New Year’s Eve
- Title: New Year’s Eve
- IMDB: link
New Year’s Eve follows the lives of an ensemble of New Yorkers, somehow each of whom find themselves in a series of cliched, sickeningly sweet entanglements or awkward situations that only bad screenwriters can dream up, in the hours leading up to Times Square’s biggest night.
The cast includes a single man (Tad Hamilton) with car trouble dreaming of the woman he met last New Year’s Eve, a single mother (Sarah Jessica Parker) whose teenage daughter (Abigail Breslin) wants to spend New Year’s Eve with a cute boy (Jake T. Austin) in Times Square, Robert De Niro as a man dying of cancer wanting to see the ball drop one last time and his doctor (Cary Elwes) and nurse (Halle Berry) who try to make his final hours comfortable, and a pair of couples (Seth Meyers, Jessica Biel and Til Schweiger, Sarah Paulson) jockeying to be the parents of the first born baby of the year.
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Wow, did that suck. I wasn’t expecting much from the reboot of the 
Over the top acting, typical story line and a complete lack of moral high ground makes Pride and Glory absolutely painful to watch. You don’t give a shit about any one single character, not a one; the most enduring character is a wife dying of cancer. That’s right, a dying wife and interesting enough women were only window dressing in Pride and Glory. Chics don’t carry guns, they are not in the force and they certainly don’t have a brain, just drones that are completely clueless to the peril and damage their husbands are pressing on the poor elements of society. Pride and Glory is way too long and exaggerates every stereotype from unlawful cops to the criminal element, way too much in one film. It’s certainly nothing we haven’t seen before, not a single original thought or character.
