January 2008

First Blood Part II

  • Title: Rambo: First Blood Part II
  • IMDB: link

“Sir, do we get to win this time?”
“This time it’s up to you.”

rambo-first-blood-part-ii-poster

Locked away in a maximum security prison, and serving his sentence for the crimes committed in the first film (read that review), Rambo (Sylvester Stallone) is approached by his old commander, Col. Trautman (Richard Crenna), and offered the chance to receive a Presidential pardon if he agrees to perform a small service for the United States government.  All he must do is return to Vietnam.

A program run by Marshall Murdock (Charles Napier) is searching for evidence of American POWs are alive and still held captive in Vietnam.  Rambo’s mission is simple, to infiltrate the camp and take pictures – but under no circumstances to engage the enemy.

With the help of a local woman (Julia Nickson) Rambo finds rescues one of the POWs, but is left to fend for himself by Murdock, who didn’t want any evidence actually found.  Rambo, being the soldier that he is, breaks the other POWs out of the camp before destroying it and returning to the staging area in Thailand to take his revenge.

First Blood Part II Read More »

First Blood

  • Title: First Blood
  • IMDb: link

“You’re dealing with an expert in guerrilla warfare, with a man who’s the best with guns, with knives, with his bare hands.  A man who’s been trained to ignore pain, ignore weather, to live off the land, to eat things that would make a billy goat puke.  In Vietnam his job was to dispose of enemy personnel; to kill, period.  Win by attrition.  Well, Rambo was the best.”

First BloodBack in 1982 a young Sylvester Stallone, with only a half-dozen movie roles under his belt, and no hits outside the Rocky franchise, decided to take on the starring role in a film based on David Morrell’s 1972 novel about a Vietnam War Veteran finding himself involved in war against a sheriff in a small town.  The script had been passed on by many actors, needed an extensive rewrite, and production held its own difficulties in the cold forests of British Columbia.  What came out of the experience, one which Stallone admits he was foolish to attempt, is one of his most memorable performances and the start to a new franchise.  Come inside the Full Diagnosis and meet John Rambo.

After learning the only other surviving member of his squad has died from a illness carried back from Vietnam, John Rambo (Sylvester Stallone) drifts into a small town where he draws the ire of the shit-kicker chief of police (Brian Dennehy) and his band of hick deputies (who include a young David Caruso).  Pride and misunderstanding begin a situation that finds Rambo on the run, the Sheriff’s deputies injured, the National Guard called in, and a man hunt which brings in Rambo’s commanding officer (Richard Crenna) with a plea to stand down.

First Blood Read More »

After the Fall

Well folks, Angel, much like Buffy before him, gets renewed for another season.  Angel Season Six entitled “After the Fall” gives us the rest of the story following the gang’s stand against the the Circle of the Black Thorn, and their new lives, in Hell.  Joss Whedon, Brian Lunch and Franco Urru unite to continue the tale of everyone’s favorite vampire with a soul.  Here’s our review for the first three issues of the series.

Angel: After the Fall #1-3
Custom Rating

“I don’t tell them they’re here because I took a stand.  My friends stood by me.  Wofram & Hart sent an army.  There were losses on both sides.  And then Wofram & Hart sent Los Angeles to Hell.”

 

“You’re half of what you were.”

Taking place months after the events of “Not Fade Away”, the entire city of Los Angeles has been sent to Hell and carved up and divided among demon lords.  Angel does what he can to save humans he comes across with remaining resources at his disposal and his new pet dragon, but must also live with the knowledge he’s responsible for sending the entire city to Hell.  Our hero seems lost, and unsure of his new role is to be in this new reality.  The reasons for this uncertainty aren’t immediately evident, but watch closely and you’ll find clues to the surprise revealed in issue #3.

Angel’s pals show up as well.  Connor, Gwen, and Nina are all doing their part and have started a sanctuary for humans.  And Wesley, the only “surviving” employee of Wolfram & Hart, is a ghost and a lone voice of logic in a world now devoid of any.  Whether Angel can trust him, or Wesley can trust himself, is another question which needs to be answered.  But Angel and Connor’s group aren’t the only heroes around.  Gunn is running his own posse, though he’s a bit more bloodthirsty than before (if you get my drift).

This is certainly a different way to take the series, and one which probably wouldn’t have been possible with the limitations of a television budget.  I’m not sold completely on Urru’s artwork and the soft glow and muted edges which he gives to the characters, but he does a good job envisioning Los Angeles in Hell.  This is a dramatic first chapter to what hopefully will live up to the promise of the television show.

 

Issue two finds Angel and Connor both dealing with the fallout from the death of the demon lord of Westwood, who, unknown to them, was taken down by their old pal Gunn, and the possible consequences of Angel killing the son of another demon lord at the end of issue #1.  More of the new Los Angeles is revealed and we begin to get a better understanding of how things work in the new Hell-ish L.A.

The evidence left behind at the death of the demon lord of Westwood sends Angel, mistakenly, to question the demon lord of Beverly Hills (you might remember his as Spike).  The banter between the two, so well used in Season Five, is present from their first scene together here.  And the slug fest between the two in front of the bevy of beauties is pretty good too.

This issue also includes a pretty disturbing scene between Gunn and Beta George showing us how ruthless, and possibly quite insane, vampire version of the former hero can be.  What exactly Gunn’s new role will be in this new reality is still to be determined.

This solid second episode gives us a little more info on the rest of the gang and starts to explain what they’ve been up to since Angel got them all sent to Hell.  Urru’s artwork continues to puzzle with odd takes on the looks of both Gwen and Nina (neither of which are immediately recognizable – and don’t even get me started on Illyria).  Spike however comes off just right.

 


Angel’s arrival and into Beverly Hills has caused an interruption and a battle with Illyria, who doesn’t like to see her favorite pet (Spike) messed with.  The result is Angel getting his ass kicked all around Spike’s mansion, much to Spike’s amusement, and then watching Illyria take on his dragon (which could have gone on a little longer for me).

None of that however is as painful as realizing that Spike’s been on the up and up and been a hero in Hell as Angel has been sitting on the sidelines.  This new found knowledge and guilt of course makes our hero go out and do something very brave, and insanely stupid.  He leaves to pick a fight with all of the demon lords of Los Angeles at once for a winner take all.  And, much like the first two issues of the series Whedon saves us a nugget of insight for the final page revealing just how hard Angel’s got it now.

The issue also contains some unexplained time-looping during Angel’s battle with Illyria.  Whether this is some weird Hell-ish side-effect on her powers or something more substantial, we’ll have to wait and see.

Although only three issues in to this new season we’ve been given quite a bit including the whereabouts of most of heroes (did Lorne hightail it to Vegas before L.A. got swallowed up?) and a building understanding of what this new existence is like.  As I’ve said, I’m not quite sold on the art, but the story has been good enough so far to keep me interested.  The real test is how the next few issues begin tying together these characters and moving the season forward to a climax and conclusion.

After the Fall Read More »

Grendel: Behold the Devil #3

Matt Wagner’s return to his beloved creation continues with more bloodshed, more battles, more musings, and more discoveries.  This is the best issue of the new mini-series so far as Wagner weaves a mesmerizing tale of the first Grendel, Hunter Rose.

Grendel: Behold the Devil #3
Custom Rating

“I saw them both Liz!  I actually saw Grendel!  And the wolf.  The whole fucking massacre…”

If the first two issues of Matt Wagner‘s new eight-issue mini-series (read about them here) set-up what was to come, here the action really gets started.

We begin with a rooftop battle between Grendel and Argent the Wolf, and move on to Hunter Rose’s realization that Argent isn’t the only one on his tail, a blow-up between Detective Lucas Ottoman and Detective Elizabeth Sparks, and a final panel revelation (so good I can’t spoil it) which will knock you on your ass.

The battle between Grendel and Argent, as witnessed by Ottoman, dominates the first half of the issue.  It’s terrifically rendered capturing the frantic action and balancing the sheer animalistic brutality of Argent with Grendel’s delicate and deadly movements.  Set to William Blake’s “The Tyger” and ending with Grendel’s escape and Argent standing over the remaining pieces of what was once Grendel’s soldiers, it terrifically starts the tale.  The later scenes with Ottoman trying to process what he has seen are also well done.

This series, originally conceived by Wagner as a stand-alone graphic novel, gets better issue by issue.  We still don’t know who exactly is hunting the hunter, leaving much more to be told in the remaining issues, but what we have gotten so far is great storytelling mixed with some damn fine trademark Wagner art.  I don’t want this series to end.

 

More please!!!  With Behold the Devil and The Umbrella Academy, Dark Horse is putting out two terrific mini-series which I want to see lengthened for years to come.  I’m soooo ready to see the next issue of this series!

Grendel: Behold the Devil #3 Read More »

Le Portrait de Petit Cossettte

Eiri Kurahashi is a normal kid with a normal job.  He works in his uncle’s antique shop; he takes care of the entire place by himself since his uncle is such an avid collector and is always gone finding new treasures. 

Eiri stumbles upon a wine glass in his uncle’s shop, and when he touches it, he is filled with visions of a young and beautiful girl.  The wine glass becomes a gateway for him to peer into and see his love, Cossette d’Auvergne.

Le Portrait de Petit Cossette
4 & 1/2 Stars

Eiri Kurahashi is a normal kid with a normal job.  He works in his uncle’s antique shop; he takes care of the entire place by himself since his uncle is such an avid collector and is always gone finding new treasures. 

Eiri stumbles upon a wine glass in his uncle’s shop, and when he touches it, he is filled with visions of a young and beautiful girl.  The wine glass becomes a gateway for him to peer into and see his love, Cossette d’Auvergne.

Cossette is the spirit of a girl who has been searching for 250 years for someone who could see her, and speak to her, now she needs his help.  The story takes you back here and there to show you what happened to Cossette and why she haunts the glass.

Marcello Orlando, an Italian painter from the 18th century, painted many portraits of young Cossette.  When she showed signs of growing older he could not bear to have her beauty change, so, he killed her.  Eiri is a reincarnation of Marcello, which is why Cossette is more drawn to him.

In the first episode, you learn a little character development with Eiri and his friends.  You learn that Shouko is in love with him.  They spend time together, but once the wine glass is threatened, he goes off the deep end and shows his true side, the true side that Cossette has brought to him.  Halfway through the episode, Cossette speaks out to him, she shows him, in a first person view as the killer, how she died.  She then fills the wine glass with her blood; he drinks, and then enters a blood contract with one another.

Eiri must from then on repent his sins, or rather Marcello’s sins.  It is a rather weird scene; Eiri turns into a demon, Cossette stands across him on a pillar and points at him, ripping out his soul with invisible hands.

The second episode you get a little more information about Cossette as she tells Eiri about her family.  Once he says Marcello’s name though, she disappears.  He has no idea why she does not want to hear the words Marcello Orlando, so he does not drop it.  Cossette and Eiri begin to develop more of a relationship in this episode, more than just the ‘peeping Tom’ thing Eiri had going on before.  After some time, she finally reveals the killer, which is quite a shocker when you hear it.  The second episode does several flashbacks to the day Cossette was murdered, which does get a little annoying.

The thing is the story does not just include Cossette and Eiri.  His friends are continually showing up here and there to express their worry for him, since he had changed so drastically one day, from normal, to talking to himself all the time.

In the third episode, Eiri goes completely mad.  Cossette comes to him and says that it is over; she cannot continue to hold him to his contract anymore.  Once she disappears, he runs through the antique shop trying to find her, his friend Shouko happened to witness him going crazy trying to find Cossette.  He eventually runs off, Shouko follows; he heads to Cossette’s.  He brings himself to the place where he repents and rips he own soul out this time trying to get closer to Cossette.  He finally makes it and finds Cossette, only she really is not Cossette, she is Marcello’s painting.

Once he figures out that she is not the real Cossette, the one he fell in love with, he rushes to find her.  He comes upon Marcello’s easel and paints a blood portrait of the real, the beautiful, Cossette, killing off Marcello’s creation, freeing Cossette.

 

I would have to say hat this anime was a little different.  I enjoyed it the music was great.  Here and there, the music was dainty, which is how Cossette was supposed to appear, and at the end, the music changed to give you a rather eerie feeling.  The artwork was awesome, but I have to say that Cossette looked a little strange in some angles.  The fact that she looked childish was not my main issue, since she was killed as a child to “stop her time,” just simply at some angles she did not look as ‘beautiful’ as she was supposed.  The plot is great, and overall I believe it is worth a 4.5 stars.  The fact that the series is only three episodes long is just a major plus.

Le Portrait de Petit Cossettte Read More »