Western

• Title: Buffalo Boys
• IMDb: link

Although only the first scene of Buffalo Boys takes place in the Old West, there’s never a doubt that Singapore’s entry for the Best Foreign Language Film in the 91st Academy Awards is a western through and through. The film tells the story of two brothers (Yoshi Sudarso and Ario Bayu) raised in exile in America who return home to Java with their uncle (Tio Pakusadewo) to avenge their father’s death and bestow some justice to the Dutch oppressors led by the villainous Van Trach (Reinout Bussemaker).

While far from the most polished or original tale, Buffalo Boys proves to be an entertaining mix of marital arts and western themes. On the return home, the family comes across a village whose rebellious daughter (Pevita Pearce) will get wrapped up in their plans leading to the brothers standing against an army of Van Trach’s men in the middle of town.

The final product could have been helped by the addition of more traditional wide-sweeping landscape shots and some tighter storytelling in spots, but it certainly hits the mark in old-school justice themes and in its extended gunfight that, of course, starts with a showdown on Main Street.

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• Title: Hostiles
• IMDb: link

Hostiles is a wagon train movie, without the wagon train. Christian Bale stars as Capt. Joseph J. Blocker, a career solider who has spent the better part of two decades fighting Native Americans in the late 19th Century. A reluctant Blocker is ordered to escort an old enemy (Wes Studi) and his family (Adam Beach, Xavier Horsechief, Q’orianka Kilcher, and Tanaya Beatty) from New Mexico to Montana and deliver them safely home after years of being prisoners of the Union Army. Along the way, the group will pick-up a woman (Rosamund Pike) whose family was brutally killed in the film’s opening scene and a prisoner (Ben Foster) with a connection to Blocker’s past.

After the initial attack on the Quaid farm, Hostiles falls back into a slow burn of a film as former enemies and strangers will have to rely on each other to make the dangerous trek across country. Writer/director Scott Cooper‘s adapted screenplay doesn’t reinvent the wheel and relies mostly on strong performances to carry a rather straightforward plot that never quite succeeds in presenting Blocker and his prisoners as equals due to the vastly superior amount of time the camera spends on the former compared to the later.

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