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Frank Miller’s Sin City

  • Title: Sin City
  • IMDB: link

Walk down the right back alley in Sin City, and you can find anything…
It might seem strange to call a movie as violent and bloody as Sin City beautiful but no other word quite fits.  After all the movie vividly contains decapitation, canibalism, castration, severed limbs, truckloads of guns and explosions, and blood in all different shades and colors.  It’s a film noir overflowing with deceit, treachery, torture, murder and death.  Yet somehow this is all captured as originally drawn by Frank Miller and transferred so lovingly onto screen that one can not help but sit back with wonder and appreciation.  Beautiful?  ‘Bet your ass!

The plot of the film blends three main stories, with one or two small ones,  compiled from Frank Miller’s successful Sin City graphic novels.  We get three hardboiled protagonists in the sinful setting of Basin City. 

Hardigan (Bruce Willis) is one honest cop in a city owned by the crooks.  On his last day on the job he saves 11 year old skinny little Nancy Callahan (played as an adult by Jessica Alba) from a senator’s demented son (Nick Stahl) only to be shot by his partner and put in prison for Junior’s crimes. 

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Young Frankenstein

  • Title: Young Frankenstein
  • IMDB: link

young-frankenstein-dvdYoung Frankenstein is Mel Brooks’ most complete work.  Though not his funniest movie (The Producers) the movie works from beginning to end and doesn’t fall apart during the last act (Blazing Saddles); it remains as the hallmark of his career and his one truly flawless film.

The brainchild of Gene Wilder entertains and enthralls the audience for every single frame.  Wilder was a huge fan of the Frankenstein movie franchise and his love for the characters is palpable in this delicious satire.  Brooks would return to satirize other works such as Star Wars and Dracula, but those films lack the emotional connection to the originals that this one produces so effortlessly.

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Constantine

Imagine we are all chess pieces that the forces of good and evil use to play with. Constantine takes the depths of hell and brings it to our T.V. as if LA was on fire and the freeway is Hell Central. Based on the characters from Vertigo “Hellblazer” a comic book, Constantine takes the audience from the illustrated page directly to a dark, gothic, and somewhat comedic cinematic experience. Some of the scenes could easily be turned into a vivid graphic novel that captivates its readers and puts them into a trance.

Unfortunately, fans of Alan Moore, Jamie Delano, and Garth Ennis’s might be a little disappointed with Constantine’s punchy plot, freakish monsters, and stiff main actor Keanu Reeves as the antihero John Constantine.

Constantine
3 Stars

Imagine we are all chess pieces that the forces of good and evil use to play with. Constantine takes the depths of hell and brings it to our T.V. as if LA was on fire and the freeway is Hell Central. Based on the characters from Vertigo “Hellblazer” a comic book, Constantine takes the audience from the illustrated page directly to a dark, gothic, and somewhat comedic cinematic experience. Some of the scenes could easily be turned into a vivid graphic novel that captivates its readers and puts them into a trance.

Unfortunately, fans of Alan Moore, Jamie Delano, and Garth Ennis’s might be a little disappointed with Constantine’s punchy plot, freakish monsters, and stiff main actor Keanu Reeves as the antihero John Constantine.

Constantine starts out with a true bang. Homeless people are digging for “treasures” under an old bridge, one of them run across the Spear of Destiny, known to be the blade to have pierced Christ’s side during the Crucifixion. This is where it gets good, as the guy is crossing the street BAM a car runs smack into him. The technical brilliance behind this massive crushed wreck and the guy getting up and walking away is absolutely awe-inspiring and a real chair clincher. Next scene is a moment out of The Exorcist, a little girl climbing the walls needing a little help from John Constantine. He pulls a demon out of her, only to realize there is something drastically wrong, this is a soldier demon trying to come over onto our plane in corporeal form.

John spends his days trying to buy back his salvation, by hunting for that one thing that will put him back into the Lord’s good graces. As a youth he had committed suicide, a mortal sin in they eyes of God, and spent a few seconds in Hell before being spat back out by mere luck of life. John runs across the path of Angela Dodson (Rachel Weisz), a cop who is investigating the death of her twin sister who had jumped off of the roof of a crazy ward and Angela won’t accept her death as a suicide. She recruits a reluctant Constantine to help her solve the mystery behind her sister’s death. John realizes that there is something special about Angela; she has the same visual abilities as he does, and she can see half-breeds and other spooky elements that most do not. John with the assistance of Papa Midnite (Djimon Hounson), a sorcerer and club owner for half-breeds, demonic and angelic, Beeman (Max Baker) his nervous supplier of occult tools and his apprentice Chas Kramer (Shia LaBeouf) the comic relief, start to collect and organize the clues to Angela’s sister’s death. Along the way they meet up with a little resistance from Gabriel (Tilda Swinton) an androgynous, half-breed angel and Balthazar (Gavin Rossdale) a creepy half-breed demon.

John had accidentally given the half-breeds exactly what they wanted, Angela, a powerful psychic. Balthazar had trapped John and handed Angela over to Gabriel to perform the ritual to bring Satan’s son to our plane. John and Chas rush to the mental ward to stop the transformation, but show up a bit too late. John takes his life again, knowing he would need a very powerful force to stop what was going to happen and that Satan disparately wanted him back in Hell. Here comes the best part to the film, Lucifer (Peter Stormore) appears. This character truly gave me the creeps and I would imagine if Lucifer existed, this is exactly how he would be. Pissing him off wasn’t a good idea, but John figure what’s left to loose. He had asked for Angela’s sister’s life in replace for his and stopping his son from coming aboard. Well, of course, this was the one act of redemption that God would forgive all his sins and allow John to enter the pearly gates. Lucifer is livid and takes John’s lung cancer away and makes him go back to his existence on earth trying to tempt him into another mortal sin so he can have him back in Hell.

 

Constantine shows some worthy talent and a great premise for a story, but shies away from the adventure it could have been. I think it should have went a great deal further, really pushing the lines of right and wrong and giving the audience a true thrill ride. First time director Francis Lawrence did a great job, he had only worked on music videos prior to this project and it shows. The edgy and sinister dark sets truly bring the audience into the scenes, but sadly the plot comes up shallow and muddled leaving the audience wanting a little more. If you are in for the talent and a little Keanu Reeves action, then Constantine is the film for you. You are not going to get any true depth or find the meaning to life here, but if you watch Constantine with a light and less serious approach, you might find it quite entertaining and visually stimulating.

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Hitch

Hitch, even though predictable and somewhat cookie cutter, is funny, sensitive and an easy watch. Will Smith keeps the audience tickled and well entertained in this romantic romp. What else could we expect from the director of Fools Rush In, Ever After, and Sweet Home Alabama, but yet another funny romantic comedy, Andy Tennant’s girlfriend/wife is one lucky lady.

Hitch
3 Stars

Alex ‘Hitch’ Hitchens (Will Smith) plays a hip and suave “Date Doctor”, he helps not so lucky guys get the women of their dreams in only 3-dates. Using little quips of advice, similar to a guy’s version of The Rules book, Alex instructs like a coach getting a player ready for the big game. He instructs his clients to look for the signs when on a date; for example, when she is fidgeting with her keys, that means she wants a goodnight kiss or don’t go all the way for that kiss make her follow up the last 10%. Hitch instructs them in the ways of love and confidence; all a woman needs to fall in love is a man with loads of confidence.

Released on DVD June 14

His latest client, Albert Brennaman (Kevin James), an overweight nerdy accountant with a massive crush on a beautiful client, society heiress Allegra Cole (Amber Valletta), proves to be quite a challenge. The funny thing is, is that Allegra is just as geeky as Albert and they are a perfect match for each other, but Albert needs Hitch to give him the confidence to move forward and approach her. While assisting his biggest challenge, Hitch runs into another challenge, more like an uphill climb, he falls for a gossip columnist, Sara Melas (Eva Mendes)

At first Sara tries to play all-coy not acting too interested and really making Hitch put out a great deal of effort to court her. Finally succumbing to his charms, she agrees to go on a date, Hitch turns out to be a babbling idiot under her powers. He spends more time tripping over himself and stammering, Sara only finds this to be more attractive and powerless under his charms.

Of course there is a hiccup, it’s set up in the romantic comedy formula. Guy meets girl or girl meets guy, one likes the other but the other doesn’t, then after a period of acting like primates they fall in love, after the love comes hardship and then love again. Well in the case of Hitch, Sara runs into a guy that Hitch would not help, but he sets Hitch up for a fall. The guy she runs into has hurt her best friend and totally pushes it off onto Hitch’s advice, she gets even by slandering him in her gossip column. In the process of trying to get even with Hitch, Sara ends up hurting Albert and Allegra’s relationship. Albert is heart broken at first, but realizes he truly has the confidence to fix this one on his own and goes after Allegra and wins her back. Hitch, on the other hand, wallows in self-pity for a while quits his business and sets up to leave town. Right before he hits the door he is hit with a little bit of truth serum and runs out to beg for forgiveness from Sara. Honestly, I feel Sara owes him a big sorry, for all the junk she stirred up, but Hitch does the apologizing and wins Sara back. The End.

 

Hitch is an awesome date movie, good for an evening at home with some candle light, pizza and “the love doctor”. It will make you and your “special” someone laugh and giggle, Hitch is a real treat for a light evening.

Available on UMD Mini For PSP. It’s cool seeing Will Smith really tiny, but Hitch isn’t a film that should be seen in that small of a format. PSP owners might not be the type who goes around watching films like Hitch by themselves and if they do, they don’t admit to it.

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The Complete Prisoner

  • Title: The Prisoner
  • tv.com: link

The most original show ever made, and perhaps the best art form ever shown on television, The Prisoner is simply a masterpiece.  Hailed as the first television classic, Patrick McGoohan’s allegory of an individual being trapped in a modern society that wants nothing more or less than to break him down into meaningless number is gripping television.  More art than television, the show has been compared to Franz Kafka, George Orwell, Lewis Carroll, Aldous Huxley, G.K. Chesterton, Jonathan Swift, Gustav Meyrink, Alfred Kubin and the surrealist painters such as Rene Magritte.  The show created awe, hysteria, and finally a profound appreciation for McGoohan’s masterpiece that stands alone as a shining example of what television can, and for at least one year strove, to be.  It raises as many questions as answers, but does both with style.  The show certainly wasn’t made for the casual viewer, or in an attempt to create a huge hit for the BBC.  In McGoohan’s own words, It’s “not to everyone’s taste.  It was never intended to be.  I wasn’t making Coca-Cola.”  No, it was in fact something much, much sweeter.

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