Jamie Foxx

Tarantino Unchained

  • Title: Django Unchained
  • IMDB: link

django-unchained-posterWith Inglourious Basterds writer/director Quentin Tarantino strode a fine line between between drama and revenge fantasy in his depiction of a select group of Jewish soldiers taking on the Nazis during WWII.

With his latest, Tarantino returns to the well of his revenge fantasy, the theme he’s been stuck on for nearly an entire decade (since 2003’s Kill Bill Vol. 1), to push the envelope even farther with a blaxploitation western that leaves good taste in the dust. If there’s ever a film that so thoroughly argues for a director to be shackled to studio pressure it’s the inarguable trainwreck that is Django Unchained.

Jamie Foxx stars as Django, a slave freed by a bounty hunter (Christoph Waltz) in need of his help to hunt down and kill the Speck brothers (James RemarJames Russo). After Django shows promise, Shultz (Waltz) agrees to train the newly freed slave in the art of bounty hunting and help retrieve Django’s wife (Kerry Washington) from a ruthless plantation owner (Leonardo DiCaprio).

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Horrible Bosses, average comedy

  • Title: Horrible Bosses
  • IMDB: link

Horrible Bosses posterDon’t you wish you could kill your boss? Wouldn’t it be cool if you’re two best friends felt the same way and you all decided to go into it together? That’s the basic premise of Horrible Bosses, a foul-mouthed raunchy comedy that is neither as dark or as funny as it needs to be.

It isn’t that the movie is bad, I’ll admit to laughing at some of the ridiculous antics displayed on-screen. Not big laughs, but laughs none the less. The problem is it just isn’t that memorable.

One of the cardinal rules to screenwriting is to never mention or evoke memories of better movies, thereby reminding the audience of films they would rather be watching. A clever homage, maybe, but it can backfire at least as often as it succeeds. Namedropping movies the audience would rather be watching, yeah, that’s not such a great idea.

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Rio

  • Title: Rio
  • IMDB: link

Rio is by all accounts a very traditional animated feature. We get likable stars in the form of cute animals, a few big musical numbers, stories centered around friendship and true love, and even a menacing villain or two. Although the film doesn’t stray too far off the path of what we’ve seen (many) times before, Rio delivers a colorful film and its share of fun.

The story centers around Blu (Jesse Eisenberg), a domesticated Spinx Macaw who never learned to fly. Blu travels from his cozy home in Minnesota to the Brazilian wilderness with his owner Linda (Leslie Mann) when an ornithologist (Rodrigo Santoro) convinces them to help save Blu’s endangered species.

I would have liked to have seen more of Linda and Blu’s life together in Minnesota. After a brief introduction, we only get a montage of the two growing up together and then a single scene before moving onto to their adventure. Although the film has plenty of relationships, this is the one that held the most promise, and is sadly interrupted by the series of events which follow.

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Stealth

  • Title: Stealth
  • IMDB: link

stealth-posterEver wonder what would happen if you took half the script for Iron Eagle 2 and half the script for Short Circuit and removed anything remotely good, or funny, or interesting?  I didn’t either, but obviously the makers of this film needed to solve this philosophical dilemma.

Stealth is the worst type of summer movie: a summer action adventure film that breaks all the rules of reality and the world in which it takes place indiscriminately.  The movie steals plot, story, scenes, and characters from everything from 2001: A Space Odyssey to War Games to Firefox, and yet can’t seem to capture any single moment of believability, fun, or excitement.

Jessica Biel, Jamie Foxx, and Josh Lucas play Navy pilots who have been specially trained to fly a new jet fighter.  The commander of this project (Sam Shepard) shows up to introduce them to their new team member.  EDI (who will be referred to as Johnny Number Five for the rest of this review)  is a new jet that is controlled completely by a state of the art computer intelligence.  The crew is uneasy about letting a computer into the squad, and even more so after Johnny Number Five is hit by lightning and starts to think for himself.

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