June 2007

This Week in Animated Film

When a new device known as the DC-Mini, which allows the user to enter the dreams of others, is stolen and one of the assistant researchers turns up missing Dr. Atsuko Chiba (and her fearless dream alter-ego Paprika) lead a group to find the truth and discover who is using the machines to drive the remaining researcher insane.  If you prefer, here’s a HD trailer.  The film, presented in Japenese with English subtitles, after spending a month in limited release, opens in wider distribution of Friday, and we’ll have the review!

Paprika
N/A

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This Week in Foreign Film

From Switzerland comes the tale of a gifted young boy.  His parents encourage his natural talent at the piano, but all Vitus wants to to is spend time in his grandfather’s workshop and learn to fly.  Fabrizio Borsani, Teo Gheorghiu, Bruno Ganz, and Julika Jenkins star.  Check out the official site.  The film, presented in Swiss and German with English subtitles, opens in limited release in select cities on Friday.

Vitus
N/A

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Ark Building for Dummies

I kind of liked Bruce Almighty, and I’m certainly a fan of Steve Carrell, but when I heard the idea of this sequel I wasn’t so keen on the idea.  The set-up of Steve Carrell acting all crazy and building an ark sounds like a great skit, but does it work for 96 minutes?  Well, much like the first film, the answer is – sort of. 

Evan Almighty
3 Stars

“Genesis 6:14: Make thee an ark of gopher wood; rooms shalt thou make in the ark, and shalt pitch it within and without with pitch.”  Now I don’t know exactly what that means, but boy doesn’t that sound like the stuff to make an insanely expensive summer blockbuster comedy?  Um…

Evan Help Us

As the film opens Evan Baxter (Steve Carrell) leaves the newsroom and moves his family (Lauren Graham, Johnny Simmons, Graham Phillips, Jimmy Bennett) to Washington to begin his new career as a freshman Congressman.  With a new house and a new job things are looking good for Evan.  Except that God (Morgan Freeman) shows up and commands Evan to make him an ark.  Despite Evan’s steadfast refusal God won’t take no for answer and puts the poor Congressman through hell until he accepts his responsibility, even at the cost of his job, his dignity, and his family.  Evan’s appearance is altered, his hair and beard begin to grow, his clothes disappear, and animals, in pairs, begin to be attracted to his presence.  Finally, with no other recourse, Evan gives in and accepts the responsibility of building the ark.

Overall the performances are good.  Carrell makes a likable leading man, as he proved in The 40 Year-Old Virgin, and spends most of the time getting shit on (more on that later) by God’s odd sense of humor.  As the heart of the film he serves a purpose of giving us someone to both root for and care about.

John Michael Higgins, Jonah Hill, and Wanda Sykes have small and inconseqential roles as Evan’s Congressional staff as their characters are given only enough screen time to make a short one-liners and then disappear for large stretches of time.  John Goodman does what he can with the thinly written baddie politician of the piece.  And Molly Shannon shows up, I’m assuming, just to annoy me.

And I can do without the animal crap-humor!  Jeesh!  I know Hollywood loves crap jokes, but please learn to control yourselves.  There are at least four different such jokes in the film.  Birds defecating on someone is mildly amusing, but it’s hardly hilarious (and it becomes less, not more, amusing each time it happens).  When you get right down to it that’s the central problem with the film.  It will keep your interest and make you chuckle and you’ll have a good time, but there are no big laughs, no real memorable moments, and nothing to discuss with your friends afterwards (certainly no Man-o-Lantern in this one!).

And somebody explain the title to me please.  In the first film Jim Carrey becomes omnipotent, a God, aka almighty, and that’s where the title comes from.  Here God just makes Carrell build a big wooden boat and tortures him when he refuses.  I don’t know about you but that doesn’t sound very “almighty” to me.  Did no one in marketing catch this?  This might seem a small complaint, but it is emblamatic of one of the problems with the film – going for the cheap or easy joke like the crap jokes or the beard jokes, which are just a little too reminiscent of The Santa Clause for me, rather than thinking each problem through and crafting something more original.

One scene the film does have going for it is God’s explanation to Evan’s wife (Graham) of “God’s mysterious ways.”  Rarely, in film or real life, have I heard a better explanation and the scene provides a nice moment for Graham who otherwise is left trying to act confused, sad, bewildered and angry (all at the same time) about what is happening to her husband.  There are few such moments in the film that make it worth seeing, but if the entire film had been handled with the same care this might have been a truly miraculous film rather than just a flood of crap-jokes and one-liners.

For what amounts to the most expensive comedy ever made ($175,000,000) the film is a slight disappointment.  There are many laughs with some good bits throughout, and a couple of touching moments, but much like Bruce Almighty the film fails to inspire the big laughs that seem to be just around the corner.  Still, it’s an enjoyable little summer comedy that should entertain you, at least for awhile.

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‘Heart’ Keeps the Beat, Loses Emotion

A Mighty Heart’s problem is that it’s a superbly felt and acted film that’s put together so oddly that you can’t appreciate it.  The whole cast deserves an A for Effort, but in the end the film just too out of touch with its own story to work as well as it ought to.

A Mighty Heart
2 & 1/2 Stars

There’s a strange subtlety to A Mighty Heart.  WIth constant and quick cutting, the film is always moving through the story, rarely taking a minute to let the details sink in.  The problem this sort of film is asking to run into is, when a movie rarely has a shot last longer than five seconds, can the emotional core find its way out of the story and into the audience?  A Mighty Heart honestly tries to solve this dilemma, but it often fails.

Based off of real events, the film is about journalist Daniel Pearl as he is kidnapped while reporting in Pakistan in the immediate months following 9/11.  Once this happens ten minutes into the running time, the film blasts into a full-on investigation of his disappearance, never really stopping to take a breath or give much time to examining the characters.

Lucky for the film, it’s filled to the brim with strong actors who know how to appear to carry the burden of missing a loved one, and the desperation that inevitably follows.  One really shouldn’t overlook anyone in the film – this is a terrific ensemble that deserves recognition; but if you have to name one actor in particular, it’s probably going to be Angelina Jolie, who plays Danny’s wife and the lead of the film.  Her empty gaze that is used in most of her parts says everything that words can’t about the character’s fear for her husband.  as the film goes on, her scenes become more and more painful to watch as she begins to realize what has happened to her husband.

But the editing is too much and too fast to let us take a minute with the characters.  We never learn the characteristics of anyone here, we just have actors who know how to relate tragedy.  We can see them suffering, but we never get to know them or sympathize with them.  As it is, it’s just a movie about people being sad, without any real purpose or explanation.  There’s a solid hour in the middle of the film where it feels like nothing happens besides tiny advancements of plot that could have been cut out of the film, just parading on one after another – why couldn’t we have replaced it with a nice time-out at the beginning to see what life was like for the Pearls before the kidnapping?

I can go so far as to say – and believe me, a lot of people would say this is going too far – but I can say that if you were looking for a better non-fiction movie about the horror and stupidity of kidnapping, you wouldn’t have to go very far back, just to January of this year, to find the film, and the film is Alpha Dog.  It doesn’t carry a fraction of the buzz that A Mighty Heart has; but by letting us just hang out with the characters, we sympathize with them and ultimately, actually care about the outcome of the film.

A film as political as this could easily have a secondary message, but there’s nothing under the surface here, and there’s not much above it either.  The right people are involved for the most part, it just needs a few more scenes to let us understand who these people are and a pace that’s less about finding the accurate time-line of the real-life events and more about finding the emotions of the real-life events.

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