Rome’s withdrawal should mean the end to their service, but the group is tasked with final mission to rescue an important Roman family from the invading Saxon horde. The result of which will spill the blood of Arthur’s knights, introduce him the Welsh warrior princess Guinevere (Keira Knightley) and her father Merlin (Stephen Dillane) – Arthur sworn enemy, and change the course of his destiny.

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How to Train Your Dragon 2

  • Title: How to Train Your Dragon 2
  • IMDb: link

How to Train Your Dragon 2Picking up five years after the events of the first film, How to Train Your Dragon 2 finds Hiccup (Jay Baruchel) dealing with new challenges including his father‘s (Gerard Butler) plans to hand over the kingdom of Birk to his son, an enemy (Djimon Hounsou) creating his own army of dragons to conquer the world, and the unexpected return of Hiccup’s mother Valka (Cate Blanchett) who disappeared and has been presumed dead since Hiccup was a baby.

Returning the original cast of characters including Astrid (America Ferrera), Gobber (Craig Ferguson), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), Tuffnut (T.J. Miller), and Ruffnut (Kristen Wiig), the sequel leaves time for the events of the the television show to take place without forcing the viewer to have seen the series to make sense of the current state of events. Blanchett’s addition of Valka, a woman more at home with dragons than her own son, and that of Hounsou as the film’s new villain Drago Bludvist prove to be excellent choices, but the heart of the film remains Hiccup and Toothless.

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Maleficent

  • Title: Maleficent
  • IMDB: link

MaleficentOffering a new live-action take on Sleeping Beauty from the perspective of the original tale’s villain, Maleficent proves to be a passable flick that works better than either of the recent disappointments, Mirror Mirror or Snow White and the Huntsman, both of which failed while attempting a similar approach to the retelling of Snow White.

Not without its own issues, most of which can be traced back to film’s lethargic opening act explaining Maleficent’s (Angelina Jolie) past and the series of events which led to her inevitable heel turn, Maleficent works largely due to the performances of Jolie and Elle Fanning (as the girl who would become known as Sleeping Beauty) and the film’s impressive style and design. Jolie is perfect for the role, relishing every moment on-screen, although the movie doesn’t really start moving until after Stefan’s (Sharlto Copley) betrayal which leaves the most powerful member of the fairies hell-bent on revenge on the man who stole far more than her heart and ultimately choose power over love.

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Godzilla

  • Title: Godzilla (2014)
  • IMDB: link

GodzillaGodzilla returns to the big screen in an American film for the first time since 1998. Although better than Roland Emmerich‘s much despised film, while outdoing the director known for CGI disaster porn, the new version of Godzilla isn’t without its own issues. As a summer popcorn flick the new Godzilla may satisfy in the short term but it’s unlikely to entice me to return to its story anytime soon (if ever).

Opening in 1999 in the Philippines where an ancient monster is awoken before it makes its way to Japan unseen (this happens more than you’d expect in the film) and destroys a nuclear reactor to feed on the radioactivity for the next 15 years, the film jumps forward to present day where the scientist in charge of the facility (Bryan Cranston) still struggles with what really happened. Although much of the extended opening centers around Cranston (which could be trimmed considerably), the movie’s main character is the scientist’s son Lieutenant Ford Brody (Aaron Taylor-Johnson), a bomb disposal expert whose skills will come in quite handy before the end of the film.

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