Comedy

Hearts Afire

John Ritter, Billy Bob Thornton, Markie Post, and Ed Asner make up the core of the cast for Hearts Afire a little remembered sitcom from the early 90’s.  The first two seasons are now on DVD (with the third and finale season to be released on February 7).  A funny little comedy you just might want to check out.

Hearts Afire – Season One & Season Two
Custom Rating

From the writing and producers that gave us Evening Shade and Designing Women, Hearts Afire tells the tale of John Hartman and Georgie Anne Lahti and their romance that begins in Washington D.C. (Season One) and moves to a small southern town (Seasons Two and Three).  Although the show is hurt by having what amounts to two pilot seasons it’s still a nice find with some great performances by Ritter, Post and Thornton.  And any show that lovingly makes an Underdog reference is just too good to pass up.

Season One

John Hartman (John Ritter) works as the chief of staff for Republican Senator Strobe Smithers (George Gaynes) with his best friend Billy Bob Davis (Billy Bob Thornton).  Hartman’s life is in a shambles as his wife has left him for their marriage counselor Dr. Ruth Colquist (Conchata Ferrell).  Into his life walks down and out liberal journalist Georgie Anne Lahti (Markie Post) who Hartman hires as the new press secretary and allows to move into his home.  Sparks fly.  Also along for the ride are Clark Duke and Justin Burnette as Hartman’s sons Elliot and Ben and Ed Asner who appears as Georgie Anne’s recently paroled father who moves into house as well.

Good performances abound here as Ritter and Post have great chemistry on screen together and are given opportunities to demonstrate their considerable comedic chops.  Thornton gives a nice self-effacing role as a good ol’ southern boy and Asner adds class to the show from his first moment on screen.  The supporting performances are also worth noting.  Gaynes is terrific as the befuddled, rambling, politically incorrect Senator Smithers.  Beth Broderick gives a nice turn as the Senator’s dumbbell secretary and mistress Dee Dee Starr who “thinks faces on Mt Rushmore are a natural phenomenon.”  Even the kids are cute!

The storylines move from hot and cold and really rely on the performers to carry the show.  Plots from the first season include: the burgeoning romance between Hartman and Georgie Anne and the struggle to consummate it, a reporter friend of Georgie Anne’s snooping around the Senator’s office, the Senator’s wife running for his seat, Georgie Anne’s date with George Hamilton, the end of the Bush and beginning of the Clinton Administration, an attempt ot write a romance novel, Gerogie Anne’s relationship with Fidel Castro, reasons why you should never play Trivial Pursuit with this group, and the battle of the sexes at the Senate offices and at home.

Season Two

Hartman, Georgie Anne, Billy Bob and the kids leave Washington D.C. and head south to the small town that Hartman and Billy Bob grew up in.  They buy a small out of work newspaper and work to get it back up and running.  Familiar faces show up in the guise of new characters: Ferrell trades her bisexual Washington psychiatrist for the role of small town shrink Madeline Stoessinger and Broderick shows up as a guest star as Dee Dee’s sister Lee Ann Starr Folsom.  Joining the cast is Leslie Jordan as Lonnie Garr, an old friend of Hartman and Billy Bob’s who lusts after Brenda Swain, who works at the local photo hut, despite her illegitamate baby who looks like a pig.

Getting the paper up and running turns out to be quite a chore as the group runs into hard times as the group tries to find financing to get a new printing press and works odd jobs including a stint in the high school cafeteria.  Small time life includes taking revenge on Madeline’s ex-husband, the Boy Scouts, Rush Limbaugh’s visit, Billy Bob’s dating life, the Stud Club, and a very special Christmas present.

Sadly Wendi Jo Sperber, who played Thornton’s wife and co-worker in Season One, and George Gaynes don’t make the trip South and Ed Asner only shows up for one episode.  It’s the last which is most disappointing because it hurts the father/daughter relationship that developed between Asner and Post in Season One which turned out to be one of the strongest storylines of the series.

Of the two seasons I prefer Season One over Season Two (which is six episodes shorter for the same list price).  It’s just hard to struggle through an entirely new premise where the characters are reset (even though once done it works quite well).  The acting and dialogue are first rate and at times I just wished the stories would equal them. 

Also disappointing are that lack of any real extras here.  All that is included is a musical montage containing clips of the show, outtakes and bloopers for each season.  The set-up for each disc is good, but it does require you to click to watch each individual episode without the play all option.  There is one troubling point I’ll mention if you watch the episodes on a stereo system you’ll find the voice dubbing on certain episodes to a little distracting as the voice overs don’t match (in some cases aren’t even close) to the original, though lucky on most episodes these moments are few and far between. 

Still, for formulaic half hour sitcoms Hearts Afire is much better than most and has some serious charm.  Ritter and Post both inhabit their characters and the chemistry between them is just right and Thornton provides glimpses of the actor he would become in the following decade.  Even with some issues I have with the sets it’s definately worth a look and some of Ritter and Post’s best work.

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Poorly Produced

Ugh…The Producers is a staged remake of the Broadway show which was remade from the original movie starring Gene Wilder and Zero Mostel.  So it’s a remake of a remake (of a sort) and it feels like it.  Is it bad when the Springtime for Hitler number is the most professionally done (and still nowhere near as good as the original) of, well anything, in the film?

The Producers (2005)
1 Star

I never went to see the play The Producers, until now.  I say that because the film looks like so much like a stage show that I wondered why they didn’t just tape a Broadway performance on Betamax and distort the image through a projector onto the screen.  I guess that would have aimed too high.

I am a huge fan of the original film which I consider to be Mel Brooks’ funniest film (though not best, here’s that review).  I could have lived without seeing the never-ending disaster that Susan Sroman, Matthew Broderick, Nathan Lane, and Uma Thurman create out of such a great script.

The story more closely follows the stage version rather than the original movie which involves producer Max Bialystock (Nathan Lane) and accountant Leo Bloom (Matthew Broderick) deciding to produce the biggest flop on Broadway, sell off more than the play is worth to backers, and pocket the cash when the play closes opening night.  A great plan, but this is a comedy so what happens?  The worst musical in the world Springtime for Hitler becomes an instant smash success and the talk of Broadway!

I would have preferred to watch a two hour version of Springtime for Hitler or Police Academy 6: City Under Siege or even receive a caning.  Everything goes wrong here except life doesn’t imitate art and this flop sadly never becomes a hit.  Mel Brooks wrote the roles of Leo and Max specifically for Gene Wilder and Zero Mostel.  Broderick and Lane just can’t fill their shoes.  Even in the best moments of this movie (all three of them) the feeling of “yeah, but that’s still not as good” comes to mind.

Broderick doesn’t have Wilder’s innocence and fragility.  The actor that as a kid pulled off the super confident Ferris Beuller just doesn’t fit the insecure Leo Bloom.  Lane is a little better, though he too is doing more of an impression than his own character.  The whole movie feels like a Saturday Night Live skit based on the original movie rather than a movie of its own.

The story has evolved, changed, and lengthened as Mel Brooks turned it into a play.  Part of the problem was giving the helm to stage director Susan Stroman who never makes the necessary changes to take the Broadway musical and turn it back into a film.  The timing and action of the piece, the sets and musical numbers, all seem out of place on film.

I’ll give you an example of how the new model fails to live up to the original:

After waiting roughly 105 minutes for the curtain to finally rise on Springtime for Hitler (the original is a total of 88 minutes, versus this 134 minute version) what we get is truly disappointing.  In the original the full musical number is performed including cannons, singing Nazis, a choreographed swastika dance, flags and banners.  As the number ends the camera pans to a stunned audience except for one man who is beaten down for his jubliant applause.  The audience starts to leave and is only stopped by LSD’s (Dick Shawn) performance (a character NOT included in this version).  FUNNY!

Lane and Broderick try to hide from
anyone who has seen this film

So what does this version do?  It pans to the audience several times during the opening number showing shock before anything really shocking occurs on stage and the audience actually accepts and applauds before and during the swastika number accepting and appreciating it.  Confusing and UNFUNNY!! 

Also missing is the bar scene where Leo and Bloom’s celebration is cut short by the terror of intermission as they hear the audience praising the play, and the ending that includes the plot to blow up the theater.

The film is full of such changes.  The removal of LSD as a character broadens the one-joke characters of writer Franz Leibkind (Will Farrell) and Roger de Bris (Gary Beach).  Problems start to occur immediately however as the actors are asked to do too much with such limited roles.  The film also makes de Bris and his band into crude, stereotypical, and tasteless gay caricatures.  How bad is it?  The Village People appear (no, that’s not a joke, though I guess Brooks thought it would be).  Farrell is fine as Leibkind but has to improv too much as his character, like all the rest, is on screen too long.

Uma Thurman plays Ulla the Swedish secretary.  She actually is pretty good in the role (though was her make-up person blind? or maybe cross-eyed?).  Her accent comes and goes (especially during the signing numbers) but she comes off better than most of the cast.  Yet here again a one-joke character from the original “Bialystock and Blum, got dag pa dig” is stretched thin in an unecessary lengthy role.

Don’t pay a dime for this; save your money and go out and get the DVD of the original 1968 version of The Producers.  This version is just a waste of a theater that could be showing something better (like Narnia or Kong or a three hour documentary on yeast infections).  Hopefully people will stop trying to remake Wilder’s films now, but I have this horrible fear that I’ll see a new Silver Streak with Owen Wilson and Chris Tucker announced any day now.  Stop trying to ruin the films I love and just get back to making more Hollywood crap that people so enjoy…hey I hear Fantastic Four 2 is on its way.

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Fawlty Towers

John Cleese considers his work on Fawlty Towers to be some of the best of his career.  Cleese co-wrote and starred as hotel owner Basil Fawlty for twelve hilarious episodes that originally aired on the BBC in the late 70’s.  The entire collection is available on DVD and for fans of Cleese or just comedy it’s a must have.

Fawlty Towers
4 & 1/2 Stars

How good is Fawlty Towers?  Well, the British Film Institute ranked it the number one television program of all time beating out Doctor Who, Monty Python’s Flying Circus, and The Prisoner (read my review of The Prisoner here).  Add the fact that John Cleese considers it some of the best work of his career and you know you’ve got something pretty special here.  Written and performed with then wife Connie Booth Fawlty Towers is comic gold.

Basil Fawlty (John Cleese) owns a small hotel with his wife Cybil (Prunella Scales) in the sleepy hamlet of Torquay.  Not cut out for the hotel business Basil grouses, ignores, intimidates, spies on, and insults everyone.  In Basil’s view there is only the one thing wrong with the hotel business – the customers.  Cybil (Prunella Scales) is the shrewish wife who spends most days talking on the phone and leaving the business to Basil so she can complain about his horrid management style. 

To help them they have a small band of characters.  Manuel (Andrew Sachs) is the bellhop, waiter, and handyman who speaks little English and understands even less.  The only stable influence is maid Polly (Connie Booth) who despite her best efforts finds herself pulled into Basil’s half-baked schemes again and again.

Cleese is at his best in the role as the maniacal Basil who as my Grandmother might say is just dumb enough to be dangerous.  His seething hatred for his customers and wife boil out into such hilarious outbursts and incidents that you are amazed and entertained with each viewing; he plays the part with such wicked glee.  Surrounded with a good cast Cleese takes the character into all sorts of unsuspected places and provides laugh after laugh.

The three disc collection is bursting with extras including director commentary for every episode by the series two directors John Howard Davies and Bob Spiers.  There are long interviews with Cleese about his experience with the show and extras on the real life character on which Basil was based.  There are featurettes on the hotel and the town of Torquay as well as fun clip segments arranged by theme.

Episodes:

A Touch of Class
Tired of the riff-raff staying at the hotel Basil has taken out an ad in a newspaper to attract a higher level of clientele.  The problem is it attracts a confidence man who, when he is found out, sends Basil up the wall.

The Builders
To save some money Basil hires a less reputable contractor to work on the hotel while he and Sybil go away on holiday.  On returning he discovers that the dining room has been completely walled up and has to find a way to fix it before Sybil kills him

The Wedding Party
Misreading the situation Basil suspects that promiscuity and fornication may be going on right under his nose.  Not in his hotel!  He spies to try and find the truth creating a series of unfortunate incidents.  The final scene is priceless.

Hotel Inspectors
After learning that hotel inspectors are in town Basil goes into overdrive trying to please the guests he believes might be inspectors while ignoring and offending everyone else only to find out the hotel inspector might not be who he thinks.

Gourmet Night
To help bring in a higher quality of customer Basil arranges for a gourmet night.  Problems ensue when the chef drinks himself into a stupor because Manuel spurns his romantic notions.  Basil tries to balance the proceedings instead of cancelling the dinner.

The Germans
Both Cybil and Basil end up in the hospital.  Cybil for a normal operation and Basil for a concussion and head trauma caused by a stuffed moose head and an ill timed fire drill.  Basil returns to the hotel in his concussed and medicated state and can’t quite stop from telling the German guests about WWII.  (For my money the best episode of the series)

Communication Problems
Basil tries to hide his horse track winnings from Cybil who doesn’t allow Basil to gamble.  At the same time a deaf customer has replaced a large sum of money.

The Psychiatrist
Basil just knows the new male guest has smuggled a girl into his room and is out to prove it.  The pychiatrist couple watch and comment on Basil’s eccentric behavior.

Waldorf Salad
A very paticular American customer wants a Waldorf salad but the kitchen is closed and he won’t take no for an answer.

The Kipper and the Corpse
Two customers rile Basil.  The first is a woman who demands special attention and service for her dog; the second is a corpse which Basil and Manuel try to smuggle out of the hotel in a laundry basket.

The Anniversary
Cybil leaves thinking Basil has forgotten their anniversary.  As her friends arrive for the surprise party Basil had planned he has to figure out something to do.  Unwilling to admit Cybil is gone he fabricates lie after lie and even involves poor Polly into standing in as the sick Sybil who is near death’s door.

Basil the Rat
The health inspector is coming and Manuel’s pet rat, affectionately named Basil, is on the loose.

 

This is truly an astonishingly funny show.  My only real complaint is that there were only twelve episodes made.  A nice DVD to add to your collection and since each episode is thirty minutes in length it’s a nice thing to pop in whenever you’ve got a little free time and need a quick pick-me-up or a good laugh.  So if you’re in need of a holiday why not spend the night at Fawlty Towers?

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Kiss Kiss, Bang Bang

  • Title: Kiss Kiss, Bang Bang
  • IMDB: link

kiss-kiss-bang-bang-poster
“This isn’t good cop / bad cop.
This is fag and New Yorker.”
Any movie that contains an argument over the phone about why someone has urinated on a dead body he finds in his hotel room shower deserves some attention.  Kiss Kiss, Bang Bang is one of the most entertaining movies of the year.  Part Hollywood satire and part dime-store novel this is great fun with terrific performances from Robert Downey Jr. and Val Kilmer.  Simply put folks, this is the best comedy of 2005.

Harry Lockhart (Robert Downey Jr.) is a small time thief who stumbles into an audition for a detective show while fleeing from the police.  Whisked away to Hollywood Harry meets Perry (Val Kilmer) a gay detective who is the consultant to the show.  At a party Harry also runs into Harmony Lane (Michelle Monaghan) the girl who got away so many years ago.

So far sounds like a pretty normal film right?  Well here’s where things start to get interesting.  Larry takes Harry on a stakeout to teach him more about detective work, but unfortunately they run into a car with a dead body.  For reasons to difficult to describe here the two abandon the body only for Larry to find it in his hotel room shower early the next morning.

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Waiting…

  • Title: Waiting…
  • IMDb: link

Is Waiting… great cinema?  Well no, but it’s damn funny.  A perfect vehicle for Ryan Reynolds, with some wonderful supporting performances, in much the same vein of his title role in National Lampoon’s Van Wilder.  A nice little comedy that’s well worth checking out.

Monty (Ryan Reynolds) is the coolest guy at Shenanigan’s, an Applebee’s style restaurant.  His co-workers include best friend Dean (Justin Long) who is agonizing over the state of his life, out spoken waitress Serena (Anna Faris ), timid Amy (Kaitlin Doubleday), and Naomi (Alanna Ubach ) who’s one bad tipper away from some serious carnage.  We’ve also got the dorky manager Dan (David Koechner), jail-bait hostess Natasha (Vanessa Lengies), crazy chef Raddimus (Luis Guzman), the grill guru Bishop (Chi McBride), and new trainee Mitch (John Francis Daley).

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