G.I. JOE

Snake Eyes #5

snake-eyes-5-coverSnake Eyes and his team made it off the mountain alive, but a new threat has been unleashed upon the world by another agent of Cobra hoping to earn himself the title of Cobra Commander. Scientist Rodrigo Vargas has released a pandemic to spread fear and death across the world. The disease, it turns out, is the same strain that is slowly killing Duke.

As the rest of his team lick their wounds Snake Eyes and Duke (in a protection suit designed to slow the process of the disease and stop him from spreading it to others) prepare to set out to find Vargas and a cure before a world-wide spread of the virus.

Chuck Dixon gives us a solid issue that sets up a new story arc for Snake Eyes. It might not be as strong as my favorite JOE trapped in a mountains surrounded by Cobra agents trying to kill him, but I’ve got a feeling things should begin to pick back up next issue (especially once we learn how the disease can psychologically effect those infected). Worth a look.

[IDW, $3.99]

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G.I. JOE: Snake Eyes #1

snake-eyes-1-coverCobra Commander is dead, and he’s not the only one. Six JOEs are dead as well. Each one was personally trained by Snake Eyes and the man responsible is holed-up at the top of a mountain. As COBRA scrambles to find a new leader, Snake Eyes will lead a team (including Agent Helix, Alpine, and Iceberg) up a mountain to find the secret Himalayan fortress of Rajah Vikrim Khallikhan.

There are some great action sequences on the side of the mountain as well as flashbacks to Snake Eyes’ earlier attempts to track down Khallikhan – a man going to great links not to be found.

Robert Atkins knows how to draw Snake Eyes in both his silent somber and total kick-ass moments so well that I don’t want to see anyone else’s take on him for a long time. It’s hard to get both right and Atkins seems to do it effortlessly here. He even looks cool in his semi-ridiculous Hoth gear. The story, from Chuck Dixon, ain’t too shabby either. Must-read.

[IDW, $3.99]

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G.I. JOE: A Real American Hero #164

Although I enjoyed G.I. JOE: Cobra, it’s been awhile since I’ve picked up a regular on-going G.I. JOE comic. Seeing both Snake Eyes and Storm Shadow on the latest cover I decided to give this one a look.

Even though I hadn’t read much of IDW’s current G.I. JOE universe it was easy to pick things up. The Baroness had been captured and Destro and C.O.B.R.A. were using a homing device to locate her inside the JOE’s secret base.

We also get a battle between between Snake Eyes and Storm Shadow, part of which takes place in mid-air as they’re falling from a building. Okay, that’s kinda cool. This issue throws in Zartan and the Dreadnoks, which certainly isn’t going to hurt my opinion of the book.

In fact in many ways this entire issue feels like it’s playing on the nostalga of my youth. The trouble is, with as much fun as there is here to have, the story itself is somewhat empty. Am I glad I read this issue? Yes. Does it make me any more likely to pick up the next one? Not really.

[IDW, $3.99]

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G.I. JOE: Rise of C.R.A.P.

  • Title: G.I. Joe: The Rise of Cobra
  • IMDB: link

gi-joe-rise-of-cobra-posterLet’s get this straight right from the get-go: I had no real expectations with this film except wanting to leave without getting too bored or having the film make my eyes bleed. One out of two isn’t bad. Even with the bar set so low G.I. Joe: The Rise of Cobra finds a way to slither underneath like champion limbo dancer Hermes Conrad.

Based on a toy line and 80’s television show Rise of Cobra plays like one long Michael Bay action reel (think The Rock, if it were directed by Zack Snyder). It’s got the brains of the old cartoon down cold (ridiculous premise, tons of vehicles and ammunition) but hardly any of its style.

It doesn’t help the Cobra never really exists in this film. Instead we’re given a well-funded unnamed group of terrorists. It is also problematic that the baddie chosen to put center stage isn’t Cobra Commander (almost completely absent from the film), or even the unmasked Destro (Christopher Ecclestion), but the Baroness (Sienna Miller, because I guess Kate Beckinsale was too expensive).

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