Tommy Lee Jones

Men in Black III

  • Title: Men in Black III
  • IMDB: link

men-in-black-3-posterWell that was… in 3D. I wonder how many film series will find themselves resurrected for the soul purpose of cashing-in on Hollywood’s latest love affair with 3D. If Men in Black III is any indication (a franchise that died a decade ago only to have it’s undead corpse dug up and trotted out to make a few dollars at the box office) perhaps movie studios may want to be a little more selective in choosing which movie series to resurrect.

Men in Black III isn’t a bad film. It has some enjoyable moments (like Bill Hader‘s cameo as Andy Warhol) and some nice performances. Hell, Josh Brolin playing a younger version of Agent K (Tommy Lee Jones‘s character) is almost worth the price of admission by itself. Almost.

However, the story is stuck in neutral with a generic time travel adventure involving a grizzled alien (Jemaine Clement) out for revenge. Much like Tommy Lee Jones (who only appears on-screen in a limited role this time around), the film simply feels tired and only vaguely aware of what’s going on.

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The Company Men

  • Title: The Company Men
  • IMDB: link

the-company-men-posterWritten and directed by John Wells, former West Wing showrunner and once president of the Writers Guild of America, The Company Men takes a look at three men each effected when the company which has employed them for years begins massive downsizing that eventually leaves each of them without a job.

Ben Affleck stars as the hot-shot salesman, with a wife (Rosemarie DeWitt) and family, who can’t accept his new situation and becomes increasingly frustrated when no new opportunities for employment present themselves. Chris Cooper is the longtime company man who worked his way from the factory floor to the boardroom. And Tommy Lee Jones is the best friend of company owner (Craig T. Nelson) who dislikes his life, the compromises being made in the company he helped start, and a wife whose only cares seem to be opportunities to shop – which explains why he prefers the spending time with the company’s hatchet woman (Maria Bello) instead.

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Batman Goes to Camp

  • Title: Batman Forever / Batman & Robin
  • IMDB: link
  • IMDB: link

After Tim Burton‘s Batman Returns didn’t live up to the box office expectations of its studio, Warner Bros, the two parties peacefully parted ways and Joel Schumacher was brought in to reinvent the series to skew more towards kids than adults (Wikipedia says it, so it must be true!).  Let me say, as someone who was seven- and nine-years old when these movies came out, Schumacer did his job and he did it well.  These were my favorite movies at that young, and now evidentally very very stupid age.  These movies are full of horrendous dialogue and terrible plotting.  To be sure, these are the kinds of movies you can only totally appreciate before you are learning at a fifth-grade level.

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No Country for Old Men

  • Title: No Country for Old Men
  • IMDB: link

“It’s a mess ain’t it sheriff.”
“If it ain’t it’ll do ‘til the mess gets here.”

no-country-for-old-men-posterBrutally violent, with eloquently scripted dialogue and sumptuously cinematography No Country for Old Men has all the pieces in place for a great film, but although it’s certainly a very good film it loses much of its momentum over the course of its two-hour running time ending with more of a whimper than a bang.

The story begins when Llewelyn Moss (Josh Brolin) discovers the remains of a drug deal gone wrong and finds $2 million in cash.  A moment of conscience leads to him being marked by both sides after the money and LLewelyn sends his wife (Kelly Macdonald) to her mother’s (Beth Grant) as he takes to the road to stay one step ahead of a hitman (Javier Bardem) who knows his name and always seems only one-step behind.

The film begins in terrific fashion and the dialogue is perfect, especially the simple scenes between Llewelyn and Carla Jean (MacDonald).  I wish she had a larger role in the film because the two work so well together.  Bardem puts in a strong performance as the mysterious sociopathic hitman.

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In the Valley of Elah

  • Title: In the Valley of Elah
  • IMDb: link

In the Valley of Elah

When I saw the trailer to this film I couldn’t get over how much it reminded me of your average Ashley Judd thriller/mystery vehicle (and isn’t it odd how Theron is even made up to like a little like Judd?).  Though the film turns out better than I expected, given its marvelous performances, it still gets stuck by the confines of its genre – complete with a head shaking and nonsensical ending.

Former Army Sergeant, and crime scene analyst, Hank Deerfield (Tommy Lee Jones) is informed his son Mike (Jonathan Tucker) is back from Iraq but AWOL from the base.

Hank leaves home and travels down to look for his son but can make no headway in the investigation and tries to enlist the help of a local cop, Detective Emily Sanders (Charlize Theron).  Things only get murkier when his son’s burnt and chopped up body parts are found on the side of the road.

Unwilling to let the Army investigate, and most likely hush up the crime, Emily and Hank work together to try and piece together his son’s last few hours and try to understand how and why his life ended in such a brutal act of violence.

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